The Return of Dr. Mabuse (1961)

Expected more

Bad Acting and worse Bad Screenplay

An absolute waste of money

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Enjoyable German crime thriller stars Gert "Goldfinger" Frobe as police commissioner Lohmann, faced with a series of crimes perpetrated by convicts. These convicts have been turned into obedient slaves by the nefarious, mysterious mastermind Dr. Mabuse, and are able to escape prison and return there once their deeds are done. Giving Lohmann an assist is American FBI agent Joe Como (Lex Barker); also involved is a sexy female reporter, Maria Sabrehm (the delectable Daliah Lavi).Capably directed by Harald Reinl ("The Torture Chamber of Dr. Sadism"), this is good, zesty entertainment that gets by due to effective lighting schemes, a swift pace, and a snappy script. The movie rarely stops moving, presumably to keep us focused on the story and prevent us from thinking about it too much. It's a delight to see heavyset, jovial Frobe as a hero, and Barker (just one of many Tarzan performers over the years) is solid as a character about whom you're never quite sure; whose side is he really on? Lavi is appealing while also functioning as major eye candy. The strong supporting cast includes Fausto Tozzi as the sleazy looking Warden Wolf, Werner Peters as his associate Bohmler, Wolfgang Preiss as the slippery Mabuse, Rudolf Forster as a disgraced chemist, Rudolf Fernau as a priest, and Joachim Mock as Detective Voss.Sometimes startlingly violent (one victim is turned into a human torch), but pretty stylish throughout, "The Return of Dr. Mabuse" is just plain fun for any lover of this film series.Seven out of 10.

As I generally greatly detest sequels, reboots and the like, especially of great filmic franchises created and led by outstanding filmmakers (ie., the Mabuse character and Fritz Lang) I initially had quite guarded reservations about seeing Reinl's version here. But it had significant strengths that made me quickly realize my fears were undeserved and that I, in fact, was in for a treat. The pace is whipcrack, the plot is intense and in Commissioner Lohmann, the villainous 'Goldfinger' (an excellent Gert Fröbe) pulls off a gritty cross between an Ed Asner and a Popeye Doyle-era Gene Hackman. I love how one of the ways Mabuse resorts to do away with pests pays homage to Lang's 'The Testament of Dr. Mabuse' from three decades prior. It certainly made me wary of churches, one-legged men and even laundry workers, for crying out loud, and part of the fear the film brings across is because in the back of our minds, we know this is precisely how the Nazis operated, studying fluoride as a mind-control agent. If there is any negative I got from the film, the Berlin police department (good ol' Lohmann notwithstanding) seemed the most unintelligent and incompetent sleuthing force this side of Inspector Clouseau. Definitely recommended for fans of thrillers and spy films.

I had heard that Gert Frobe was a pretty good actor. Most of us remember him in "Goldfinger," of course. He plays a multi-dimensional police detective who must pursue the wily Dr. Mabuse (whoever he might be). Working with a man imprisoned for his experimentation, a series of alleyways and twists and turns, leading to prisons, narrow escapes, and death, Frobe stays on the path, even though he doesn't seem to be respected by his adversary. The scientists daughter becomes a pawn in the game and complicates things. The pacing is pretty good and there are some surprises. And, as we know, super villains aren't all that easy to kill. Still, I liked the low key performance of Frobe and the way he is never intimidated by his discoveries.

This was another good entry in the Dr. Mabuse series, and a good German mystery movie in general. Gert Frobe is excellent as Lohmann, and Lex Barker is a welcome addition with his character, who keeps us on our toes by never really letting us know his true allegiances until late in the film. Once again though, a lot of traps and salient plot points are recycled from some of the previous Mabuse movies. The addition of the "Chicago Syndicate" element looks to have been added to make the movie more reachable to US audiences, but the film does manage to keep the unique verve that most German cinema had back in the fifties and sixties.