Zapata: The dream of a hero (2004)
This fictionalized portrayal of Emiliano Zapata as an Indigenous Mexican shaman, directed by Alfonso Arau, was reportedly the most expensive Mexican movie ever produced, with a massive ad campaign, and the largest ever opening in the nation's history. Unusual in the Mexican film industry, Zapata was financed independently.
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It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Exactly the movie you think it is, but not the movie you want it to be.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
This Film betrays the very cause that is supposed to honor.When I saw Alfonso Arau's "Zapata" I expected a film that may not only expose the American natives as a great, noble and highly organized and intellectual cultures, specially the Aztec Empire, but also to bring the well deserved pride to this humiliated, discriminated people in Latin America.Instead what I saw is a disrespectful MOCK of the accounts of the history, in short:-Zapata (Fernandez) denies every time he is a leader, a liberator, he is actually annoyed when he is asked for guide from his devoted followers, seems that he got stuck in that position for pure luck.-Zapata (Fernandez) doesn't in any point of the movie prove that indeed he is a leader or that he deserves that title. -Zapata's brother dies in this film in the vilest situation, a betrayal, having sex with the wife of a fellow Indian. Any honorable Aztec man knew that this sole act in the Aztec law will get death as punishment. -Zapata in this movie claims that his struggle is to defend their traditions, self-respect, history, beliefs and way of life but several times in the film he leaves his Indian wife to go after the beautiful blonde European mistress, betraying the very own cause he is fighting for, is this the leader his people deserve?-A witch, (sometimes naked) keeps appearing in his dreams, I believe she is some kind of guide in Zapata's life, how come she never told him that he was going to be lied by the enemy and killed in the lamest way? I can easily keep writing about how bad this film is, but I will need about four hours for that, basically the time it took to write the screenplay of "Zapata, El Sueno del Heroe", (Sad, very Sad)LPortillo
How do you turn a man into a myth? Or worse yet, how do you make 2 hours of pretty terrible viewing? The answer would be this sad attempt at the retelling of one of Mexico's greatest heros. For starters, Alejandro Fernandez doesn't look anything like Emiliano Zapata--he's way too white. And Fernandez looks more like a Mexicano Clive Owen, which was somewhat distracting. The scenes jump with no ryhme or reason as the movie tries to follow the trajectory of Zapata's life. Unless you are completely familiar with the Diaz dictatorship and the land struggles and revolution in Mexico in the early 20th century, you're gonna be completely lost. The film vacillates between grand epic and art film. Zapata/Fernandez is guided by three wise women whose presence in the movie is distracting and just downright goofy. The previous reviewer made mention of several present day Mexican stars who have cameos, including Lucero as Zapata's upper-crust lover(!). I did enjoy the scene where Zapata meets Villa, which re-enacts the famous photograph of the two revolutionary leaders. You do get a sense of the larger than life character that Villa was. However, that short scene is not enough to make up for all the tedious scenes that came before. Really, this movie stinks and doesn't do justice to the memory of a great man who helped led the peasant revolt in Mexico.
Being totally sincere I spected this movie to be not good, but never thought it was possible to be as terribly bad as it is.Based (Is it?) on the life of Mexican hero Emiliano Zapata, the screenplay is a mess. This historic character was maybe the Revolution hero with more social impact, maybe also the only one with true ideals, and actions. But you can see nothing about this in this movie, Instead of that the movie uses all the time to say just that he was the "chosen one" never even trying to figure why. Too much has been said about the inclusion of the Mexican singer Alejandro Fernandez in the main role, and blaming him of all the weakness in the character. I think that this conception is really wrong, cause being not an actor Mr. Fernandez took the responsibility of his character, and studied acting, and Nahuatl (Being the only one who seems fluent in his speaking) and made a big effort that made a good shape for the hero, but even the best actor in the world would be incompetent to fill a character that in this story and screenplay, haves nothing in its soul.The photography by renowned photographer Vittorio Storaro is really beautiful, but ruined by the editing and shameful visual effects. The Set design and costumes are great. The musical score is a full mess, and the main love theme is a perfect copy of: Don't cry for me Argentina.Meaning all this I have said that the movie haves a lot of good effort by cast and crew, but being the leadership by Arau an empty mess, with not a hint of creativity, all this effort is a complete waste and a shame of movie.
Where to start? This movie is even worse than hitting an old lady in the street. The worst part is that I knew it was bad before going to the theater, but I thought it would be fun to watch. But oh mistake! The acting of everyone there is bad, maybe Camil gets a little of slack. The script is horrible, incoherent, absurd and ridiculous. You laugh at first at how wrong the production is,alas, after a while, you start feeling sick.Avoid this movie by all means and someone give Arau a job directing soap operas instead.