Out of the Wind (2007)
High school student Mariko sings in the choir at the all-girls school she attends, and her biggest dream right now is to go to a music college. One day on her way home from school, she accidentally drops her bookbag into the sea. A man jumps into the water and recovers the bag for her, but all of her score sheets have been ruined. From that day on, Mariko’s new acquaintance becomes her bodyguard, walking her home everyday. But for some reason, he refuses to tell her his name.
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This Movie Can Only Be Described With One Word.
I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
This is Sakura Ando's feature film debut. It's written and directed by her father, Eiji Okuda. These are the facts. It's a confused film. It starts off being about a young girl, Mariko, who has a dream of becoming a diva in the world of opera. It's funny seeing Sakura Ando do that elongated mouth opera singing thing, but I digress. There has to be some conflict so a soft-spoken tough guy is introduced. He becomes Mariko's bodyguard and remains nameless for a while. This is a Japanese film. There are perverts targeting young girls in school uniforms.The boy and girl enter into a typical movie relationship. It starts off distant and rocky but love slowly swirls. Then the focus of the film drifts to the guy who has a dream of becoming a big time Yakuza. Problem is, he's Korean, so he has to prove himself on his way up the ladder by doing all the icky jobs. One of which turns out to be killing a Korean business man who ... drum-roll, please ... turns out to be Mariko's father. That would mean, you guessed it, Mariko is half Korean. Now the film drifts into an exploration of identity and we're given an excuse to up the ante in the love relationship between Mariko and her bodyguard.It's not that a film can't grow and expand on the themes it explores but it has to be well-written and executed or it will fail. The amount of suspension of disbelief required to get from A to B to C in this film is huge. I didn't have the power to suspend my disbelief that a director would have his young daughter do a nude scene in her film debut, nor was I able to get through the scene where the bodyguard stumbles into the opera house and stabs Mariko's father while she watches the whole thing, albeit with a wrinkled forehead, and never stops singing.This film is pretty awful, and it's too bad because Sakura Ando's performance is pretty good. It's a real sign of talent when you can be good in a bad film.