Puppet on a Chain (1972)

Really Surprised!

just watch it!

Brilliant and touching

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

If you don't expect too much from "Puppet on a Chain," you can spend an enjoyable session watching a nearly half-century-old bam- bam-wham- wham adventure movie set in beautiful Amsterdam.The story, cobbled from a book by Alaistair MacLean, once one of the most popular novelists working the global-thriller gold mine ("The Guns of Navarone," "The Satan Bug," "Ice Station Zebra,"), involves a narcotics gang working out of Holland, and the good guys bent on stopping them. If "Puppet on a Chain" has any claim to fame, it's because of its heart-pounding epochal speed-boat chase through Dutch canals. Beautifully set up, daringly acted by supremely skilled stuntmen and superbly photographed, it's one of the most exciting high-motion chase scenes in movie history.The rest of the movie involves a heavily layered story about dolls, Bibles, and ingenious ways of making the hero's life miserable and painful. Aside from the veteran American actor Alexander Knox ("Wilson") and a dependably hissable villain (Vladek Shaybel, a familiar Bond baddie, most notably the Czech chess grandmaster, "SPECTRE Number 5," in the 1963 "From Russia with Love") the acting is solidly second-rate and the undistinguished dialogue just a means of nudging the story forward. The hero, a US agent, is stolidly if unexpectedly portrayed by a Swedish actor, Sven-Bertil Taube (who was much better decades later in the Swedish film, "The Girl With The Dragon Tattoo," as Henrick Vanger). Don't look for Bond girls here – just an assemblage of wan actresses, all looking curiously like Addams Family cousins in their dark-haired pallor, mouthing dull repartee.Good points include the aforesaid speedboat chase, beautiful cinematography in good color, Piero Piccioni's appealing score, some funny headgear, and a sometimes original look at the seamy underbelly of The Netherlands, including prostitutes, graffiti and some wildly complicated drug smuggling operations. All this doesn't stop director Geoffrey Reeve and cinematographer Jack Hildyard from having some fun, notably in photographing a) a naughty and messy floor show, and later, b) a prudish and precise folk dance – the vigilant moviegoer might enjoy comparing the two."Puppet on a Chain," for all its obvious influence on Bond movies, has somehow always hidden under the radar, and never been given its just due as a progenitor of the international thriller genre, although moviegoers have time and again been pleasantly surprised at the unpredictable morsels hidden within its bland Dutch cheese offering.

The speedboat chase in the Amsterdam canals in this film is actually being copied by Dutch director Dick Maas in his 1988 film 'Amsterdamned'. I always thought how original it was to have such an out of the ordinary, yet in Amsterdam obvious chase, but apparently it is less original as I thought. In the 18 year older 'Puppet on a Chain' the chase is as vivid and dynamic as in Maas' film, although one detail in Amsterdamned should catch the viewer's attention. Just like in Puppet on a Chain, the villain almost crashes his boat into an oncoming barge, a thrilling moment. In 'Amsterdamned' this barge has a fanfare band, conducted by 'actor', and Holland's famous Oscar-winning documentary director Bert Haanstra. It makes the already exhilarating scene more colourful, and provides it with a light touch. This detail encapsulates an often noticeable and important difference between English and Dutch film-making if you ask me; It seems that in Dutch films a doses of ridiculing of a serious action or scene is indispensable. Fact of the matter is that the 'original' film, Puppet on a Chain, is more believable because of its absence of this ridiculing. I also find it very interesting to see sceneries of my home country (Holland) in such a serious crime intrigue, where BTW everybody speaks British English!

Wow Paul Sherman is one badass secret agent . Look what he does to that man in the hotel bedroom , he`s someone who takes no prisoners and makes James Bond look like a total wimp . But that`s the problem with PUPPET ON A CHAIN , Sven Bertil Taube is no Sean Connery and lacks the presence needed to convincingly play a ruthless secret agent . I also found it strange that if the story is set in Holland that nearly everyone speaks with either an American or British accent except for Paul Sherman who`s supposed to be American but has a noticable European accent . Still this is a fairly good , though slightly dumb thriller which does feature go go dancers . How many Bond films can claim that ?

Soulless, silly international co-production boasts picture postcard cinematography in Amsterdam and other locales but is too generic and clichéd otherwise to drum up much excitement. The nominal hero is as stiff and expressionless as a Ken doll, and the vaunted boat chase -- staple of the trailer and TV commercials of the time -- is technically well-executed but out of place in what was supposed to be an adaptation of MacLean's dark, complex tale of drug smuggling, murder and espionage.This is one of those many cases where producers obtained rights to a valuable property and then jettisoned 90% of what made it memorable or effective; particularly inexplicable in this case, as MacLean is listed as one of the screenwriters! A good (or bad) example of those infamous multi-national 'tax shelter' film productions of the 60's/early 70's.For better MacLean, look to THE GUNS OF NAVARONE, BREAKHEART PASS or WHERE EAGLES DARE.