Deadly Harvest (1977)

Let's be realistic.

i know i wasted 90 mins of my life.

One of the best movies of the year! Incredible from the beginning to the end.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

A farm family and a city family struggle to stay alive in a future world rapidly running out of food due to climate change. Food is rationed and martial law has been declared. The farm family, with barely enough food to see them through the winter, is visited by a rich industrialist and his son, who beg for food for their family, especially the sick granddaughter. The farmer's youngest daughter persuades the farmer and his wife to give them a little food. The grateful industrialist, a widower, gives his wedding ring to the farmer for the upcoming marriage of his eldest daughter.The farmer's son, jealous of his sister's fiancé who is a former city dweller, joins a vigilante group of rural residents who take the food away from the city folk on their way home with the prized groceries. The industrialist has a heart attack and dies. His son declares vengeance and asks a criminal to send his gang to rob the church of the food offerings at the wedding.In the gunfight, the farmer's wife and new son-in-law are killed. The farmer goes to the city to seek vengeance, and finds out that the thugs are going back to the countryside to rob and kill. The city family sit down for their last meal, as the farmer races back through roadblocks to save his family and neighbors.The farmer's son keeps the thugs at bay until his father and vigilantes arrive to finish them off. They are safe--for now.

'Deadly Harvest' sounds like the title of some 'Children of The Corn' type of film, with cannibals being mowed down by wheat threshers, or something else suitably gruesome. But no, it's actually a Canadian version of one of those Hollywood 70's "be forewarned" sci-fi epics (ala 'Soylent Green' or "No Blade of Grass'); this one telling the tale of a massive, global food shortage at the end of the seventies resulting in a hunger panic that reaches the good folk who live out on the farms. The film's lead farmer is played by Clint Walker who occupies the space of one acre all by himself. And his acting, as always, is about as tinny and wooden-handled as a plow, too. He plods through this film like an inoffensive sasquatch, with a landslide of oily hair that makes it appear he bathes in a bog. Kim Cattrall, a Canadian actress all of 20 years old here, gets little to do as Walker's daughter. Her face bulges with baby fat so she's almost unrecognizable as the 'Sex and The City' woman of today. Nehemiah Persoff is collecting a paycheck on this one and probably dispensed with the craft services since he provided his own ham in every scene he's in. Otherwise, it's nondescript actors doing nondescript work with nondescript dialogue. Really, this little movie held some promise with its intriguing concept, but let itself down by executing said concept so poorly. The perfect example of this is the climactic battle between Persoff's gang and Walker's that is nothing more than another wild west shootout. Walker's comment at the end that things are about to get much worse does add a chilling coda, although it is the next stage of the disaster that Walker alludes to, with city folk ravaging the countryside, that we really want to see. Oh, and the music score by somebody named John Mills-Cockell is a cheap synthesizer drag. This film could have been a dark comic masterpiece if, instead of a food shortage caused by failing crops and overpopulation, it was about obese Americans so hungry that they've eaten all the food the world can produce and, even with extinction at hand, can't stop eating. Ah well, food for thought.........

Welcome to the taupe movie. Everything in the film is taupe.....the actors' skin and hair, their clothes, the ground, the sky.... My God! How bleak can it get?! The movie details the plight of North America when global weather patterns shift causing crops to freeze and harvests to be lost. The government realizes that there is no food left and before long, it's every man for himself. Walker (one time Greek God who now looks rather haggard and is desperately trying to give this poor film some heart) plays a farmer who becomes a target of vigilantes because he has things like chickens, vegetables and a cow. Brown is a desperate city dweller whose daughter is in dire need of proper nutrition and whose money now does him no good at all. Persoff is a heartless entrepreneur who's been hoarding food all along in order to be a player during the shortage. All the elements converge during a wedding ceremony when some men try to steal the bounty of food that's been offered as a present. Then a string of violent events continues until the fade out. The idea of the film is somewhat ambitious (though not entirely original.) The execution of it (mostly due to the severely low budget and the amateurism of the acting) is agonizing. The opening of the film is horrendous. Anonymous businessmen talk (and talk) about the situation with camera setups and sound that's probably worse than most underground pornography of the time. The rough lighting and photography continue throughout the film which, as stated earlier, exists in a bleak pallet of tan, taupe and brown with occasional splashes of navy blue. Some really lame actors attempt to portray despair and emotion in the face of the situation, but mostly they come off as laughable. Whelan, as Brown's elderly father and Greenhalgh as Walker's wife are chief offenders here. Cattrall has an early role here as Walker's daughter. The part has little to it, but she performs adequately for the most part. The thing is, the film wants to be serious and foreboding, but it's so melodramatic and trite and done with such little style that it doesn't stand much of a chance. If one were to remove the shots of cars/trucks driving down desolate roads, the film would likely run 40 minutes!

"Deadly Harvest" was made at a time when the Earth's climate was thought to be cooling due to a sun-blocking shroud of pollution. The film takes this premise to a setting in which winter begins in August! The world's food supply is almost gone and the social order is breaking down.Unfortunately, this film mostly comes across as just another cheap, violent 'tax shelter' ripoff. Walker is wooden (and his wood is weaker than usual) as the heroic farmer, while Persoff is inappropriately hammy as the arch-villain. Geraint Wyn-Davies of later "Forever Knight" fame had yet to show talent here.The film does take on a haunting quality near the end as it tours a frozen, near-deserted Toronto and witnesses a family's last meal. -Tony