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The Cremators

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The Cremators (1972)

September. 06,1972
|
2.6
|
PG
| Science Fiction
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An alien life form, resembling glowing rocks, summons forth a huge, rolling ball of fire, whenever threatened, that incinerates people.

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Reviews

Kattiera Nana
1972/09/06

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Merolliv
1972/09/07

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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Salubfoto
1972/09/08

It's an amazing and heartbreaking story.

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Fleur
1972/09/09

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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Woodyanders
1972/09/10

An evil lethal bright orange yellow fireball comes to earth and goes on a rampage in a remote lakeside area; the flaming thing rolls over various hapless folks and reduces them to ashes. It's up to nerdy scientist Dr. Iane Thorne (blandly played by Marvin Howard) to figure out a way to stop it before it's too late. Writer/director Harry Essex, who also wrote the scripts for the classic 50's fright features "It Came from Outer Space" and "The Creature from the Black Lagoon," pukes forth a 50's style micro-budget clunker that boasts all the necessary bad movie vices to qualify as a real four-star stinker: the flat acting from a lame no-name cast (flash-in-the-pan 70's drive-in flick starlet Maria De Aragon in particular just takes up space as fetching love interest heroine Jeanne), sluggish pacing, ragged editing, rough, grainy cinematography by Robert Caramico, meandering narrative, a roaring, overwrought score by Robert Freeman, several ludicrous touches (the fireball stalks people before it kills them!), and a hackneyed "it ain't over yet!" ending all combine together to create one laughably lousy and leaden lump of a total stiff. Only Doug Deswick's surprisingly nifty special effects manage to impress. A shamefully unsung crud anti-classic.

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