Invasion (1965)

Wonderful character development!

Lack of good storyline.

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

I saw this film as a B movie, I don't remember the main title but I do remember this one. I enjoyed it at the time, being a Sci Fi lover, I saw it again recently on Talking Pictures TV and enjoyed it again. OK there is no CGI or big explosions, or weird looking aliens just suspense, who are these aliens and what do they want.Expertly steered by solid acting from Edward Judd who had recently stared in 'First Men in The Moon' and supported by Lyndon Brook, Glynn Houston and Barry Ingham, not to mention the lovely Yoko Tani.Better than a lot of Sci Fi B movies of the time.

This low-budget British sci-fi outing is so rare that I have had to make do with a copy sporting forced French subtitles for this first viewing! I was glad to confirm that the film's solid reputation was well-deserved; plot-wise, it is not dissimilar from two other notable genre entries from this country which I caught quite recently – namely UNEARTHLY STRANGER (1963) and THE NIGHT CALLER (1965). I recall being particularly impressed with the former and, actually, I feel that INVASION is very much on a par with it; incidentally, the title is a misnomer since the aliens here are actually stranded on earth and their mission is to recapture an escaped prisoner they were escorting rather than occupation! Even so, we do get a show of their (typically advanced) technology and, needless to say, there are human casualties involved; to be fair, though, we never learn of their true intent until quite late into the game and, consequently, the carefully-built suspense and smart handling throughout (this was director Bridges' feature-film debut) makes for consistently satisfying viewing. One rather clever notion has the aliens requiring to physically touch an Earthling before they can speak our language…though, of course, no explanation is given as to why they happen to have an Oriental complexion! In the long run, the modest scale of the production (the setting is largely confined to a hospital and the woods nearby, with events unfolding over just one night) works in its favor, making the central concept both gripping and persuasive. Hero Edward Judd was something of a fixture in British sci-fi around this time: his rugged good looks and evident intelligence were always good value for money in these fantastic surroundings; leading lady Valerie Gearon does well by her role too, familiar character actor Anthony Sharp has a prominent (if rather unlikely) role early on in the proceedings and, obviously, the intervention by the military is a requisite in this type of film. Among the more visually striking moments are a shot where a door opening leads into a doll-house, with the camera then panning up to reveal the actual room, and a car very realistically crashing (into the invisible barrier created by the aliens in order to isolate the area) with its driver spurting out of the windscreen. As to flaws, these are indeed negligible – but I suppose I should mention the fact that one of the alien women unaccountably disappears during the film's last third, while the climax is a bit rushed (if still quite unique: the pursuing alien deliberately crashes her spaceship into a fleeing rocket bearing her quarry!).

The 60s was probably Britain's finest hour for well-made, believable science fiction and "Invasion" is no exception.This tense, moody little masterpiece is a joy to watch. No wobbly sets, laughable aliens or flying saucers on strings. Just lots of moody set pieces enhanced by little incidental music and some stark lighting effects.Co-scripted by Robert Holmes of "Doctor Who" fame, this film bears more than a little resemblance to Jon Pertwee's debut DW story "Spearhead from Space" - also scripted by Holmes. However, what do not have here is any of DW's trademark bad points: wobbly sets, bad acting and cardboard monsters!Catch this if you can. A real must see for early, British sci-fi fans.

There was obviously very little money available for this movie, but despite this, everyone involved appears to have give it their best shot.In all departments, lighting, camera, acting etc its all very well done.