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Darkdrive

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Darkdrive (1997)

November. 01,1997
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3.1
| Thriller Science Fiction
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Set in some distant future, one man must restore order when a mainframe system crashes in a virtual reality prison where computers control the inmates thoughts.

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Reviews

Chatverock
1997/11/01

Takes itself way too seriously

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Ensofter
1997/11/02

Overrated and overhyped

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Thehibikiew
1997/11/03

Not even bad in a good way

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Ceticultsot
1997/11/04

Beautiful, moving film.

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TheLittleSongbird
1997/11/05

I always aim to be fair to movies in reviews and ratings, I always try to know what to expect before viewing, I never bail out after a certain amount of time, I try to be as succinct and unbiased as possible and be understanding of other people's opinions instead of generalising or attacking(on a side note, people can do with this and they'll be surprised at how easy it is). I gave that treatment to Darkdrive and while I have seen much worse I still didn't like it. It is not entirely irredeemable, the music manages to be memorable and fitting, Julie Benz has a beautiful face and appealing presence that really shines through and Clare Stansfield is very cool. However there is so much that is wrong. The worst asset was the story which I found impossible to follow, in fact I don't think I have ever been this confused by a movie before. As a consequence of that, and the turgid pacing too, I never had any engagement or emotional attachment to the action or characters. Any suspense, memorable action move or humour just wasn't there in Darkdrive, there were probably attempts that didn't come through, at least to me. The dialogue is clichéd and stilted while the rest of the acting is at best dire. The camera work and angles get too much, there was an attempt to tell the story through them but with that tactic everything just felt incomprehensible, and the special effects look as though they belong in a very cheap-looking movie from the 80s. All in all, not the worst I've seen but lame. 3/10 Bethany Cox

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trashgang
1997/11/06

Yeah yeah, I know, it isn't supposed to be in my collection but like many reviewers I bought it for Julie Benz. I have seen her perform in quite a bit of movies and of course in Dexter. Over here in the genre she's well sought after due Dexter and due her appearance at European conventions were I have met her. Why it shouldn't be in my collection is that it isn't a horror but a SF flick. But as a collector I have seen a lot of crap, from top class to Z-movies. It's a phenomena that is regular in horror to have some real turkeys. I would say that I would classify it under a straight-to-video B-flick. The effects used are typical 80's stuff like flashing lights and flashbulbs tearing down persons. They surely have watched Terminator and Blade Runner to come up with something but sometimes the acting is really wooden. The story itself is hard to follow but for many it's the scene with the 21 year old Julie that makes the film worth watching. She's seen in frontal nudity here a thing she never did again, except for Dexter and Eating Las Vegas, a parody on Leaving Las Vegas, but she shows the most in this flick. If you are into B-movies than you surely can watch this. A few years later The Matrix showed how it should be done.

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FoolishWander
1997/11/07

This movie is one of, if not the absolute worst movies I have ever had the misfortune of seeing. I only rented it because I happen to like Julie Benz, but she couldn't save it for me. The plot is hopeless, and the acting is worse. The special effects are dated, so you really have no excuse for seeing this, unless you like to suffer.It doesn't even fall into the so bad it's good type movie.

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jtur88
1997/11/08

I don't see enough of this genre to properly make any comparisons, but this film certainly had very little analytical thought behind the script. It takes place in some future when people are all driving black 97 Ford minivans, but penal reform has reached the point at which prisoners are banished to a virtual reality, furnished with, among other things, abandoned Pintos and Vegas, as well as the other prisoners in a similar plight. The banishment, of course, is accompanied by sustained, blinding flashes of intense white light. The general story line is told through closeups of computer screens the flash up-dating messages like "Transformation Complete" and "Program Compromised". The film abounds with non-sequiturs, which I suppose is de-rigeur in a world where the final outcome cannot possibly have any link to the premise. Needless to say, it has its standard complement of beautiful babes, and Claire Stansfield is kinda cool.I get 25 cable movie channels, and this was the best thing on at not-quite-bedtime, so I guess it wasn't that bad.

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