Hard to Handle (1933)

just watch it!

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

A half hour segment of the end of a dance marathon (featuring two couples battling until the end) sets up the hilarity for this battle of lovers (the girl with a delightfully domineering mother, the boy with a hysterically cynical sense of life) where the circumstances surrounding the disappearance of the marathon prize money leads to more complications and more cons thanks to Cagney's hilarious scheming. A fascinating crisp & fast-moving screenplay keeps the film going at a high speed, and Cagney delivers each line as if he was swallowing a grapefruit whole. Mary Brian is an appealing heroine, but it is Ruth Donnelly as her fast-talking mother who really steals the film from the moment she is introduced watching her daughter in the final moments of the marathon. A fascinating supporting cast features some wonderful character players, among them Allen Jenkins as the marathon announcer and Sterling Holloway ("Winnie the Pooh") as part of the second remaining couple in the marathon.

This is a great little film that demonstrates everything that was fun about the Warner Brothers precodes. There are dance marathons, scams aplenty with Cagney's character at the center of them all - sometimes knowingly sometimes not, and that precode actress you'd just love to strangle - Claire Dodd.Ruth (Mary Brian) is in love with Cagney's character, but Ruth's gold-digging mother Lil (Ruth Donelly) wants to make sure Ruth marries money. When Cagney is doing well, Lil's all for him as a future son-in-law. When he's not, she's after a photographer - " a 25000 dollar a year man" - as she describes him. The girls dress alike and Lil is always referring to herself and her daughter as "we", as in "we love you" or "we can't marry a pauper like that". Cagney plays an advertising promoter whose ideas sometimes work and sometimes don't, but always to comic effect. This film is not on DVD or VHS, so chances are you've never heard of it. Another interesting tidbit - Ruth Donelly and Mary Brian are actually only about ten years apart in age, yet play mother and daughter pretty effectively. Highly recommended for the silliness of it all.

James Cagney is better in the Roy del Ruth movies of this period. However, he was a dynamic, unstoppable force. He is believable here as a goodhearted con artist with a good heart.He has some great scenes: In one, he runs down flight after flight of a winding staircase.Mary Brian is the nominal leading lady. She's OK. But Ruth Donnelly is really Cagney's co-star here. Playing Brian's avaricious, canny mother, she is hilarious. Nobody can put one over on her. If anyone tries, she'll bounce right back. She'll change her tune. She'll double-cross and triple-cross to get what she wants for herself and her pretty daughter.Donnelly was a reliable supporting performer in more movies than anyone could easily count. Rarely did she get such a role. She grabs it and runs with it. She and Cagney are fantastic together. It's a shame they were never teamed again.

Hard to Handle has James Cagney dusting off his role as con man that he debuted with in Blonde Crazy. That film was a bit more serious and had the virtue of Joan Blondell.Here the Blondell role is split in two and Cagney deals with a mother/ daughter duo of Ruth Donnelly and Mary Brian. Like Blondell, Donnelly gives as good as she gets from Cagney.Donnelly and Cagney were roughly the same age and Brian was about six years younger than Cagney. Ridiculous now when you think about Donnelly and Brian being mother and daughter. No film maker could get away with that casting now.There's no real story to this film, Cagney moves from one con to another, skirting ever so close to illegality. Donnelly and Brian are alternately for and against him and not at the same time either at certain points.It's a film that relies solely on the charm of Jimmy Cagney which is considerable. And it's the stuff Cagney was disputing with Jack Warner over.His last con involved the marketing of grapefruit, from the man who made grapefruit tossing a national past time at breakfast/