Charlie Chan in Paris (1935)

People are voting emotionally.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Mostly, the movie is committed to the value of a good time.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Charlie Chan in Paris is another solid entry in the Charlie Chan series. In this one, Chan is hot on the heels of a gang of bond forgers. The criminals' trail takes him from the night clubs of Paris to the cities famous sewers. And the sewers in Charlie Chan in Paris are as uninviting a place as Chan ever visited. There's a real sense of menace and danger in these scenes. Warner Oland is as good as ever. Ably assisting Chan is son Lee played by Keye Luke. He may not have been the only son to come to his father's aid in the series, but Luke was by far the best, least annoying of the bunch. Unlike later Charlie Chan films where the offspring are there for little more than comic relief, Lee actually helps his father and saves his life on more than one occasion. The rest of the cast is good, but nothing outstanding. The mystery elements of the story are enjoyable. The criminals' identities will keep you guessing up to the very end.I suppose that this is as good a time as any to write about my feelings on the racial aspects and controversy surrounding the Charlie Chan films in recent years. Growing up, I'm not sure if I realized Warner Oland wasn't Asian or not, but it didn't matter. Through Chan, Oland taught honesty, self respect, and the importance of education. He taught this young fan of the importance of accepting all people, regardless of race, including Asians. I think these are good important lessons to learn regardless of Oland's ethnic origins. There's an unfortunate scene in Charlie Chan in Paris where one of the characters attempts to make a joke at Chan's expense by speaking to him in pigeon English. Chan quickly turns the table on him with class and grace and makes the would-be jokester the butt of his own joke. Good going Charlie!

Charlie Chan goes to Paris, he says on a vacation, but is investigating the Lamartine bank (the richest and most prestigious bank in France) where several forged bonds have circulated across Europe. Nardi, one half of an Apache dance and Chan's Parisian contact, is killed just before he can get any information from her. Looking through Nardi's room, Chan finds a book of her notes, which point suspicion on Albert Dufresne, a worker in the bank. Dufresne is murdered by a mysterious beggar, Xavier Marcel and the blame is placed on Yvette Lamartine, daughter of the bank's president. Chan, son Lee, and Victor Descartes (Yvette's fiancé) must uncover the counterfeiting ring and discover who is disguising himself as Marcel. This is one of the better Chan's in the series, with plenty of mysterious goings-on throughout the film. Nice set locations in the film giving the audience feelings of the Parisian nightlife, dark alleys, and even sewer system. This is the first film to feature Keye Luke as number one son Lee, which gives Oland to play Chan as the fatherly genial type, which is an improvement over the previous entry, Charlie Chan in London. Rating, 8.

Excellent mystery with Warner Oland on trail of bond forgers who would undermine the Banque Lamartine. Aided by Lee Chan (Key Luke), Chan methodically unravels fraud and murder and ducks an attempt on his life. As with other entries in this series, the viewer cannot figure out the solution because key evidence is only revealed at the end. Chan knows more than the police and the viewer. If you know this and just sit back and enjoy, you will have a pleasant time. Of note is a dance apache done by Nardi at the Cafe du Singe Blue -- apache signifying a member of the Paris underground and not an American Indian tribe. Racial slurs grate us today but reflect the times. Lots of clues but as Chan says, "must turn up many stones to get to hiding place of snake." Recommended.

It's the first movie that I see in the Charlie Chan's series. I must say that I liked it. It's a pretty good mystery taking place in Paris. Like other films of this genre, the answer to the puzzle is not known until the end. Like good old Charlie says in the movie: «Must turn many stones to find hiding place of snake»! The dance scene at the Singe Bleu is quite compelling.Out of 100, I gave it 78.