Model Shop (1969)

One of the best films i have seen

One of the worst ways to make a cult movie is to set out to make a cult movie.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

A clunky actioner with a handful of cool moments.

The Model Shop which was made in 1969, is not out-dated today. Gary Lockwood plays a 26 year old who spends an entire day driving about town looking for something meaningful, as the threat of being drafted looms in the background. Clearly a somewhat typical 1960s film in the category of Summertree or Hail Hero, Lockwood has everything, but has nothing. Symbolism abound, and a great take on the American Dream. The film is low-key, as is Lockwood's performance. Unable to feel, or numbed by life's surroundings. Only after receiving his draft notice does Lockwood's character finally admits for the first time that he's afraid of what the future holds. The "Head in the Sand" feelings of many Americans in the 1960s who felt the war in Viet-Nam had nothing to do with them, is exposed here, until it's too late to feel, too late to care, and too late to love. The Model Shop is a "model" of modern film-making.

Two somewhat lost souls are studied in this ambling, low-key film, covering a 24-hour period. Lockwood plays a 26 year-old architect student who's left his job because things aren't happening quickly enough for him and he's disenchanted with the time it takes to really make a mark in the field. He lives with his actress girlfriend Hay who, while maybe not soaring to the top, is at least on a track to someplace, unlike him. With money scarce, his car is about to be repossessed unless he can cough up $100. Aimee plays a remote, austere French woman who catches his eye and who he practically stalks in order to meet. Their simultaneously simple, yet complex, existences collide briefly with each giving the other a portion of what's missing in his or her life. Lockwood (who's looking very fit and hunky here) tries to give his often-expository dialogue a realistic, unaffected touch, but often he's defeated by the contrivance and occasional pontificating nature of his lines. He's understated to the point of near disinterest at times. However, he's intriguing enough to hold attention most of the movie. Hay is clearly trying, but she just doesn't have the acting skill or ease of manner to put her character across without seeming forced and unnatural. Top-billed Aimee, who actually has a smallish role, is appropriately jaded and mysterious (and compelling looking), but is almost a little too vague to really grab hold of the viewer. This was director Demy's only Hollywood film and his lack of grasp with the language translates to his cast. It's clear that he didn't have the security with English in order to help his actors massage the dialogue and make it sound as comfortable and as dynamic as it needed to be. Too frequently, lines are delivered with the wrong words emphasized and this bleeds away some of the impact of them. The film does afford a priceless view of Los Angeles in the mid-60s and fans of vintage automobiles ought to have a field day ogling the many, many cars of the era that Lockwood drives alongside in his frequent sojourns on the road. Music in the film vacillates between songs by the group Spirit and classical selections, all of which, in a very odd decision, appear to come from the very same radio station in Lockwood's car!! Cultural touchstones such as rock music and underground/independent newspapers (as well as a seedy model-for-hire joint) provide some moments of interest amid the soul-searching and almost dreamlike meandering of Lockwood. This is definitely not a film for everyone, but for those inclined it's worth a look.

Enjoyed this film from the very beginning to the end and the wonderful photographs of Los Angele, California. George Matthews, (Gary Lockwood) sets his eyes on a beautiful woman named Lola, (Anouk Aim) who is a model in a strange shop. George is having a hard time trying to find himself in Los Angeles, and he does not work, but has plenty of friends who loan him money and at the same time he is living with a gal who is getting tired of George being so lazy in life. There is also a finance company trying to reposes his BMW and things are getting pretty rough for George. You will definitely not be able to figure out how this film is going to end.

I am watching this movie as I write this. Having not grown up in the sixties, this movie does not make me wax nostalgic as it seems to have done for other reviewers, and I can only compare it to others movies I have seen on TCM. There were some good movies made in the sixties, but unfortunately this is not one of them. The acting is awful. I mean painfully awful. There is barely a plot. This movie is one big cliché. I could get past the lack of plot if I at all cared about these people. They are so obviously acting that it is impossible to suspend disbelief for even a moment. It seems more like a college project than a sincere effort at cinema. STAY AWAY!!!!!!!