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The Unholy Garden

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The Unholy Garden (1931)

October. 28,1931
|
5.9
|
NR
| Drama Romance
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At a hotel in the middle of the Sahara, an old man and his daughter try to keep the location of a hidden treasure from a collection of thieves and criminals staying at the hotel who are determined to get it. A suave gentleman thief arrives at the hotel one day with his own plan to get the loot, but complications ensue when he begins to fall for the daughter.

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BroadcastChic
1931/10/28

Excellent, a Must See

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PiraBit
1931/10/29

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

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Bessie Smyth
1931/10/30

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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Payno
1931/10/31

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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blanche-2
1931/11/01

Ronald Colman and Fay Wray star in "The Unholy Garden," a 1931 film that is darn strange.A fugitive from justice (Colman) winds up at a hotel in the Algerian desert where all the other thieves and killers hang out. Among them is lovely Fay Wray and her blind father. Word is the old man is hiding a great deal of money, and the thieves want it. Colman manages to become their leader, but his agenda is somewhat different from theirs.Ronald Colman is delightful as Barrington Hunt, escaped con - fast talking, debonair, and charming. Wray is beautiful as the vulnerable, despairing Camille de Jonghe, who feels that her life will never change.The atmosphere is marvelous - one really feels like they're in an Algerian hotel where danger lurks. Worth seeing for Colman and Wray.

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Michael_Elliott
1931/11/02

Unholy Garden, The (1931) ** 1/2 (out of 4) Decent little pre-Code about a blind old man (Tully Marshall) and his daughter (Fay Wray) who are staying at a hotel in the Sahara. The two keep themselves locked up in their room because there's a group of criminals in the lobby trying to come up with a way to get in the room and steal what could be millions from them. A suave criminal (Ronald Colman) then shows up and tries to get into the room and the daughter's heart his own way. THE UNHOLY GARDEN isn't a very well-known film but I found it to be a pleasant time killer thanks in large part to the performance of Colman who really shines here. The story itself is a mildly interesting one but at the same time you really have to suspend some disbelief that these cut-throats wouldn't have already gotten into the room and forced they way into finding out where the money was. There's a funny sequence dealing with the old man just shooting his gun off and I'm guessing this was the writers attempt to show that the criminals couldn't get in but I'm sure they could have came up with something else. The way Colman works his way into the room was at the same time a tad bit too easy. With that said, at just 74-minutes the film goes by very quickly and a lot of this is due to the very charming performance of Colman. It's almost as if the actor knew the material wasn't the greatest so he just really went all out in terms of charm. His character makes it easy to see why the daughter would fall for him but Colman is also brilliant at showing as slick this character is. This is especially true towards the end when he tries to save the daughter by lying to all the criminals to try and protect her. Wray, who would follow this up with such titles as DOCTOR X, THE VAMPIRE BAT, MYSTERY OF THE WAX MUSEUM and of course, KING KONG, is in fine form even if the screenplay doesn't do too much justice to her. The supporting cast includes Estelle Taylor, Warren Hymer and Lawrence Grant as a doctor who has murdered his three wives. The dialogue is at times fairly risky and there are many pre-Code elements, which are another plus. Overall, while the film certainly has some flaws it's still entertaining and that's the most important thing.

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MartinHafer
1931/11/03

"The Unholy Garden" is a decent enough time-passer, but it is improved a bit because it stars the always suave and always entertaining Ronald Colman. It begins with an oasis of sin in the desert. In this far off place, various criminals from across the globe hang out here to avoid the police. But, because it's so far in the middle of nowhere, the local authorities leave the place to itself. This is where Colman and his group of 'friends' live. The group learns that a crazy old blind Frenchman is hiding out there and he's reportedly embezzled millions--millions this group of riffraff want to take. To do so, Colman pretends to be a friend to the old guy and his sexy daughter (Fay Wray). The problem is that Colman slowly starts to fall in love. What's he to do--his associates will kill him if he doesn't follow through with it but he can't bring himself to destroy Wray in the process.All in all, a decent romantic crime film--mostly because Colman was so cool and likable. It's not a film that will change your life and there were a few problems (such as the fact that Wray and her father bore no French accents), but it's very enjoyable escapism.

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Neil Doyle
1931/11/04

RONALD COLMAN spent a fair share of his early career as a criminal on the loose. RAFFLES and THE UNHOLY GARDEN are some prime examples. Unfortunately, neither one of these films is rated high on any list of Colman's film resume.THE UNHOLY GARDEN gets its title from the swarm of criminals and thieves residing at a seedy hotel in the Sahara Desert, where a beautiful young girl (FAY WRAY) is trying to keep her father's hidden wealth from the prying hands of a bunch of hoods determined to get their hands on the loot. Along comes gentleman RONALD COLMAN, himself a thief, who charms the girl but makes the mistake of falling in love with her. He finds his conscience before the final reel.It's all played in a wildly overacted fashion with actors given to the kind of emoting that went out with silent pictures. Colman is credible in the lead but everyone else seems to be playing to the balcony.The plot is similar to many other such crime capers, one in particular being a film made around the same time called SAFE IN HELL, whereby a young woman runs away from authorities to a South Seas island and must stay at a run-down hotel surrounded by unsavory criminals.Nothing distinctive here about the story's treatment. Its only interest is giving the viewer a chance to see the young Ronald Colman playing a romantic lead.

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