The Affair (1973)

Clever, believable, and super fun to watch. It totally has replay value.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

This film is so real. It treats its characters with so much care and sensitivity.

This is a gorgeous movie made by a gorgeous spirit.

You have to give Natalie Wood credit for trying a different type of role in this poorly written T.V. movie where the hero and heroine have such sudden change of moods, you'd think that somebody would have come up with the term "Bi-Polar" long before it entered the English language. Ms. Wood, so self-aware of her short-comings as an actress, was noted for showing up to accept her award for winning "Worst Actress of the Year" for several films during the 1960's, and yet kept trying to improve her method, sometimes with, yet usually without, success.In the case of "The Affair", she plays a handicapped woman, both physically and mentally, who attempts without success to keep herself from falling in love with her father's handsome business associate (real-life husband Robert Wagner). When she first meets him, she goes out of her way to ridicule him, but no sooner has she let out her first insult than she's involved in a hot and heavy affair with him. But when he gets serious, she wants to take a step back, and when she starts to get serious, he's ready to bail. This makes their relationship quite confusing, something sad to say also became a part of their off-screen marriage.Natalie makes herself look a lot less glamorous than normal, wearing an unbecoming hairstyle and less make-up. At first, it is even hard to recognize her. The chemistry between Wagner and Wood is mixed, much like most of the Taylor/Burton pairings which go to prove that off-screen relationships don't always have the best on-screen magic. The best performance comes from Bruce Davison as Wood's free-spirited brother. Fans of "Days of Our Lives" will be delighted to spot matriarch Alice Horton (Frances Reid) in a bit part as Wood's mother.

While it was a treat to see a rare Natalie Wood flick and one costarring her husband Robert Wagner, unfortunately it was a big dud.First of all, it's like the director told the actors to wait 5 seconds before responding, so the pauses are interminable.Second of all, Natalie Wood's character makes no sense whatsoever.I can understand her character being a bit shy because of her polio, yet on the other hand, her character is written as someone who is well off, and has a famous career as a song writer. So it's not like she's been in a shell, shay we say all her life.So yes, while I can understand her Polio being a difficulty starting a relationship with Wagner, it doesn't really explain why she's so reluctant to share Wagner's life.Example, Wagner takes her to a social event at a school because Wagner's best friend is married with kids. So Wood stands there amidst all the parents and is a total bitch basically. When a woman innocently comes up and introduces herself as a mother of a 4th grader let's say, Wood rudely says she's not a parent but tennis instructor, while standing with her arm crutches of course. Then Wood whines to Wagner and asks what she's doing there and he says naturally enough that she's there because HE invited her. Wood acts like he's committed some unfeeling act. IT's really stupid. Wagner's character is rightly put off.Later, when Wagner get an invitation in the mail, Wood declines to go before she even knows what the invitation is to! Wagner explains it's a wedding invite yet Wood still refuses to go.Later on in the movie, when Wood, obviously trying to appease Wagner suggest she invites some friends over. Wagner simply says what friends? I don't blame the guy. She's shut herself off from his life then wonders why he can't handle her.Wagner's character at the end tells her that they've locked everyone out of their world and that he can't breathe. Who could blame him? Then of course, Wood's character begs for him not to leave.It's a stupid movie that I couldn't finish, but damn if it wasn't great seeing Wood & Wagner together.

Not because it is a great movie by any means even by TV movie standards...but because of the deep and abiding affection I have for the Courtney Patterson character as portrayed by the luminous Wood. Like the former commenter I was INCENCENSED by the way Marcus Simon as portrayed by empty suit (okay, he wasn't that bad) Bobby Wagner pursued this emotionally fragile woman (despite an outward bravado) took her virginity and then when she FINALLY gave herself to a man fully and fell in love for the first time he decides that she is not worth the trouble because of her difficulty dealing with his shallow friends and tells her "I cannot handle it, Court!" and then rather coldly dumps her like she is a piece of garbage...She then tries to kill herself (or was it an accident with a broken glass???) and finally her hippie brother consoles her by saying, "Well,it looks like you finally got yourself loved!!!" and then they walk out into the sunset and the movie ends...(As a polio victim she had to walk on crutches, very poignant)Well, I enjoyed the sappy song Nat sang that foreshadowed the rest of the movie and I am a fool for the whole seventies TV movie vibe but mostly the reason to see this flick is for the performance of Natalie Wood who brings dignity and defiance to the character of Courtney and we get the feeling by the end of the movie that the real emotional cripple is the RJ character who uses this great lady and gets out of the relationship when the going gets rough...I bought this public domain movie at 6.99 at Circuit City several years ago but it is available for free on Google video..it is very blurry and faded but hey, free is free...Oh, P.S. Nat was pregnant during the filming with her second daughter who she named Courtney ...:)oh, and Frances (DOOL) Reid plays Nat's mom and she sang a song (" This is your Lucky Day")in the scne where the Patterson family is enjoying Christmas

Natalie Wood portrays Courtney Patterson, a polio disabled songwriter who attempts to avoid being victimized as a result of involvement in her first love affair, with her partner being attorney Marcus Simon, played tepidly by Wood's real-life husband, Robert Wagner. The film is cut heavily, but the majority of the remaining scenes shows a very weak hand from the director who permits Wagner to consistently somnambulate, laying waste to a solid and nuanced performance from Wood, who also proffers a fine soprano. The script is somewhat trite but the persistent nature of Wagner's dramatic shortcoming is unfortunately in place throughout, as he is given a free hand to impose his desultory stare at Wood, which must be discouraging to an actress. The progression of their relationship is erratically presented and this, coupled with choppy editing, leads the viewer to be less than assured as to what is transpiring, motivation being almost completely ignored in the writing. Although largely undistinguished, the cinematography shines during one brief scene when Wood is placed in a patio and, following the sound of a closing door, remains at the center while the camera's eye steadily pulls away demonstrating her helplessness and frailty. More controlled direction would have allowed the performers, even the limp Wagner, to scale their acting along the lines of an engaging relationship; as it was released, there is, for the most part, an immense lack of commitment.