Death Goes to School (1953)

People are voting emotionally.

Not even bad in a good way

Highly Overrated But Still Good

Good start, but then it gets ruined

The Police are called to an all Girl's school, when a teacher is found dead, said teacher is a deplorable individual, upsetting each and every one of her colleagues, and also guilty of being heavy handed with her pupils. Suspicion is cast on her colleagues, the staff room is a place full of suspects, the police suspect music teacher Miss Shepherd, who takes it upon herself to find the miscreant,I'm very much a fan of 50's British B movies, and an even bigger fan of whodunits, this goes some way towards satisfying the demands. I thought the film began in very good fashion, the premise was interesting, and Miss Shepherd made an interesting amateur sleuth, the film looks nice, it's well filmed, if a little clunky. Some of the dialogue is a little flat, and the attitudes towards women seem more like 600 years old then 60, but the film's main stumbling block is the ending, it felt like suspense built for 57 minutes, they ran out of time and had to come up with an ending quickly, it was a shame, as the first three quarters of the film I really enjoyed.Solid performances all round, I don't think you'd say anyone dazzles, Gordon Jackson's Inspector Campbell is probably the most well rounded character. Enjoyable enough, 6/10

This murder mystery is so talkative and filmed in such an uncinematic fashion that one has to conclude that it would be more satisfyingly performed as a radio play.Gordon Jackson and Sam Kydd come to a girl's school to investigate the murder of one of the teachers.It turns out that she is highly unpopular and thus there are many possible suspects.However it is Barbara Murray who gets there ahead of the police in working out who is the killer.The motive being rather risible.She then suggests that the murderer takes a nap for which there are some sleeping pills available.She warns her however not to take too many,thus implying that she would be doing everyone a favour if she were to end it all,which she duly does.So it all ends with a bit of a whimper.

I could only award this 1953 film 5/10.As the diner guest in Basil Fawlty's restaurant at "Fawlty Towers" said when asked by Basil "Did he like his meal?" he responded, (the way I felt when I saw this film today with my wife, an ex-teacher at a primary school); "Well it was adequate".So I appear to damn the film with faint praise but look at the obvious production budget.In the year of the coronation most British cinemas showed a cartoon, Pathe news, a "B" feature before "the big "A" picture" and I suspect this would have been a "B" picture then.We must therefore expect cheaper relatively unknown actors/actresses and virtually no locational shots filmed outside the studio system.Indeed the only actors I recognised were:Gordon Jackson, Sam Kydd, Beatrice Varley and Barbara Murray, hardly household names then and probably unknown to our American friends who saw this film.Now having got the carping out of the way did it have some good points?Well yes, the screenwriters managed to keep "whodunnit" right to the end but the motive for murder was not sufficiently evident to me.There would be a job awaiting Miss Shepherd in the police if she wanted to give up music teaching but having teaching in my family, it tends to get into your blood.

Synopsis: An unpopular teacher at an all girls school is found strangled behind the sports pavilion with another teacher's scarf around her throat. An inspector from Scotland Yard and his sergeant arrive to investigate. One of the teachers provides him with the clues that lead to the murderer (another member of staff) but when presented with the evidence that will lead to her discovery the murderer takes an overdose of sleeping tablets and dies.Nicely photographed but talky and dull and, apart from a few MOS exteriors (arriving and departing shots), stays firmly in the same few sets. This film was made in the days when everyone in British movies talked with perfect diction and faultless grammar - indeed in this film characters actually correct each other's grammar. Not a long vowel sound to be heard. Everyone is so po-faced and brittle it hurts. The actors do their thing in the solid, constipated, stiff upper lip, style required at the time.The plot is thin, the characters have no emotional depth but above all it is marred by a weird narrative structure. Parts of the story are voiced over by one of the teachers as she does her own investigation but most of the time the camera follows the Scotland Yard men - it doesn't work....and it beggars belief that a Scotland Yard inspector would arrive at a crime scene, enquire whether anything has been disturbed, then light a cigarette and drop the match on the floor.