Devil's Cargo (1948)

What a waste of my time!!!

This movie is the proof that the world is becoming a sick and dumb place

An action-packed slog

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The plot in Devil's Cargo (not sure why they went with that title - it has nothing to do with the movie) is easily the best thing the movie has going for it. There are a few nice twists and turns along the way. I'm not sure why I didn't see the end coming, but part of it really surprised me. Anyway, Ramon Delgado (Paul Marion) shows up one morning at Michael Watling (John Calvert) aka the Falcon's apartment to confess to a murder. He says he killed a man named Conroy who was cheating with his wife, Margo (Rochelle Hudson). Delgado claims he warned the man twice before shooting him during a struggle. He has a key he wants Watling to hold for him. He's convinced that once his story comes out, he'll be acquitted and he'll then come by to collect his key. But almost as soon as Delgado is in police custody, two things happen that rouse the Falcon's suspicion. First, there are a couple of hoods that desperately want that key. Second, Delgado is found poisoned to death in his cell. What's so important about the key and why did someone murder Delgado?But once you get past the plot, there's very little here I liked. First, and most obviously, what happened to the Falcon? This isn't the suave character played by George Sanders and Tom Conway. Calvert's Falcon is the kind of guy who I wanted to punch in the face for acting like an idiot one minute and overly cocky and smug the next. And his ever present and unwanted magic tricks serve no purpose - well, no purpose other than to annoy me. Calvert's attempts at humor are almost as bad as the magic bits. Again, it's just annoying. With a plot I enjoyed, a different actor in the lead might have made this a much better movie. The rest of the acting is generally abysmal. I'm not exaggerating when I say I cringed a few times at the poor delivery of some of the lines. And I was really disappointed in the way Rochelle Hudson was used. She's barely in the movie. Finally, I couldn't help but notice at times how bad the music was and generally inappropriate for the action on screen.As much as I enjoy the earlier Falcon movies, Devil's Cargo is a huge disappointment.

The 16 picture "Falcon" series which commenced so promisingly with RKO's The Gay Falcon in 1941, starring George Sanders in the title role, is now on its last gasp. Admittedly, it's not a total waste of time. Aside from its curiosity value, this fourteenth entry does boast an interesting support cast including comedians Roscoe Karns and Tom Kennedy in straight roles as a police lieutenant and a gangster, respectively. In the title role, John Calvert, a professional magician in real life, does attempt a few tricks, but in at least one of them he is obviously helped out by some clumsy special effects work. Although second-billed, the lovely Rochelle Hudson, not seen in movies since 1942, has not much of a role here. Blink, two or three times, and you'll miss her. The movie was directed with a bit more punch than his usual half-steam by slow-paced John F. Link, Sr., a Monogram editor who handled the elongated editing for the poor Charlie Chan entry, Meeting at Midnight. (By "elongated editing", I mean editing that purposely allows scenes to run far too long and well past their interest value, in order to spin out an otherwise too-short film to support feature length of around 60 minutes). This was Link's first film as a director. He followed up with Call of the Forest in 1949, then returned very briefly to the editor's bench in 1952. Devil's Cargo (the screenplay has absolutely nothing to do with either devils or cargoes) is available on a very good Alpha DVD. Rated "5" for its curiosity value!

This was the first of three films made by the small "Film Classics" company in 1948-49 starring actor-magician John Calvert as The Falcon, and it's very much unlike the latter two films. In this one, Calvert does magic tricks at various times throughout the movie (!!) AND his co-star is a dog named Brain Trust (!!!) who is listed as playing "himself." Calvert actually talks to the dog in some scenes. Perhaps the dog was a nod to the successful Thin Man films, but fortunately the dog routine was dropped in the latter two films, as were the magic tricks (which are a pleasant distraction,actually!). The film starts, and ends, with Calvert sitting in his bathtub! In the first scene, a man named Ramon Delgado comes to see The Falcon and confesses that he killed a man last night because the man was involved with his wife. Delgado feels that the killing was in self-defense and asks the Falcon to help him turn himself in to the police and see that his rights are respected. Of course, as this is a murder mystery, things are obviously not as simple as that, and the plot unfolds in a fascinating way. As in the other films in the series, the resolution is unexpected and quite exciting. This film was directed by John Link, a journeyman who mostly worked as an editor, and it also features some nice location shooting in 1948 L.A. A fine supporting cast of veterans--Roscoe Karns as the police lt., Rochelle Hudson as the seductive Mrs. Delgado, Theodore Van Eltz as a seedy attorney, Lyle Talbot as a mysterious "business man", and comedian Tom Kennedy, who often played a dim-witted copy, as a dim-witted thug! Trivia note: supporting actor Michael Mark appears in small but significant roles in all three Falcon films... in this one, he's the man working at the Salvation Army. Calvert's smooth, laid-back, but witty approach to the Falcon role is a refreshing change-of-pace, and it's a shame they only made three of these films. This is by far the quirkiest of the three, the latter two being more straight-forward detective films minus dog routines and magic tricks. All three Calvert Falcon films are recommended to fans of low-budget 40s murder mysteries/detective films.

The handsome and urbane John Calvert gives a tough yet breezy performance as Hollywood private eye Michael Waring - code named "The Falcon" . Although Calvert possessed a polished and charismatic screen presence and appeared in nearly thirty films for RKO and Columbia his first love remained the art of magic through which he became an international variety star.This is a real bargain basement production and there's one particularly curious quirk that's worth listening for. Whenever any of the supporting cast refer to the last name of Calvert's character it's obvious that changes have been made in the post production process. Specifically, it seems that the name "Waring" has been cut out on each occasion and substituted with "Watling". The obvious question is .. why ? Possibly some kind of copyright issue ?