Mr. Wong in Chinatown (1939)

Really Surprised!

The film makes a home in your brain and the only cure is to see it again.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

This has to be the best of the low budget Monogram series of crime programmers made briefly from 1938 to 1940, more for the sense of fun it provides, and partially for the more interesting plotline. The set-up is fascinating, too, showing the murder of Tong princess Lotus Long in Mr. Wong's apartment, shot in the neck by a teeny tiny poisoned darts. Long takes her time in expiring, dramatically writing down a clue for Boris Karloff's Wong to follow. A nosy reporter (Marjorie Reynolds) becomes a thorn in police detective Grant Withers' side, delighting in showing him up with her expertise in the breaking down of a murder investigation. Karloff, too, has a glint in his eye this time around, perhaps pleased by the fact that some thought went into the script which makes it more fun for the audience too.For once in the series, the investigation drops enough hints for the audience to get more involved, bringing in some interesting supporting characters, most notably Angelo Rossito ("Freaks", many Monogram programmers as Bela Lugosi's sidekick) as a mute Chinese dwarf and Bessie Loo as a Chinese matron. There's also a bit more action than normal, crisp dialog and not a lot of dramatic poses that made me fight to stay awake in others in the series. I really enjoyed the playful rivalry between Reynolds and Withers which had the potential to become a series itself. It reminded me of the later Monogram two part crime comedy/drama with Jean Parker as Detective Kitty O'Day and Tim Ryan as the flustered police detective. This is an example of how sometimes you can make a silk purse out of a sow's war.

'Mr. Wong in Chinatown' is quiet but lively. Good movie, dramatic, atmospheric, suspenseful, a genuine mystery chiller, with one scene set in Chinatown (so don't expect much about colorful exotic shocker; yet the Chinese princess had charm and appeal), and the rest in offices, houses, etc.; it's also a screwball. Karloff plays Wong as a good-natured gentleman, and he sometimes resembles a bit Irons, Wong puts few questions, and sometimes needs help (he's rescued by the girl in this movie); Wong meets some really tough businessmen, who do not hesitate before the strongest measures, and his visit to the Chinese oldsters is nice, but Wong's two pals, the policeman and the newspaper girl, provide good roles. The screwball is funny. Wong, charming, soft-spoken, mild, reasonably streetwise, would of made an actor's career, but Karloff did so many interesting performances, that this one got less love. I missed such an old mystery movie, and this one did charm me. In these old movies, they disposed easily of secondary characters (like Carradine in a Moto outing, and the dwarf here), not to mention bit players and lesser parts. These movies were like episodes of the serials they made once, but on a bigger budget perhaps.

For Boris Karloff fans Mr Wong in Chinatown makes for good curiosity value and has good things that makes it a little more than that. Mr Wong in Chinatown is far from bad and Karloff has certainly done worse(look at the Mexican films he did) but he has also done better and deserved better. If asked whether Mr Wong in Chinatown is recommended, I'd say yes but only partially. There are some good things, Karloff is still commanding and gives a very good performance(as said many times by me one of those actors that gave his all regardless of the material). Marjorie Reynolds is the other, and in a way only other, standout in the cast, she brings a great deal of sass to Logan and really spices things up but deserved better material to do so more. Some of the sparring-constant- between her and Grant Withers is entertaining. The closing gag is great. The music has its jauntiness and eeriness. The sets are appropriate and nicely done. And Lotus Long while killed off quickly, perhaps too quickly, she makes for a sensual presence and makes things promising to begin with. However, while the sparring between Reynolds and Withers is fun their chemistry could have been better, aside from their dialogue the chemistry doesn't gel. And Withers to me is the problem, his performance more scenery-chewing rather than subtle and often of the worst kind, the shouting and frozen facial expressions did get annoying after a while. The photography is serviceable but could have been more fluid, the low-budget does show. Outside of the verbal sparring and the closing gag, the dialogue does come across as stilted and could have developed things more. The story shows good potential but peters out after the beginning but picks up at the final solution, which is a nice surprise, the mystery did feel weak because of the dull pacing(the film did feel longer than it was), lack of suspense and tension, the lacking dialogue and that really only two performances stood out. It also got very routine and didn't contain that many surprises. In conclusion, a watchable film with interest points but not great, one of the weaker entries of the series. 5.5/10 Bethany Cox

Reviewer Planktonrules nails the key problem. The movie is indeed "low-energy". Karloff walks through the Wong role with only eye makeup to suggest he's not Philo Vance, Crime Doctor, or any one of the other myriad sleuths of the 30's. Then too, count up his lines that are surprisingly few, suggesting his part was shot in a couple of days, probably all low-budget Monogram could afford for a headliner like Karloff. Instead, Withers and Reynolds carry much of the dialogue. But since their chemistry never gels, mainly because Withers is not very good at tongue-in-cheek, their supposed byplay falls pretty flat. Nonetheless, Reynolds shows both spunk and motivation, providing the movie's only real spark. Too bad the glamorous Lotus Long was killed off early. She could have remained a real object of interest as a mysterious dragon lady. Then too, what happened to sinister dwarf Angelo Rossito. He suddenly disappears for no apparent reason after making a colorful first impression. Instead, we get several badly choreographed fistfights among basically uninteresting characters. Add to these human elements a thoroughly muddled "mystery" that fails to generate either whodunit suspense or much interest, and you've got an inferior entry in the Moto-Chan-Wong series.