A Study in Scarlet (1933)

just watch it!

Highly Overrated But Still Good

Beautiful, moving film.

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

Unremarkable and Barely Holmesian this is Best Viewed as a Mystery Movie. It will have Purist Screaming Foul and Rightfully so. There are a Few Interesting Scenes and although it does Creak and Shows its Low Budget Frequently, the Movie Manages to Draw Enough of the Slightly Bizarre to make it Watchable.There is an Oriental Touch brought along by Anna May Wong who has a Seedy, Smokey Knife Wielding Accomplice but the Portrayals of Holmes and Watson are Pedestrian at Best. The Film also has a Familiarity about it with the Story of a Secret Society and Checklist Deaths of its Members.Worth a Watch with Low Expectations, but if You are Seeking Sherlock Holmes be Prepared for Disappointment. The Misidentified Baker Street Address is a Glaring Attention Grabber.

A STUDY IN SCARLET (World Wide, 1933), directed by Edwin L. Marin, suggested by the book by Sir Arthur Conan Doyle (credited as A. Conan Doyle), introduces Reginald Owen to the role as Sherlock Holmes for the first and only time. In fact, Owen's name isn't credited above the title, but actually the central figure being Sherlock Holmes in A STUDY IN SCARLET, almost as if Holmes is appearing as himself. Owen, seldom a leading man, best known as Ebenezer Scrooge in "A Christmas Carol" (MGM, 1938), may be an interesting choice as Holmes, considering a handful of actors having enacted this legendary sleuth in the past, William Gillette on stage; and/or Arthur Wontner in several British-made movies. Yet there's none more famous than Basil Rathbone (Holmes) with Nigel Bruce (Doctor Watson) in what developed into a popular film series for Universal a decade later. It's a little known factor that Owen happens to be the first actor to play Watson in one movie, 1932s SHERLOCK HOLMES (Fox) featuring Clive Brook, and Holmes in another. As often stated for A STUDY IN SCARLET, the plot actually doesn't follow Conan Doyle's first Holmes novel, but instead contains an original idea scripted by Robert Florey with continuity and dialogue credited by Reginald Owen himself.The story opens at Victoria Station, London (with a light post and car indicating a modern setting for one brief scene), where two cleaning ladies, having difficulty opening the door to a compartment, get Mr. Partrudge, a porter, to look into the matter. Observing from the outside window, he and another porter find its passenger, James Murphy, dead. After a coded newspaper clipping "6, 9, 3, 7, 13, 7, Scarlet 23, 4, 7, Limehouse M," is shown on screen from the Daily Telegraph, the following segment shows a secret meeting presided by Thaddeus Merrydew (Alan Dinehart), a crooked lawyer and legal representative of a mysterious organization called The Scarlet Ring. In attendance are Jabez Wilson (J.M. Kerrigan), William Baker (Cecil Reynolds), Malcolm Dearing (Halliwell Hobbs), Captain Pike (Wyndham Standing), Ah Yet (Tetsu Komai), and Eileen Forrester (June Clyde), engaged to John Stanford (John Warburton), and daughter of one of the recently deceased members, where Merrydew, explains in the event of a member's death, the estate is left to the survivors and divided evenly. Three days later, Sherlock Holmes (Reginald Owen) and his assistant, Doctor Watson (Warburton Gamble) of 221-A Baker Street, are visited by Murphy's widow, Annabella Mary (Doris Lloyd), a pub owner, explaining how she's been cheated of her late husband's fortune left to the organization. Holmes, suspecting foul play in Murphy's murder, takes the case that allows him the opportunity to further investigate Merrydew, whom Holmes describes as "king of blackmailers," "the most dangerous crook" and "a slimy, venomous snake." During the investigation of a study in scarlet, more murders occur, all with little rhyme notes found as possible clues. With further assistance of Inspector Lestrade (Alan Mowbray), Holmes encounters another suspect, Mrs. Pyke (Anna May Wong), a Chinese widow with a mysterious past. Slow moving and virtually score-less, A STUDY IN SCARLET offers several scenes worth noting. If the murdering notes ("Six little black boys playing with a dive. A bumble bee stung one, and there were five," "Five little black boys going in for law, one cut a chancery, and then there were four," "Four little black boys going out to tea, a red herring swallowed one, and then there were three," "Three little black boys walking in the zoo. The big bear hugged one, and then there were two," etc.) sound familiar, then look no further to what eventually became "And Then There Were None" (published 1939-40), a classic novel by Agatha Christie. Slight difference, Black Boys was changed to Little Indians. Could it be that Christie had seen this movie and lifted some material for her novel? Another interesting factor found in A STUDY IN SCARLET is how the camera becomes the subject matter with Merrydew looking directly and talking into it, without revealing the identity of that person. This visual style is most identified to 1940s film noir mysteries, notably LADY IN THE LAKE (MGM, 1946) and DARK PASSAGE (WB, 1947), though done earlier in A FAREWELL TO ARMS (Paramount, 1932), which makes one wonder which film and director originated that visual style.With limited byplay between Holmes and Watson, this edition is very much Holmes indeed, crime solver. Though he does take time to disguise himself at one point, it's not much of a disguise. Other members in the cast include Leila Bennett (Daft Dolly, credited as Daffy Dolly); Hobart Cavanaugh (The Bartender); and Tempe Piggot (Mrs. Hudson, famously played by Mary Gordon in the Rathbone series). Acceptable adaptation that's become a curio to film buffs. Frequently presented on television starting in the late 1970s, A STUDY IN SCARLET, available on video and DVD formats, often played on Arts and Entertainment Cable television before turning up on Turner Classic Movies (TCM premiere: June 5, 2008). For anyone interested in learning more about Doyle's actual "A Study in Scarlet" novel, read the book. (**)

The movie has little to do with the A. Conan Doyle story of the same name. Very cheaply made, its sets are so drab as to give the impression that the film is actually an expose of living conditions in the lower depths -- a proletarian Depression saga. The actors -- especially the three rather portly middle-aged stage actors cast as Holmes, Watson and Inspector Lestrade ("Lastrade" here) -- move gingerly around the various pieces of sad furniture, obviously fearful of breaking up the sets, one of which is supposed to be "221-A" (sic) Baker Street. (Perhaps the change in address was for legal reasons.)Again, for reasons of their own, the producers inserted a tedious scene involving some ancient English vaudevillians doing a "drunk" routine, so ancient it might have come from a medieval farce.However, the story, for what it is, does hold one's interest and moves along quickly, even though it made little sense. The pretty little ingénue playing the heroine has the disconcerting habit of displaying emotion two or three beats after the relevant action, and her neatly mustached boyfriend may have been one of the gimcrack chairs strewn around the set for all the life he shows. The gorgeous Anna May Wong apparently wandered in from another movie. She's on camera for only about 10 minutes, but her talent is so much greater than any other member of the cast that she makes every scene she graces memorable. Lord, how that lady could slink!Two possible "borrowings"-- 1. A literary device holding the story together -- a children's rhyme -- may have been borrowed by Agatha Christie for "Ten Little Indians", a book she wrote long after most prints of this movie had been converted to banjo picks. 2. A cinematic device -- a claustrophobic winding staircase -- may have been borrowed by Hitchcock for "Foreign Correspondent."

Not as good as the ones with Basil Rathbone or Jeremy Brett... Fascinating to see a film from 1933. Study the clothes and furnitures for example. Basil Rathbone, I miss you!