Welcome to Hard Times (1967)

This Movie Can Only Be Described With One Word.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Dramatic and decent Western magnetically performed by Henry Fonda as main cast and just look at the extraordinary support casting . A town can be killed by a bullet , just like a man! . Welcome indeed to this weird Western dealing with a little town determined to become modern , there are stores as hardware , livery stable , undertaking and saloon . A sociopathic stranger (vicious as well as marvelously wicked Aldo Ray) takes advantage of the frightened townspeople and burns down the saloon , destroys the small hardscrabble village but the 'mayor' Will Blue (Henry Fonda , his role mentions he is 49 years old at one point and turning 50 at another and yet Fonda was well over 60 at the time of the filming) doesn't stand up to crazed murderous . After that , Blue convinces its survivors to stay and rebuild it . As Blue swears to rebuild the small Western town after the stranger rides on , but the townsfolk give up and abandon . Afraid for the city's future and even more afraid of the fact that the maniacal Pistolero seeks revenge , Blue , then , promises to make a new town . A wagon load of whores led by "entrepeneur" Zar (Keenan Wynn) shows up and together with Blue, and Maple (John Anderson) they rebuild the little town . All of them decide that old-style violence is the only way to rid themselves of the angry diabolic gunman . As Will has to take a last stand when the powerful gunslinger take over his town , again . What happens in the ending makes one of the most dramatic climaxes of any story you've ever seen!This passable , meaty Western contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining , though slow moving . It is a riveting mixture of the psychological flick and the basic Western action pic . Well-paced as well as rare Western balances action , suspense and symbol-laden drama . It's a classical recounting about a veteran as well as hesitant leading citizen of the runtown of ¨Hard Times¨ who at first doesn't stand-up to ruthless killer , a peace-loving and surrounded by cowards and frightening people ; being probably one of the strangest Western of the sixties . This is an atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of enjoyable situations . The picture profits Henry Fonda's portentous interpretation , he gives a top-drawer performance as a Mayor who fails to stand up to the gunfighter , Fonda is an awesome expert in the art of conjuring sensational , terrific acting . Originally made for television in 1966, but released to theaters instead, before being shown on TV because of its violent content . Engaging screenplay from the novel "Welcome to Hard Times" by E.L. Doctorow , author of ¨Ragtime¨ . The traditional story and exciting script was well screen-written by Burt Kennedy though clichés run through-out , the agreeable tale is enhanced for interesting moments developed among main characters and especially on the relationship between Henry Fonda and Janice Rule . The highlights of the film are the climatic showdowns , the peculiar love story among protagonists , and , of course , the final gundown . The casting is frankly nice . Here are reunited a top-notch plethora of secondary actors , most of them playing the frightened townspeople as Keenan Wynn , Janis Paige , John Anderson , Warren Oates , Fay Spain , Edgar Buchanan , Paul Fix , Denver Pyle , Lon Chaney Jr. and Royal Dano who is exactly right as Indian medicine man . Atmospheric cinematography in Technicolor is superbly caught by cameraman Harry Stradling . Thrilling as well as atmospheric musical score by Harry Suckman . This hard Western picture was professionally directed by Burt Kennedy . He initially was screenwriter , his initial effort, ¨Seven men from now¨ (1956), was a superb western, the first of the esteemed collaboration between director Budd Boetticher and star Randolph Scott . Kennedy wrote most of that series, as well as a number of others for Batjac, although it would be nearly 20 years before Wayne actually appeared in the film of a Kennedy script . In 1960 Kennedy got his first work as a filmmaker on a western , ¨The Canadians¨ (1961) , but it was a critical failure . He turned to television where he wrote and directed episodes of "Lawman" (1958), "The Virginian " (1962) and most notably ¨Combat!"(1962) . He returned to films in 1965 with the successful ¨The Canadians¨ (1965), directing the pilot for the TV series of the same name and subsequently made ¨Support your local gunfighter¨, ¨Support you local sheriff¨ that resulted to be two of his best Western . And directed two with John Wayne : ¨Train robbers¨ and ¨The war wagon¨ , Robert Mitchum : ¨Pistolero¨ , ¨The good guys and the bad guys¨ , Frank Sinatra : ¨Dirty Dingus Magee¨ , Raquel Weich : ¨Hannie Coulder¨ and a sequel ¨Return of the magnificent seven¨ . His last films were TV products and mediocre productions such as : ¨Wild wild west revisited¨, ¨More wild wild west¨, ¨Big bad John¨, ¨Dynamite and gold¨¨ , ¨The trouble with spies¨and ¨Suburban commandos¨ . This violent Western ¨Welcome to Hard Times¨ is a Henry Fonda vehicle , if you like his particular performance ,you'll enjoy this one .

Everything about this Movie is Wrong and it had the Unfortunate Bad Timing of being Produced in one of the Most Transitional Periods in Cinematic History. Everything was Changing and the Times were Certainly Hard on Tradition. It also has the Amazing Ability to bring Together both Conservatives and Liberals because this is one Everyone can Dismiss.It is Certainly not a Typical Western, but that isn't the Problem. The Problem is that Unlike the Spaghetti Westerns of Sergio Leone and the Western's of Sam Peckinpah this one from Director Burt Kennedy and Star Henry Fonda was a Monumental Flop because it is just Bad Entertainment.It's not the Pacifistic Message that is at Fault here, it is the Unrealistic, Frustrating, Flat-Line of the Movie's Unappealing Nature that made this Dead On Arrival both with Critics and at the Box Office. Nothing in the Film is Appealing even in a Visceral, Gritty, Old-West kind of way. It is just Boring.None of the Great Character Actors can Breathe any Life into this Dead Wood and just for another Ridiculous Example of the Film's Clueless Nature, all of the Whores are Gorgeous and have a Beauty Salon Sheen that makes all of Their Scenes seem Surreal. This is a Major Misstep from all Involved and has been Rightfully Forgotten by Fans of the Western.

Awful dusters like this are the key reason so many people hate the genre. It's the cheapest pulp imaginable ... manna for the addicted, but utterly unpalatable for the rest of us who expect intelligent story-telling in whatever kind of movie we may choose to watch. In this tiny town -- and really that's being charitable; hamlet is more appropriate -- there are but a handful of inhabitants and only three apparent businesses (saloon, store, and undertaker), no court or jail, no regular transportation services, no communications, no government offices of any kind, no mayor, and no law enforcement, yet a busily occupied lawyer? The citizens - despite possessing a good cache of weapons - come out to the street and stand around helplessly as a drunken psychopath goes on a slow and relaxed killing rampage interspersed with ample rest periods and ample opportunities for him to be ambushed. If you have an IQ in three digits and expect a plausible story, don't waste even a moment of your time on this piece of rubbish.

It's amazing that Henry Fonda made the fantastic "Once Upon a Time in the West" the same year, or thereabouts, that he made this atrocity. Tonally inept, directed like a school play, with an obnoxious, heavy-handed score, this is an object lesson in how not to make a western. As you probably know by now, an impossibly brutal killer terrorizes a small town but no one has the courage to stand up to him. You'd think they could hand out a few guns and encircle the guy, instead of taking him on one at a time. Various central-casting western types cycle through, brandishing their mustaches and petticoats, and seem to have been left to their own devices on such matters as line readings (Keenan Wynn, in particular, barks his dialog as though dictating it to a sign painter). Ersatz Aaron Copeland music kicks up for interminable montages of town-building. Henry Fonda and Janice Rule have the same argument for two hours until, mercifully, some bloodshed makes the conversation moot. You will mourn the two hours of your life you sacrificed on the altar of this inert flick.