Dead Men Don't Die (1990)
A reporter investigating a drug dealing ring is murdered. Brought back to life by the voodoo spell of a cleaning woman, he goes after his killers.
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Brilliant and touching
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Elliott Gould scraping rock bottom. TV news-anchor sees something suspicious going down in the parking garage and, having been encouraged to start livening up his news report, follows the men upstairs, where he encounters a drug-smuggling ring. Slapstick comedy with voodoo and TV news satire, both gratingly broad. Very sloppily made, with poor writing and directing (both by Malcolm Marmorstein), a gloppy production and hammy supporting performances. Gould's deadpan charm has been heightened to ill effect (he comes off like a schnook), while Melissa Anderson as his co-host looks attractive but is never given the chance to create a character. Amateur night in Zombie Land. NO STARS from ****
This film is so off the wall it has to be a comedy classic. Elliot Gould was fantastic as the Zombie, (remember him in such classics as Capricorn One?). It does remind me of a B-Movie, daft but highly enjoyable.Can't help wondering if it influenced "Anchorman" (Ted Burgundy. But perhaps not.The rest of the cast look familiar and perhaps have appeared in other American films/TV productions, but Eliott Gould appears to be the only Famous face, (albeit in heavy white foundation to compliment his "undead" Zombie persona). If you get the opportunity to see this film give it a go, the surreal humour will not disappoint.Can't help thinking David Cameron would make a good Zombie, hang on I thought he was already!!!)
I am amused at other reviewers taking this film seriously and completely ignoring the fact that this is classic trash/black humor film. It is so trashy that it is funny as hell (Especially the Pacadena scene). The famous protagonist artist also makes wonderful job, and it is amazing that he was out-of-the-box enough to be engaged in this extraordinary (I mean, yes, literally) film. If you want/expect to see a horror movie, then do not watch it. If you want to see romantic comedy, then do not watch it. If you want to see philosophical, intellectual comedy, then do not watch it. This film is only trash black humor (though it has some elements of social satire. Not more, but not less.
Of any film I have ever seen this has to have the most problems with appearing boom microphones - they are everywhere. Besides this, Elliot Gould perhaps should have known better, as he is wasted in a feeble, unfunny comedy with little or no plot direction. There is nothing to warrant seeing this film.