The Toybox (2005)

Lack of good storyline.

Better Late Then Never

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Worth seeing just to witness how winsome it is.

This is my first review. I felt it necessary to warn people of just how f***ing god awful this piece of trash is! I watched it cuz of the positive reviews, guess we were watching different flicks... I love horror movies and enjoy British entertainment but this was sooo far from the realm of achieving any entertainment value whatsoever!!! This felt like a horrible film student flick with no sense of keeping a story together at all. The camera work was good as others have mentioned, but i don't care how clean it looks if the story makes less than no sense. Save yourself 80 mins and keep looking...TRUST ME

The Toybox is a superrealistic psycho-thriller that chillingly depicts how the effects of severe familial dysfunctionality combined with a possessive influence of the dark snaps the mind of a young impressionable man. The tale is told through stark counterpoints: Manipulative Jezebelian femininity couples with loveless male Ahabian tyranny and wimpishness. The holiness of Christmas and a village church is offset by dark machinations and violent murders. The sinister developments are suffused and lightened by comico-grotesque symbolism and events, almost hyperrealistic shots of nature's unadulterated beauty, as well as the redeeming sensitivity and pure good-naturedness of one of the characters. Evil is contained when the church and law-and-order come knocking on the door. Filters, lighting, camera movement sensitively enhance the moods. With incisive acuteness, the actors capture mankind in its highly grotesque and destructive moments.A good first work showing that the makers have fine observation skills, as well as a plethora of film tricks up their sleeves that demand to be explored further. A must for those who love satire and the study of the dark and disturbing human behavior.

The Toybox was a really good watch. It bought together visual tastiness with a juicy narrative and, at the risk of this sounding like a junior cookbook recipe, created a creamy dose of well needed British horror.I especially like the inclusion of animations withing the film. It helped to create a certain tone that was held throughout. There are some random moments like unexpected clowns appearing from nowhere but this helps to control the films unique identity by leaving some questions unanswered. The movie includes some quality acting from the likes of Suzanne Bertish and although not all of the other actors could keep up this pace none created a noticeable let down for me.I can definitely recommend this for a decent watch

Often, the mark of a good film is that you're still thinking about it for days afterwards...The Toybox has, more than anything else, a strong visual identity. Credit to both the director and DOP for creating such a sickly visceral quality, especially throughout the third act, that delivers on the unsettling quirks and occasional jump-starts in the first two. There's no doubt that this movie has style and energy to spare, and yet as the visuals come together stylistically, the narrative slowly becomes more and more disparate that it unravels into several unexplored and unresolved avenues. It's a rare situation, but the film suffers from a surplus of good ideas, with the script juggling too many plot strands and is ultimately unable to catch hold of them all come the climax.However, for a while at least, the intrigue of the back-story, and the marriage of ancient folklore and modern-day sensibilities holds the attention. Unfortunately, the post-production ADR hasn't been kind to the performances, and some of the clunkier dialogue sometimes grates and strains to convince. In fact, it's most often the case that the more senior members of the cast manage to hold the script together and create some memorably uncomfortable scenes (Conrad at the family dinner is a stand-out for cliché-fish-out-of-water fun).There are more themes here that would arguably be more interesting and effective to follow through on if explored fully - and some pretty dark elements at that. Obviously, there's the witchcraft element, but beneath that lies a suggestion of an incestuous desire, which goes on to manifest itself in jealousy and rage. Elsewhere, the relationship between the Grandfather and his Grandchildren, and the shameful secrets they share, offers another interesting angle. Whilst the implications of these sub-plots open up several avenues ripe for exploration, they get lost amongst muddied stories of folklore, murder and possession (story-strands that also get lost and confused).In essence, there are several other (and better) films trying to get out, which unfortunately have to compete and jostle for attention amongst the numerous other story lines involved in the film overall. Some of the more hokey elements aren't successful either, although sometimes, the visual quirks land a sucker-punch that the audience won't be expecting. But whilst the script sometimes lack coherence, the visuals smack of certainty, assurance, and a general comprehension of how to provide the requisite shocks and scares.Regardless of the script's shortcomings, the brutal and primal climax is cranked up for all the visceral and visual carnage it's worth. There are some beautifully scenic moments, which make the most of the snow-laden fields and stark environment. Yet somehow the director successfully creates the impression of a brooding claustrophobic malevolence in contrast with the landscape shots which result in some genuinely disturbing and affecting moments.As a calling card to the British film industry, the film makers have a lot of talent to offer, even if the source material sometimes lets down the assured camera-work and flair. For every miss (teddy's glowing red eyes, clowns in the toilet) there's a hit (literally and brutally, but to describe it would give to much away!) Give these boys a budget and source material to match their obvious talent and there's a definite treat in store. And although the plot is largely forgettable, the film has such a strong identity that it will linger in the memory long after the final credits have scrolled...