Unholy (2007)

This Movie Can Only Be Described With One Word.

Surprisingly incoherent and boring

Most undeservingly overhyped movie of all time??

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

An excellent and intriguing concept, detailed and appropriate production design, and very talented acting (except for the store owner, Richard Ziman, whose overacting was practically unbearable) are all marred by dreadful editing and cinematography, writing more terrifying than the story and direction bad enough to make you cry.Additionally, the depiction of a family who has just lost a daughter to suicide was offensively inaccurate. Granted, not every family's experience is the same. But there is a mourning period - a time of grief. Not once did they seem to wonder why she killed herself without thinking that she must have been forced into it. Not once did they consider that it was some sort of psychological dysfunction or emotional trauma that caused her to commit suicide... and come on, why did they say "suicide" about a billion times?! Do you really think that they would so quickly accept and deal with what she did and be able to call it "suicide" so casually? Many families can barely even utter the word so recently after the death of a love one.I initially found this movie because of Nicholas Brendon (yeah, Buffy fan, right here), and I wasn't disappointed by his performance in this movie. He was convincing at most moments, and the moments where he wasn't can be attributed to bad writing. I don't care if he's a dude, I don't care if he's a stoner, I don't care about any of that. His little sister died. Let the man cry a minute on camera before you dive head first into the mystery-solving.And lastly - I won't reveal the conclusion of the story, but I will say that it happened far too hastily and that it was poorly directed. It leaves you understanding generally what happened, but with a sense of "wait, they missed something" in addition to saying "that's IT?" As if they tried to come up with an interesting twist to the ending (which a movie of this sort sort of requires) and just... couldn't.It breaks my heart to see such a fascinating and well thought-out story come to an end like this, but a film is only as good as it's script, and "Unholy"'s script is... well, just that.

The main problem I see with this film is its score, which screams with every note, "This is a cheap-ass movie." There's not much more to say here. The score just plain sucked.The second problem, which I see as quite severe as well as it involves the unwinding of the plot near the end of the film (one of the the money shots, if you will), is the dialogue between Martha (Adrienne Barbeau) and the sunflower man (Richard Ziman), in which Martha is revealed to be the leader of the experiment. At all times during this dialogue, the viewer is very much aware that s/he is listening to a movie dialogue. In other words, suspension of disbelief breaks down here. The integrity of a believable dialogue between two people is sacrificed for a willy-nilly stuffing of information the movie makers wish to impart to the audience.The third problem was the casting of Adrienne Barbeau. While I honestly believe her to be a fabulous actress within her oeuvre, I feel that this part may have been too much of a stretch. The main point of her performance that didn't seem to mesh was the spectrum across which the character moves through the film from a loving mother of a troubled family to an almost Rambo-like woman on a mission. This aspect of the script would obviously have been a stretch for any actress, and one cannot place too much blame, therefore, upon Barbeau. To the degree that she fairly competently acted her part, however, I would only call this a moderately severe problem to the film as a whole.Finally, the film did a wonderful job in the first half building a creep factor, most notably during its horror flashes. I feel that the film would have benefited by more of a commitment to these flashes as a mechanism for preventing a fizzling of the creep factor in the second half of the movie.So what's my holistic grading of this piece? I'd give it a solid C+ to B-, depending upon how much credit you're inclined to give the makers for producing this film on a limited budget. Even with two severe and two moderately severe problems, the film is premised on the solid plot of the Jungian side of Nazi mysticism. I see no problems with plot development or coherence; the dialogue, with the noted exception above, is downright brilliant in places, especially the all important keystone scene between mother and daughter at the beginning of the movie; as mentioned, the creep factor was well crafted, if a bit fizzly in the second half; and Nicholas Brendan, who also associated produced, delivered a wonderful performance.All in all, this film is definitely worth the view---see it with a Nazi you love. :)

This sounded like a really interesting movie from the blurb. Nazis, occult , government conspiracies. I was expecting a low budget Nazi version of the DaVinci code or the Boys from Brazil or even Shockwaves. Instead you get something quite different, more psychological, more something like from David Lynch. That was actually a plus. But the way the story is told is just awful.Part of the trouble is the casting. Andrienne Barbeau's character starts off the moving being somewhat timid and afraid. She just doesn't do that well, even at her age, though she certainly tried. The actor cast as the son apparently thought this was a comedy. Most of the other actors also seemed to have thought this was a campy movie, or at least acted like it, rather than simply being quirky. The only one that I thought did really well was the daughter, Siri Baruc.Another big part is the pacing. It starts off very slowly. So slowly you might be tempted to turn it off. But then it gets compelling for a while when you get to the daughter's suicide and the aftermath. But shortly afterward, it all becomes a jumbled mess. Some of this was on purpose, but much of it was just needlessly confusing, monotonous, and poorly focused.The real problem, is it's simply not a pleasant movie to watch. It's slow, dull, none of the characters are likable. Overuse of imagery and sets. Some movies you see characters get tortured. In this, it's the viewer that does. It does have a few creepy moments, most notably the creepy Nazi paintings and the credits, but the rest of the movie is mostly just tiresome.

Unholy (2007) 3 of 5 Dir: Daryl Goldberg Stars: Adrienne Barbeau, Nicholas Brandon, Siri BarucAdrienne Barbeau hasn't had the best of time lately and they get worse when her daughter commits suicide in their cellar. Along with her son (Brandon of TV's Buffy) gather up the pieces and decide to leave that sad home. But Barbeau can't shake the reasoning with the tragic events and decides to return to get to the bottom of the mystery. How does an old legend of some boogeyman used to frighten children, the strange behavior of the residents around her and the strange audio diaries and Nazi inspired paintings that the daughter did have to do with an unholy trinity? It's always nice to see the lovely Miss Barbeau in genre pics and she does a fine job here. Baruc and Brandon (still doing the 'Xander' thing) are good as the messed-up children. The script, while having an interesting premise doesn't seem to gel together in the end. It comes up with an interesting angle but kind of glances off things that needed a bit more explaining. The final result leaves an ending that is a bit muddled. It may leave some viewers scratching their noggins. 'Unholy' tries hard to come up with an interesting twist and it succeeds for the most part but it kind of falls apart in the end. This spooker with sci-fi underpinnings does look good and has a solid and talented cast though.