Blackout (1985)

What a beautiful movie!

A bit overrated, but still an amazing film

Blistering performances.

The movie really just wants to entertain people.

Douglas Hickox directed one of my favorite films, Vincent Price's Theater of Blood. And he also directed this - a TV movie turned video store favorite thanks to its striking box art.Joe Steiner (Richard Widmark, whose portrayal of Tommy Udo in Kiss of Death would inspire Eric Binford in 1980's Fade to Black) is a cop who can't let go. A brutal slayer of an entire family on a child's birthday has scarred him and he promises the dead family that he won't rest until he brings their killer to justice.Allen Devlin (Keith Carradine, Nashville) is a man without an identity. He was in a car crash that destroyed both his face and memory. He wakes up with a scarred visage that upsets nearly everyone that sees it except for his nurse, Chris Graham (Kathleen Quinlan, Airport '77).Mike Patterson (Michael Back, Swan from The Warriors) is another cop who was Chris' boyfriend and lost her to Allen. He can't let go.All three men are trapped by the past: Steiner believes that Allen is the family killer. Mike wants Chris back at nearly any cost. And Allen might be a new person, born on the day of his car crash, but he may also be that killer. Even he isn't so sure.So how is this a giallo? It doesn't have the expected psychosexual and fashionista elements, nor the camerawork showing the killer's POV. However, it does feature plenty of identity confusion and a main character who may or may not be the villain.Come to think of it, this film has a strange narrative in that there is no real hero of the piece, with all three men and Chris serving as characters within the story framework instead of a sole protagonist for us to root for.For a TV movie, this gets pretty dark, with some uncomfortable male on female violence at the end. There's also a great steadicam sequence where Chris opens door after door to try and find either her children or the killer, with the smooth movement of the camera slowly increasing her worry and making the scene quite claustrophobic.Originally airing on July 28, 1995 on HBO, Blackout gained even more notoriety as it inspired Ed Sherman's murder of his wife Ellen in August of that year. Sherman also used an air conditioner to slow the decomposition of his wife's dead body in an attempt to establish his alibi.

"Blackout" is similar to at least a bunch of other films, in that someone has no recollection of who they are or their past history. Obsessed detective, Richard Widmark, believes he finally has found his prime suspect in a seven year old murder investigation. Problem is their identity cannot be confirmed because of reconstructive surgery following a horrific car accident, and they remember nothing. The film tries to cast doubt on Widmark's suspicions, even so far as suggesting he planted evidence to help his cause. This TV movie is way above average, with an intriguing script, creative photography, and convincing acting, especially from suspect Keith Carradine. Although the audience has several theories to choose from, the conclusion is both frightening and logical. - MERK

A TV presentation that was better than expected and managed to throw up a good amount of jarring suspense and genuine twists in a customary murder mystery thriller set-up. Director Douglas Hickox (father of director Anthony Hickox) gets the goods out of his first-rate cast consisting of Richard Widmark, Keith Carradine, Kathleen Quinlan and Michael Beck. Widmark's hardened ex-cop and Quinlan's concerned wife are pure class. Carradine is terrifically convincing in the lead role. After the discovery of a brutally murdered mother and her children, the search begins for the father, but he seems to have disappeared. Six years later the cop who was in charge of the case is retired by the force, but still looking into the case. In the mail he receives an anonymous letter with an article that features a man who recovered from a devastating car accident, but had lost his memory about his past. Now his starting a new life with a family, but could he be the killer? In the air are a disturbing and glum vibe, and the opening sequence cements it. What begins is quite slow-going in a melodrama format, but the gradually tight build-up psychologically toys around with the viewer of what to possibility to believe. It's resourcefully written and relies on Hickox's competently accomplished directorial timing to get the most out of mysterious avenues and intense flourishes. Never does it fall into anything cheap or uninspired, and the red herrings are pulled off effectively and the intensity grows to lead onto the final revelation. The enliven score is well-placed and sorrowfully orchestrated for maximum impact. The TV feature 'Blackout' is one to look out for.

This movie starts off scary and never stops. Is he the killer? Or is he the killer ? Are they both maniacs? You don't know till the finale . Great acting by cast especially Quinlan .This should have been theatrically released .An absolute knockout.