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Don't Panic

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Don't Panic (1989)

March. 02,1989
|
4.8
| Horror Thriller
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On his 17th birthday, a boy named Michael has a surprise party thrown by his friends, where a session with a Ouija board accidentally unleashes a demon named Virgil, who possesses one of them to go on a killing spree. Michael, now plagued by violent nightmares and premonitions, sets out to try and stop the killings.

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Cleveronix
1989/03/02

A different way of telling a story

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KnotStronger
1989/03/03

This is a must-see and one of the best documentaries - and films - of this year.

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Lollivan
1989/03/04

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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Stephan Hammond
1989/03/05

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

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Woodyanders
1989/03/06

Nice guy Michael (winningly played by the affable Jon-Michael Bischof) gets an Ouija board as a gift for his 18th birthday from his smartaleck best buddy Tony (the solid Juan Ignacio Aranda). Michael summons the lethal and evil spirit of Virgil, who takes possession of Tony's body and starts bumping off Michael's friends. Writer/director Ruben Galindo, Jr. trots out all the expected endearingly hokey 80's teen fright feature clichés: we've got a couple of false scares, a corny lovey dovey montage set to infectiously bouncy 80's rock music, a generic spooky'n'shuddery ominous score by Pedro Plascencia Salinas, a tasteful make-out scene, and even the always amusing psycho in the back seat of a car bit. Moreover, the basic plot blatantly emulates the second "A Nightmare on Elm Street" movie, the pace really kicks into gear and rarely lets up after the rather leisurely opening third, the 80's clothes and hairstyles are hilariously hideous (Michael's silly blue pajamas are especially sidesplitting!), and Galindo, Jr. gleefully pours on the blood by the gallon with several pleasingly brutal murder set pieces. Additional accolades are in order for the mostly sound acting from the personable cast. The stunningly gorgeous and adorable Gabriela Hassle in particular impresses with her warm and charming performance as Michael's sweet gal pal Alexandra. Screaming Mad George's funky special effects and the reasonably polished cinematography by Miguel Arana and Daniel Lopez both hit the spot as well. A fun little flick.

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slayrrr666
1989/03/07

"Don't Panic" is one of the best slasher films around and has a lot going for it.**SPOILERS**Gathering together, Michael, (Jon Michael Bishof) invites friends Tony, (Juan Ignacio Aranda) Christy, (Melinda McCallum) Debbie, (Cecilia Tijernia) Robert, (Raul Araiza) Peter, (Mario Ivan Martinez) and new girl Alexandra, (Gabriela Hassle) for his birthday party. During the celebration, they decide to use a Ouija board for fun, but when nothing happens, they decide to call it a night and go home. As Michael begins to romance Alexandra, he becomes plagued by a series of visions of some being stalking his friends. Convinced it isn't normal, he thinks that something has happened with the use of the Ouija board, and sets off to warn his friends when the visions increase. Now convinced that a demon has possessed one of his friends, he sets off to keep the rest alive while trying to find a way to stop the rampage.The Good News: This is one of the better slasher films to come out. One of it's more important facets is that it contains all the familiar trappings in a slasher film which is always fun to see. From the standard POV shots of the killer approaching it's targets to the shots of the weapon of choice being manipulated by the hands and a group that constantly ignores warnings of the one who can help them place this one so firmly in slasher conventions that it's just all-around fun. It's fun to spot the little bits of other slasher film's the director is cannibalized, including the hero has an alcoholic Mom, the characters watch self-referential clips of horror movies on TV, a scene in a classroom where the main character dreams the bloody demise of a classmate, the crispy faced, gravel voiced villain, and the concerned parents who think their kid is going bonkers and call in the doctors. One of it's main positive points is the way it treats the killer. By keeping the killer in the shadows for much of the running time, it helps to keep their fear of him high as does keeping the quips to a minimum. This helps the few times he's on-screen at their most effective. With bloody burns, rotting skin and bloodshot eyes, it strikes a real impressive presence that scores some real scares mainly through the appearance. It's also pleasingly bloody, with some nice gore effects from the time. We get a brutal dagger blade shoved underneath through the chin of one unfortunate teen, and wiggling around messily in his mouth, itself a standout, but a very bloody slit throat, a messy impaling, several stabbings and a whole slew of slashings in here, all quite bloody and loaded with gore. The use of the POV shots lends the film it's several tried and true suspense scenes. The several hospital stalking scenes are so creepy it's almost criminal. Seeing as it's the first time that any part of the killer's appearance is given, the site of it's blistered and decayed hands popping up brandishing a large dagger is quite creepy. Watching it get closer and closer to the unsuspecting victim is classic suspense, and the short stalking scene when they discover the killer there is quite thrilling. That, though, is outmatched in the later scene where the killer takes to stalking the hero, and the chase through the very darkened hallways is as good as anything ever done. With only the killer's approaching boots or the hero's frantic search to get away, it's one of the film's highlights. A later scene is also to be commended, where the fact that a car in the outdoors is the setting for a few murders is quite exciting, and really has a lot going for it. It's a really pleasing slasher film in most respects.The Bad News: There's only a few small problems in here. In one scene, where the two leads find themselves in the same position, the two play hooky from school, leading to a delightfully cheesy romantic interlude where they stop to feed the ducks, have their picture taken in sombreros and play peek-a-boo with each other as they eat giant ice cream sundaes. While serving a plot point, it's utter cheese and pace-killing destroys most of the positives established at that point. It's a really hard scene to sit through, and really should've been toned down or written around. The fact that this is quite predictable and clichéd might be tough for some to stomach, as it's not that hard to guess what's going on right from the beginning and what the twist at the end will comprise. Another low point is the low body-count, which is pretty much sealed by the storyline used, but it still would've been nice to have a few more pop up, as there's enough characters for it to be possible. Otherwise, this is a really entertaining slasher film.The Final Verdict: With a few really easily-overlooked flaws, this is one of the better slashers around. It follows the formula to perfection, almost too much so, but that's still not enough to knock this one down. Slasher fans should give this one a real viewing, while Mexican horror fans and anyone else interested are advised to check it out.Rated R: Graphic Violence, Graphic Language and a mild sex scene

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Paul Andrews
1989/03/08

Don't Panic (a confusing title which means absolutely nothing by the way) starts by introducing us to Micheal Smith (Jon Micheal Bishof) who recently moved to Mexico with his alcoholic Mother (Helena Rojo). It's the night of Micheal's birthday & the last few guests are leaving his party, or so he thinks. Some of his friends have stayed behind including his best friend Tony (Juan Ignacio Aranda) & a girl from school whom he has the hots for named Alexandra (Gabriela Hassle). Tony, being an idiot, suggests that they hold a séance with a Ouija board he just happens to have, after some goading everyone agrees & the séance begins. Tony talks about a spirit named Virgil & asks him some stupid questions, everyone goes home & that's about that or so everyone thinks... The next day Micheal is late for class but everything is fine. However that night as Micheal is trying to sleep he has a vision, a vision of one of his friends named Debbie (Cecilia Tijerina) who was at the séance, being brutally stabbed to death by an unknown assailant. Oh, & for some unexplained reason Micheal's eye's turn red. At first Micheal thinks that it was just a hallucination but when he hears about Debbie's death & that of another one of his friends at the séance Peter (Mario Ivan Martinez) on the news he becomes convinced that his vision was real. While at school Micheal receives a warning in the shape of yet another vision, a warning which tells him Christy (Melinda McCallum) will be the next to die, Micheal must try & save Christy & his remaining friends who were present at the séance before this unknown source of evil kills all of them...This Mexican American co-production was written & directed by Ruben Galindo as Ruben Galindo Jr. & is one seriously bad film. The script tries to cross supernatural thriller with stalk 'n' slash horror & it predictably turned out to be a complete mess. Don't Panic is a painfully slow & tedious film to watch with only two murders for well over an hour of it's running time & lots of boring exposition & unnecessary character development for the rest of it. The dialogue is pretty bad, the acting is very bad & the character's are awful. The film tries to conceal the killer's identity & to be fair it might work, unfortunately the version I saw revealed the killer on the back of the video box so I knew who it was all along, I doubt it would be that much of a surprise though. No explanation is given to who Virgil is, what he want's, why he's killing these specific teenagers or how he is able to possess people's bodies. Virgil is just 'there' & we have to accept it. The character's are all stupid, the situations Don't Panic depicts are all stupid & as a whole the film lacks any sort of fore-thought or intelligence behind what's going on. The ending is awful as well, both how Virgil is defeated & that sickening & tacky 'this rose will never wilt as long as there is love between us' scene. Despite what you may have read there is actually very little on screen gore, two people are stabbed which Don't Panic depicts by having blood splash over the floor & on the victims clothes, there is a fairly decent slit throat even if I wouldn't just sit impassively in a car as someone stuck their hand in through the window & sliced my throat open with a knife & a scene in which a knife (it's the same knife in all the murder's actually) is stuck into someones chin & it protrudes from their mouth. All the kill scenes are dull with virtually no build up & director Galindo fails to inject any tension, scares or atmosphere into them just like the rest of the film in fact. There isn't even any nudity either, in fact when Micheal & Alexandra have sex it is squeaky clean stuff, Galindo merely shows them kissing each other on the lips while in bed. As mentioned already in other comments the sight of Micheal running around in his babyish pyjama's is both bizarre & very silly looking. Don't Panic is technically average, the cinematography is static & flat as are the production values in general & the horrible music seems very out of place. There are a couple of scenes where a face pokes out of the TV which is quite an impressive effect. Overall there is very little I can recommend Don't Panic by as it's a pretty terrible film all round really, maybe it's good for a few laughs & a decent slit throat but that's it. One to avoid unless it's VERY cheap & your VERY bored.

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Coventry
1989/03/09

Ruben Galindo is one of those sneaky Mexican exploitation directors who makes quickie-movies for the the American market. The cast is filled with fresh American faces and premise as well as atmosphere are typically US high school-like. Only... the production is entirely Mexican! This technique saves the makers a few extra bucks and the fans of this type of cinema mostly don't notice the difference anyway. However, what you can't but notice about "Don't Panic" is the amateurism. The screenplay makes no sense at all as it attempts to blend the mysteries of the occult (an Ouija-board) with an ordinary high school slasher plot. A group of brainless friends summon a demon (named Virgil...not exactly a petrifying name, if you ask me) and this demon soon after possesses one of the kids. How did this Virgil ended up inside the body of the kid?? Who knows... Why does he think it's necessary to butcher everyone who joined the Ouija game?? Not explained, neither... There's no tension and no sense of humor to detect anywhere in the script. Well...at least not intended humor, because the stupidity and incompetence definitely will make you chuckle more than once! Also, if you plan to watch this film, you're better not allergic to atrocious acting. No matter how hard these teen-actors try, they have no acting skills at all. The best part about "Don't Panic" is – as usual – the gore! Screaming Mad George went nuts again and literally stuffed this film with repulsive massacre and entire buckets of blood. I'm not an expert but I sincerely doubt that an average human body contains so much blood. Oh well, if it wasn't for these gory moments, "Don't Panic" would be completely worthless. In conclusion: this probably is one of the only films ever that feature the hero (supposedly 17 years old) battling evil whilst wearing a ridiculous and utterly childish pajamas. Respect!

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