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The Vineyard

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The Vineyard (1989)

July. 01,1989
|
4.7
|
R
| Horror Science Fiction
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Dr. Elson Po is one of the world's most famous wine growers and has a magic potion which has kept him handsome and alive for centuries. However, the magic which rejuvenates him seems to become less and less effective. As a side project, he makes movies and invites a group of young, aspiring actors to his island for a party, believing that the young, beautiful actress, Jezebel, can be his new source of life.

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Reviews

Tedfoldol
1989/07/01

everything you have heard about this movie is true.

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Comwayon
1989/07/02

A Disappointing Continuation

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HottWwjdIam
1989/07/03

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

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Payno
1989/07/04

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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George Clarke
1989/07/05

The Vineyard sees fan favourite James Hong return as one of his most loved characters Lo Pan (Big Trouble In Little China) of sorts, in his self directed horror comedy which has a number of Hong Kong stars on board as a vehicle to help kick start their career (which seems to have worked).Reminding me of the classics like Mr. Vampire, Haunted Cop Shop, and We're Going To Eat You; this great wee flick oozes that same appeal as those horror comedy HK classics of the 80's which also features an early role from Michael Wong (Beast Cops, First Option, Royal Warriors) which is comical in itself!Massive Hong Kong producer and director Gordon Chan (2000 AD, The Four Trilogy, Painted Skin) co-produces the feature for Hong, as he creeps out the visitors of his vineyard island, posing as a film producer with a great location.The plot is crazy, yet that's what gives it the same charm of the 80's HK films I love. Zombies, gore, comedy, crazy SFX all come together in this unseen, underrated little gem that entertains without you having to think too hard!

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Paul Magne Haakonsen
1989/07/06

This horror movie from 1989 really embodies the entire spirit and feel of the 1980 horror movies. It is hard to put a concrete example on what it is to it that makes it so, but it just is."The Vineyard" is fairly straight forward. A reclusive wine grower, famous for his unique wines, have invited a group of young aspiring actors to his estate for what they believe in to be a party and an audition for a movie. However, the wine maker has something else in store for the young people, as he needs them to brew his special wine; a wine that has kept him young and alive for centuries.The effects in the movie were very 1980s. Just watch the movie, and you will know immediately what I am talking about here. The zombies weren't particularly detailed, but I assume for a movie from back then they were quite good.The storyline is generic and stereotypical for late 1980s horror movies, being predictable to the core. But still, the movie is fun to watch because it is campy and cheesy. And it was fun to watch James Hong in this particular role. Being a fan of Hong Kong cinema, it was also fun to watch Michael Wong in this movie.If you enjoy horror movies from the 1980s, then "The Vineyard" is definitely one to watch. And the ending is guaranteed to have you laughing...

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Coventry
1989/07/07

Ah, the perfect culinary combination: cheese and wine! Although, despite what the title and plot summary suggest, it's mainly cheese that we're served here in this thoroughly imbecile and incompetent excuse for an 80's horror movie. James Hong, the star of a literally endless list of TV-shows and bad B-movies, stars, wrote and even co-directed this movie that entirely revolves around himself as a successful and mysterious wine grower who lives on a private island with a bunch of loyal servants. Dr. Po worships an ancient Chinese god and the liquid he produces in his dungeon mainly serves to constantly rejuvenate his own 500-year-old body. He's also on the lookout for a bride and therefore he continuously lures young people to the island with the excuse of casting people for a movie. The girls end up imprisoned in the cellar and the boys become rotten zombies that aimlessly wander around the island. As you can derive from the summary, "The Vineyard" features several interesting ideas but sadly none of them are adequately processed in the screenplay. Late 80's horror movies are often chaotic, but at least a minimum of continuity would have been nice, don't you agree? The make-up art and special effects are tolerable (we've all seen worse, haven't we?) and the girls in the supportive cast are welcome eye-candy, especially Karen Witter and Cheryl Lawson.

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Zantara Xenophobe
1989/07/08

This contains minor SPOILERS, so don't read it if you plan to see this.I read an article in the TV Guide a few years ago where the magazine had talked to actor James Hong. In the tiny article (it filled about an 8th of the page), Hong mentioned that he didn't feel Hollywood offered him very good roles, but instead he typically got similar, stereotypical Japanese roles. When I read it, I nodded my head and said, `Yeah, he's right.' Now I really like James Hong, and I wish his career the best of luck, but if Hollywood stereotypes will keep movies like `The Vineyard' from being made, then I hope Hong is typecast forever. In 1989, Hong made this weird horror movie. Hong came up with the story himself, was a screenplay writer, and donned the director's hat! And what do you get in the first scene?---Hong having a sex scene! Maybe Hong just felt that Hollywood typecasts for old Japanese men don't include naked women, and he wanted to make a statement about that?Hong is a wine maker that lives on an island with his henchmen. Hong is centuries-old, using an amulet to stay young and needing the blood of young women every once in awhile. So he lures people to his island and kills them. This time, he gets a whole group of youngsters at his home for a really lame party. He uses magic to either kill or capture them, and decides he wants to marry one of the women. It's up to bookworm Jeremy to save the day. But he sure doesn't save the film.But wait! That isn't much of a horror movie! Well, that's because I haven't yet mentioned all the stuff in it that made absolutely no sense. Where to start, where to start? We can break out in song along the way…1. My Lucky Star: Let's see…we've got pink hearts, orange stars, yellow moons, green clovers, blue diamonds, purple horseshoes…what are we missing in 'me Lucky Charms? Of course! Brown amulets! Hong has an interesting flashback about when he was a child. We learn that he killed his father to save his mother, but refuses to give her the magic amulet. Then we find out that his mother is a GODDESS! You heard me right. I guess that is trying to explain the origins of the amulet, but it only rouses up more questions that are never answered. It would have been better if the amulet had no origin. But hold on, that would ruin #2…2. Witchy Woman: See, Hong's goddess mother is still alive and kicking. The amulet made her young (much younger than it makes Hong) and without it she turned into a withered old woman. Hong keeps her locked up in a room in his mansion. It is not clear why he does that, since the two never have a scene together. But come on! Are we really to believe Hong keeps his mother with him as he moves from identity to identity each century? He hasn't been suckling for all these years, has he?3. It's Raining Men: Who are all these bodyguards protecting the estate? They must be working for money, but would any price be high enough to live on the desolate island where you were expected to kill people?4. Let's Dance: Next we turn to our saplings. Not trees, but the saps that come to the island. They are brought by some old guy with a bad accent who is quickly disposed of by the guards. Why did they come? Some of them are wannabe actors and actresses that have some kind of audition. None of them are very interesting. Still, the scene where they are introduced is sort of funny (one of the would-be actors only has a high school diploma to brag about), and I thought Hong's direction would be good. I would soon be let down. They have a party that night, and it is a really sour one with bad direction. Then there is Jeremy. He wrote a magazine article on Hong. Jeremy figures out what is going on quickly, based on some shoddy evidence he finds in books Hong has lying around. When Jeremy starts babbling about this, you would think Hong would kill him, but he constantly stops himself. 5. That Old Magic Feeling: To kill or detain the victims, Hong sends his guards, uses magic, or both. What he does strongly resembles voodoo. Where did he learn this? How does it work? Why does he use it on some people and not others? Why doesn't he use it in the end to snub the remaining people that are causing trouble?6. Now I'm Feeling Zombified: Now the real bad stuff. The women are taken to the dungeon to have blood extracted so Hong can stay young. He uses up so many people a day that you wonder how he can stay in one place for more than a week before people get suspicious. But why women's blood? The men are all killed and buried in the vineyard. The movie box says they fertilize the vineyard! They way they are buried made me think it would be like `Motel Hell.' But no, these bodies constantly rise from their graves, and the only way they can be stopped is if the guards douse them with `holy dirt.' I thought `Holy...' when I saw this part, but the word `dirt' did not follow it. The zombie make up isn't bad, but the whole thing made me fear I had accidentally rented `The Video Dead Part 2.'7. They're Coming to Take Me Away, Ha-ha!: When the last two bafflingly bad scenes were over, that is the line I was saying to myself repeatedly, because no one sane could possibly sit through the entire movie. I did, so expect my next review to come from the local asylum. Zantara's score: 2 out of 10.

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