Living Skeleton (1968)

Wonderful character development!

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

A clunky actioner with a handful of cool moments.

In "Living Skeleton"'s surprisingly brutal opening scenes, we see a group of modern-day pirates indiscriminately massacring a bunch of passengers with machine gun fire - among them a beautiful, Western-looking Japanese woman.Then a title tells us we've jumped ahead a few years, and that woman's identical twin is now spending time among a shadowy Catholic priest.Some people go scuba diving where they find, in one of the movie's more memorable moments, skeletons chained to the ocean floor, presumably of the people who died in the beginning of the movie.The boat the pirates commandeered apparently sunk, but nevertheless seems to return to the shore, and the twin boards it, and some other stuff happens involving unconvincing flying bats. With the film's beginning, its moody black and white cinematography, and the glowering, impassive actors, I thought the stage was set for a disturbing arthouse Japanese flick like "Sword of Doom" or "Woman in the Dunes". However, by the end, which involves a mad scientist in a laboratory with lots of opportunities for gruesome deaths, some of which of course involve acid which burns people up quicker than lava might, I began thinking it's more in line with a Jess Franco flick from about the same time. Kikko Matsuoka, who plays the main character, does look a bit like Soledad Miranda.Problem with this movie was, I had no idea how it got from moody impressionism to full on camp blood-bath. It's pretty confusing, which wouldn't matter so much if the tone was even. It wasn't.

A gang of pirates commandeer a ship and kill everyone on board. Three years later in a seaside village, a Catholic priest (Masumi Okada) has offered shelter to Saeko (Kikko Matsuoka) as her twin sister, Yoriko (also Matsuoka) has disappeared with her new husband at sea.Professor Wheeler Winston Dixon referred to the Criterion Collection's eclipse set, calling the film "the most accomplished and sophisticated of the quartet in terms of its visual structure and narrative" and along with 'Genocide', "easily the most interesting entries".Indeed, the use of shadows and tints reminds me of some of Jacques Tourneur's best work, and accompanied by the music which seems quite atypical of Japanese film, this stands out as quite a one-of-a-kind film. Definitely a must-see, and it was wise of Criterion to single it out for wider inspection.

LIVING SKELETON is a film I first discovered in 1974 when I read Dennis Gifford's PICTORIAL HISTORY OF HORROR MOVIES. I saw a photo of a fearful-looking woman with a weird skeleton coming up behind her. I have wanted to see this film ever since and now I finally have managed to see a subtitled copy. For those of you who have seen this photo I am referring to, (and from what I can discern, it is the only publicity photo ever used for this movie), I am afraid I must tell you that this shot is nowhere to be found in the final movie and was probably a paste-up created to send to magazines like FAMOUS MONSTERS OF FILMLAND but I am not sure LIVING SKELETON was ever distributed in the United States. I would assume U.S. distributors like A.I.P. probably figured they couldn't translate so dense a plot into English by dubbing and passed on it. That photo caused me to search out this film for years to come and now my search has finally been rewarded. Okay, now that I have addressed that subject, on to the actual movie itself. If you want to be surprised by seeing the movie for the first time as I was, please do not read any further because I cannot discuss the film without giving away certain details. The movie is well worth seeing so if you want to get it fresh, see the movie before reading the rest of this review. A couple of people have mentioned similarities to John Carpenter's THE FOG and there are a few but I personally think they are minor. It might have inspired Carpenter if he saw it but although there are some common elements like derelict ships, fog and priests, that is about the only parts I found to be like the Carpenter film. Honestly, I didn't really understand the plot too much. The subtitles were obviously written by someone who did not use English as a native language and some of the translations are downright hilarious such as a guy being shot at who says, "It is boring". Really? I have never been shot at but I would think it would be anything but boring. The opening of this film seems very similar to that of GHOST SHIP (2002). From that point on, I kept seeing what appeared to be the same people killed and then walking around like nothing had ever happened. Some of the deaths are quite gruesome for 1968, although the Japanese were already way ahead of Americans in their acceptance of graphic violence. This film has wonderful black and white photography. Very moody and atmospheric. There is an air of gloom and doom from start to finish. The plot started off with me able to follow it but after awhile I just kind of gave up and enjoyed the pretty pictures, the fine music score and the nifty gore special effects which while not always realistic are still pretty shocking for their time. Various people get bumped off by what I presume was a ghost but I couldn't tell if good guys or bad guys were being killed. Most of the deaths were not that spectacular until the climax and the climax is a Lu-Lu. It's well worth seeing the movie for the climax alone. It does kind of wrap things up pretty tightly for a movie I didn't really understand for much of it's running time, I must say. Maybe I just wasn't paying enough attention and need to go watch it again - and it's worth watching again I believe. My final verdict on this film is that it doesn't make much sense but you shouldn't let that keep you from seeing it and as for the LIVING SKELETON itself, there isn't one, except in the title. There ARE skeletons mind you - just no living ones. It's the creepiest Japanese film I ever saw.

Made a decade before Carpenter's "The Fog", this is clearly that film's inspiration, and what glorious pulp horror it is.A scar-faced pirate and his cronies gun down a dozen men and several stunningly beautiful women. One woman grips the trouser leg of her killer as she dies, triggering a series of events that will see watery vengeance visited on the miscreants.This has a mysterious fog surrounding a quiet coastal town, a haunted ship of the dead, a local priest who carries a terrible secret and a ghostly, beautiful woman whose appearances strike fear into the hearts of evil men.It is made with incredible affection for its subject matter and total sincerity. Not once does it wink at its audience or betray its genre origins. No, it is proud to be a pulp horror film.Some of the special effects are not exactly believable, but these are part of the key to the film's charm. There is some model work of a ship crossing the ocean shot through clouds that is both incredibly artificial and incredibly beautiful. The "living skeletons" themselves, though not expertly incorporated into the central narrative, are beautiful.Highly recommended for true lovers of fantastique films.