Citizen Dog (2004)

Wonderful character development!

Your blood may run cold, but you now find yourself pinioned to the story.

This movie feels like it was made purely to piss off people who want good shows

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It's soufflé meets tom yum. The comparisons are inevitable but while Wisit Sasanatieng's "Citizen Dog" ("Mah Nakorn") does seem to have been heavily influenced by Jean-Pierre Jeunet's sleeper "Amelie", this surrealistically delightful Thai comedy has enough merits of its own to set it apart from its French counterpart.Screened as part of the International Film Competition of this year's Cinemanila Film Festival, "Citizen Dog" tells the story of Pod (Mahasamut Boonyaruk), a young country man who moves to Bangkok and ends up working on a sardine cannery. After a freak accident where he loses (and eventually regains) one of his fingers, he quits his job and becomes a security guard for another company where he meets and falls in love with Jin (Saengthong Gate-Uthong), a company maid who's obsessed with romance stories in magazines, and an enigmatic white book written in words no one seems to understand.And what ensues is a movie that, for the most part, knows its essential qualities and plays up to its charming oddity and energetic mood that should suit well to the viewer who knows what s/he's in for. The film's quirky nature can be overbearing at times what with Sasanatieng's script that tends to be inconsistent in some parts. But with such a cheery nature that's eager to please, the end result is nevertheless a fulfilling enchantment. The cinematography and production design introduces Bangkok not as the coarse metropolis I was acquainted with during my stay there earlier this year, but rather a city of eccentric fantasy that lends a euphoric quality to the analogous world it presents. The witty employment of various cinematic tricks and giddy soundtrack keep the tone light.While most of the speaking parts belong to Pen-Ek Ratanaruang as the film's narrator, Boonyaruk effortlessly portrays the lead character's mix of audacity and romanticism. Gate-Uthong ably compliments that with her character's impassive feeling towards Pod. Their characters' fate is as obvious as the film's frivolous traits but you can't help but feel for them anyway.Then again, "Citizen Dog" isn't for everyone. You have to be in the right frame of mind to enjoy its quirkiness and be able to laugh with it. As the film tells us, when you stop looking, the thing you're looking for will find you. Ditto. Let the film do its thing and its charm will sneak its way inside you.

Oh my, I love this movie so much, and I'm wondering where should my gushing start from. Director Wisit Sasanatieng has weaved yet another beautiful film in terms of visuals in this romance-fantasy story, and it's not difficult to see the progression and retention of the plus points made from his earlier feature Tears of the Black Tiger.Perhaps first the storyline. It's quirky and bizarre, fit for a fairy tale like structure in terms of narrative style. Yet at the same time it's uplifting, inspirational and provides plenty of hope. Key to the plot is the aged old saying that when you're always looking for something, you'll never find it, but once you stopped searching, it'll appear right in front of you. This will be the central theme throughout the movie, at times made up of seemingly separate segments touching on the different lives that our hero Pod (Mahasamut Boonyaruk) encounters. Many of the bizarreness of the city are seen through the innocent eyes of Pod, a country bumpkin who left his country home to journey to Bangkok in search for a better life.And it's a pretty pastel coloured world, adding a surreal sense to all the happenings in Pod's life, throughout his work as a packer in a sardine factory, a security guard, and a taxi driver. In a number of decisions that he makes, he does it for his love, Jin (Saengthong Gate- Uthong), who works as a maid in the same company. Jin, an obsessive compulsive with cleanliness, however, is the pragmatist, and doesn't think that their current financial status would allow them to lead a comfortable life together. Hence it's a constant pursuit for Pod, as Jin gets very sidetracked with her aims in life - as an environmental activist as well as to find out the true meaning of her mysterious white book.Narrated by fellow Thai filmmaker Pen-Ek Ratanaruang, the opening credits played to an addictive song, signals that it's one heck of a ride. There are plenty of endearing, funny, and kooky characters that populate the city. from a young girl who smokes and swears, a licker, a taxi-motorcyclist, and even Pod's Grandmother all make this dream-like Bangkok, something worth highlighting. There are loads of wonderful songs included to help move the narrative along, since dialogue by the leads, especially in the beginning, is kept to a minimum.There are plenty of special effects and techniques used to complement the beautiful, colourful cinematography, and even animation and stop motion puppetry were used to bring some characters to life. The art direction too is top notch, and the sets are always a sight to behold. The jokes come fast and furious, and mostly through the playing out of the innocence and dreams of Pod, literal as well as figural, as he tries to make sense of this new world he lives in.This is a highly recommended movie, and I think I'll try to look for its DVD. Wisit Sasanatieng is currently at the helm of a (locally funded?) production called Armful, and going by his track record, I sure would be interested to see his spin on a martial arts movie.

In a world of derivative, colorless copycats, this was breath of fresh air. It was a small masterpiece in my view. Simultaneously funny, strange, charming, and blissfully shocking at times.From the very first frame I was thoroughly entertained, and the absurdity was refreshing and often wildly hilarious in it's originality.It has an underlying sentimentality which went on a little bit long - otherwise I would have given this fantastic show a 10! Most shocking to me here however, was the fact that other comments about the film in this section show how far this went over some people's heads- and that they just didn't get it.This film is a jewel - I want to buy it when it comes out on DVD - and the music is catchy and hilarious.

I felt that I was brutalized by this film. This was a rip off of Amelie. There are moments that defy good taste and good sense. While the main characters are very attractive, they lack charm. I didn't care about them. There is the young woman with OCD who rearranges the cans and jars in the cupboards so that the labels all face out. Her would be suitor looks at her with loving though vacuous eyes.The subplots don't help either. Is there something in the water that makes these people so insipid? A little girl who doesn't get enough attention at home takes cab rides to arcades so that she can shoot things. She has a talking bear that is hard drinking and chain smoking. There is another couple that has fallen in love after meeting on a packed bus.I was annoyed by the characters who are self-absorbed and silly. Why is Bangkok so cartoonish? Does any audience ever need the intrusion of a constant voice over? Why must this film also have an annoyingly shrill soundtrack? Unselfish love is a noble goal; don't let anyone you love see this film.