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Twelfth Night, or What You Will

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Twelfth Night, or What You Will (1988)

December. 30,1988
|
7.1
| Drama Comedy Romance TV Movie
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The tale begins when a brother and sister are separated in a shipwreck, but survive to be washed up on the shore of Illyria. The sister, Viola, disguises herself as a man and takes service with Duke Orsino, who has fallen in love with Lady Olivia. Entrusted with pleading on her master's behalf, Viola is utterly disconcerted to find that Olivia has fallen in love with her. Thus begins the confusion of this delightful comedy.

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Steinesongo
1988/12/30

Too many fans seem to be blown away

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Greenes
1988/12/31

Please don't spend money on this.

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FuzzyTagz
1989/01/01

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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Arianna Moses
1989/01/02

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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TheLittleSongbird
1989/01/03

I always did consider Branagh's Twelfth Night the best version of Shakespeare's play(my favourite actually as of now of his plays, mainly because it was one of my first ones along with Macbeth). Then just today I saw the 1980 BBC version, which ties with this version also. Trevor Nunn's film is also good, very well made with a great cast, and the 1987 Australia version is good if very hard to find. In terms of production values, I may just prefer the 1980 version and the autumnal feel of Nunn's film, but the melancholic atmosphere added a whole new dimension to the play that in my opinion Nunn's lacked. Branagh's version also captures the sexual and social themes of Twelfth Night better than the Nunn film(not bringing that film down, just explaining why I prefer Branagh's account). Despite the realistic-looking production values and melancholic atmosphere, the comedy and wit of the play is still there with little if anything left wanting, and while harsh at first the music does calm down and fits well overall. The cast are wonderful, with the standouts being Anton Lesser's scene-stealing Feste and Richard Briers' indignant and not too self-pitying Malvolio, the butt of the clownery. James Saxon and James Simmons are very amusing also as Sirs Toby and Andrew, and Abigail McKern's Maria is very good also. Christopher Hollis is a dashing Sebastian, as Viola Frances Barber, apart from in the Inspector Morse episode she starred in, has rarely looked more radiant and Caroline Langrische is innocent, moving and intellectual as Olivia. Christopher Ravenscroft impresses as Orsino, not resorting too much to buffoonery and I agree he does make us believe he knows that Cesario is female and brings a lot of dimension to that scene. There are a couple of anachronistic things, like with the Christmas Tree, but I for me really enjoyed that particular scene and am willing to overlook any discrepancies. A wonderful Twelfth Night indeed. 10/10 Bethany Cox

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Bill Goode
1989/01/04

I was disappointed with this production. I do prefer traditional settings with Shakespeare; but aside from that, the performances were just not strong enough. Malvolio's cross-gartering & yellow stockings simply do not lend themselves to 19th century dress as depicted in this version. Shakespeare wrote the play around 1600 and at that time yellow stockings could be much more easily displayed. But in the rest of this play, as well as the later half of the 19th century when this versions is set, men including Malvolio were wearing full-length pants. It makes the cross-gartering & yellow stockings much more of a contrivance than it would in a traditional Shakespearean setting.Part of what made this film disappointing was the weather that was displayed. It was dreary most of the time, if not snowing. This is a comedy and the setting should be light & cheery in comedies. I see that the setting was at Christmas, which is fine I guess, but the overall effect of the weather is to make the play seem more dreary than it should be.The part of Olivia was done fairly well, but there were no really standout performances here. Viola simply gave an average performance. Aguecheek here should be much more effeminate. Sir Toby Belch should appear more drunk & slovenly most of the time. He appeared to me a little too dignified. Malvolio, being the object of much of the clownery, should be more indignant than he appears here. On his release, he stands motionless in silence for some minutes. Fabian seems almost sorry for him, instead of snickering as he might be.All in all I found the performances to be fairly average. I have seen this play on stage several times and it was done significantly better every time than it was here. The acting was much more intense in the performances I have seen on stage than the acting in this version.

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dev92
1989/01/05

This has got to be the worst film that I have ever seen. It is so rubbish that I was prepared to kill myself. Luckily I didn't do that. Otherwise I wouldn't be here to write this. Some people may like it but the writers and crew have mucked up so much. They mixed up Shakespeare and Modern times. If they were clever they would have chosen one or the other. They also left electric lights on the Christmas tree. I'm ashamed. Ashamed. I recommend you do not watch it. I was forced to but don't watch it, unless being forced to. Though i did like Feste. He was acted very well. Unfortunately, it was the only thing good about this film.

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adman118
1989/01/06

How nice are you people? This was an awful version of the play. There was absolutely no connection between any of the in love pairs, i.e. Olivia and Viola. Olivia had no underlining character whatsoever, she just acted snooty the whole time. It would have been OK if she would have shown any other emotions, but no. The Sebastian-Antonio pair was weak, especially with Antonio. Sevastian and Viola didn't even look alike. Gosh, the Christmas tree had electric lights on it! The music, the characters, and the whole feelings of the play were drab and dull, and even though Maria was exceptionally good, her performance didn't help enough to save this drowning play. Two thumbs down, sorry!

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