Abandoned (2001)

In other words,this film is a surreal ride.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Mostly, the movie is committed to the value of a good time.

I wonder if viewers sometimes give a film low marks not because it's poorly made, but because it's a film that doesn't deliver a happy ending, nice and tidy--just as others can't stand The Sound of Music because the finale, though cherry, is overly simplistic, given the circumstances. Abandoned is about the way some institutions operated in Hungary at a certain time and place, the way government at all levels abandoned it's responsibility as did parents and teachers and those in charge of children. This is not a make-believe Rodgers and Hammerstein song-fest with happy kiddies mindlessly dancing by the riverside, but a grim and realistic picture of the hopelessness of a happy future when the system fails everyone. It is not a cheerer-upper but a well-acted film accurately reflecting a time and place--so if you're looking for children rising above a situation over which they have no control, this is not the film for you. But it is an often compelling film which was meant to make a positive difference, and as such, one gives it credit.

Abandoned also known as Torzok is a powerful movie. It was made in Hungary and is a fine example of the East European cinema. Its director Árpád Sopsits shows the reality of a reformatory school during a communist regime in the country. He uses the yellow color to separate the dream like scenes from the rest - this color technique is later used in the movie Traffic. The movie portrays the harsh reality of the live in Hungary from that time because it is actually based on the writer/director's own childhood.The main character is Áron - a boy send to a reformatory school not because he has some something , but because his mother is sick and the father does not want to take care of his son. Once in the school Áron has to face the initial hostility of the lands there towards the newcomers - including beatings and hard words .He manages to survive through all those harsh moments and is soon accepted and befriended by the boys from the school.The actors in the movies are exceptionally talented despite their young age and the characters they portray come to live - each with its own uniqueness. The overall atmosphere is dark and the movie can be considered as hard to watch by anyone - probably the only one witch harsher atmosphere on a similar topic was in the movie Song for a raggy boy . The few moments of hope which the viewers can observe are directly related to the friendship between Aron and another student Attila as well as the one with his melancholic teacher Gálffi - who seems to be the only teacher from the reformatory school who cares of his students and opposes even the despotic director of the institution.Some of the scenes are really cruel - in one of them one of the teachers makes few boys to beat a friend of theirs themselves because he prayed to God - which was forbidden during the communist years. The cruelty in which the boys in the school are treated is awful and I do not buy the statement of their directors - that this is the only way to prepare them for the reality outside .The soundtrack is very powerful -classic music mostly - a bit of melancholic as well - it really contributes to the overall atmosphere.

We have all (or at least I have) seen tons of stories about kids growing up in an orphanage, without the loving care of parents. You can watch this film as if it were another one of these stories. But it isn't.Though I suspect at least part of the story is autobiographical, Arpad Sopsits manages to turn it into an allegory of dictatorship. Though the boys are completely cut off from the outside world (they do not communicate with anyone from there), the atmosphere pretty much models the general feeling in Hungary after the cruel suppression of the 1956 revolution. Religion is severely punished, humiliation takes place every day, children are made to spy on one another. Nyitrai, the only humane teacher, is known to have been in prison after the revolution, and now finds escape in astronomy and music. The head of the institution is himself scared stiff of the State which might find out if he gets too lenient. When a sadistic teacher is criticized for his methods, he replies: "I'm cruel to them because the world is cruel, too. I'm just preparing them for what to expect outside." The possibility of an idealized, innocent childhood is lost for these children.My parents grew up at the same time as the film takes place. They never encountered such cruelty; nevertheless, I think the film is entirely realistic. Some comments say they can't really identify with this story as it takes place in a very different country. But think it over: does it? I think any dictatorship, big or small, operates the same way. And it is usually invisible to people not directly affected by it.

This film is set in an orphanage in Hungary in 1960. Aaron is left there by his father. At first the other boys abuse him, but soon they accept him. Unfortunately, the man who runs the orphanage is sadistic and cruel.While the film feels manipulative at times and seems to have the basic message that life sucks, the one word I would use to describe the film is "haunting." The performances are very good, especially considering the young age of most of the actors. The cinematography and direction are also quite good, especially in the arresting dream sequences near the beginning and end of the film. Most people will probably never have a chance to see this, but I highly recommend it if you do. Seen at Cinequest (the San Jose, CA film festival) on 2/22/2002.