The Middle of the World (2003)

What makes it different from others?

Please don't spend money on this.

an ambitious but ultimately ineffective debut endeavor.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Just saw the movie and was touched and traumatized. Beautifully made and very realistic. At first I got the idea of a visionary hard working father that wants to provide for his wife and children,soon to find out he is not...Those 5 kids just wonderful! All 5 of them! I loved the way they would all take turns caring for their little brother... The way they sang together with their mom in the middle of nowhere...and making the best out of the circumstances. Enjoyed the "rebel" on the older son and his failures...The mother was very talented just a bit too naive and submissive...maybe too in love with the looser... What did not sit well at all with me was how the father would let his family beg all along but would be ashamed of a little add job he got (temporary) where he could have earned at least a meal for his kids and not let them go to sleep hungry...The movie is dedicated to Roberto Carlos ( as in the singer)? and why would that be for?

"O Caminho das Nuvens"(American title: "The Middle of the World") tells the true story of a man who leads his itinerant family across Brazil on bicycles. Romao(Wagner Moura) is that man, a seemingly good man who doesn't drink(by default, perhaps; he can't afford any alcohol), or beat his wife and kids. Unfortunately for his wife, Romao is not a smart man. The world that passes by their two wheels looks yellow, dead, without promise. Rose(Claudia Abreu) is a saint whose husband needs a slap in the face. His dogged persistence that he won't settle for a job that pays less than a thousand reals makes him sound like the Rainman. While he promises Rose a better life in Rio de Janerio, Rose and his family make ends meet by performing traditional songs for tourists, and whatever odd jobs or crimes that turn up during their travels. It's okay for his family to demean themselves, but when Romao has the opportunity to contribute, pride takes precedence over his obligation to provide leadership and sustenance for the people who carry his surname.Growing pains is a trying time for an adolescent boy, even if he resides in a nice home with enough food on the table. Now consider poor Antonio(Ravi Ramos Lacerda) who goes through puberty on location. His raging hormones, raging in the brush, the tumbleweeds, the whole outback entire. When Antonio falls in love with a mermaid(a girl who poses for pictures in a club), he announces his decision to leave the two-wheel caravan. Romao doesn't discourage him because it's one less mouth to feed. After the beautiful girl in the mermaid costume rejects him for the older and wealthier club owner, we think about his mother, who married out of love instead of money. There should be a scene in which this beautiful woman second-guesses herself. A cross-country journey is exhausting, but the family in "Caminho das Nuvens" seem remarkably fresh. They must be part-camel because the heat doesn't prevent them from sharing an occasional off-the-cuff moment while they stave off hunger and dehydration. Remarkably, prostitution, or some desperate means of earning money is never broached between father and mother. Considering the distance they cover, the parents and kids just aren't dirty enough, or angry enough, at their dire situation, or at each other.

The Middle of the World is, although not perfect, one of the most touching films I have seen this year. The performances are great, Wagner Moura and Claudia Abreu are certainly the best actors of their generation in Brazil; the story is compelling. One could only probably hope for a less sad ending. Nonetheless it is a great film. The music score is probably one of the best I have heard. The cinematography is also interesting. Although I'd prefer not to see so many wide shots of the road, but I guess the epic quality of the story would be lost without it. The alternate use of wide angle lenses and long lenses gives us a feeling of intimacy with the characters that is unique.

I loved this movie!It is so refreshing to watch a non-pretentious film that illustrates the realities of poverty and the search for happiness without making you want to jump out of the nearest window! Normally, Latin American directors tend to emphasize and exoticize poverty-stricken towns and characters by dwelling on the families' strife and hardship in order to extract superficial emotion from the spectator. Mr. Amorim, however, deftly maneuvers around these themes with a sincere and compassionate and humanistic eye. "O Caminho das Nuvens" is a funny and modern road-movie that takes you where you want to go...places you may have been before, but may not have seen in such a fresh and authentic way. Muito bom.