The Hand of the Artist (1906)
Animated film featuring the hand of Walter R. Booth drawing a coster and his donah who come to life and dance. The hand then crumples up the paper and dispenses it in the form of confetti. (BFI)
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Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
The best films of this genre always show a path and provide a takeaway for being a better person.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Despite the claim that this was Britain's first animated film, a viewing of he two clips available shows no animation. Instead it shows several instances of some quite lovely camera trickery.Walter Booth, like Georges Melies, came to movies from stage magic. While Melies was interested in adding to his bag of tricks and extending his grammar of story-telling, with this effort Walter Booth tore up the model and started from scratch. It is the hands of the artist --- presumably Booth's -- which construct the world of the film and which point out the details, using camera masking. The effect is fascinating, but like Melies' conjoint grammar, it would vanish within a decade.