Man Beast (1956)

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Story: It's very simple but honestly that is fine.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Which is surprising, given the nature of schlock purveyor Jerry Warrens' subsequent output. This entry in the yeti genre of the 1950s may be silly at times and not 100% convincing, but it's also pretty atmospheric, even spooky. Granted, the appearances of the monster were laugh inducing for this viewer, but the effects certainly could have been worse. The acting isn't as abominable as one might expect, and the protagonists aren't unlikable people. In addition, there's a delicious revelation from our primary antagonist.Working from a screenplay by B. Arthur Cassidy, Warren tells the tale of young and headstrong Connie Hayward (Asa Maynor), who launches an expedition into the Himalayas in search of her missing brother Jim, in the company of worrywart friend Trevor Hudson (Lloyd Nelson). They meet up with others in the area including Steve Cameron (Tom Maruzzi) and Dr. Erickson (George Wells Lewis), and come to learn that local stories about beast-men aren't as crazy as they might think. What's more, their guide, Varga (George Skaff), seems to have a hidden agenda.This viewer admits that he had a pretty good time with this one, although it helps if one is partial to monster movies and horror features set in mountainous or snowy environments. Another good thing is that Warren ensured that the running time remained very brief; there are versions running both 63 minutes and 67 minutes. Only the resolution really fell short of being satisfying.Incidentally, Maruzzi is actually billed twice, once under his own name and once under the phony matinée idol pseudonym Rock Madison given to him by Warren. The pretty Maynor can also be seen in "Conquest of the Planet of the Apes", and co-stars Skaff and Nelson had pretty extensive careers afterwards; Skaff did other genre films such as "Frogs", "Exorcist II: The Heretic", and John Carpenters' 'Someone's Watching Me!', and Nelson became a frequent script supervisor and bit player in Clint Eastwood vehicles.A decent watch overall.Seven out of 10.

When I was a kid, "Man-Beast" was one of my favorite Saturday morning TV low-budget "shockers" - at 67 minutes, it's not hard on one's attention span, and there's a fair amount of footage of the eponymous monsters. I also liked the exotic Himalayan locales (brought to cinematic life via loads of stock footage - probably half of the film is stock footage, in fact - and a somewhat ridiculous looking "village" in the first scene).when view by an adult, "Man-Beast" is still fun for those reasons, even if one looks at it with more of a jaundiced eye. The acting ranges from laughable (the heroine) to surprisingly good (the villainous Varga), and the Yeti costume, while not exactly state-of-the-art, still delivers the requisite monster action. The stock footage of Alpine hikers is fairly seamlessly incorporated into the remainder of the film - it's no worse than the stock footage found in, say, "Lost Horizon", and better than the African safari stock footage of "Monster from Green Hell".*SPOILER* The climactic scene in which Varga reveals the nature of his parentage to the professor is likewise more effectively scary than one might expect, although I didn't quite know what to make of his "half-Yeti" costume - it looked like his torso was wrapped in cellophane. (But then, goofy moments like these are one of the reasons that "Man-Beast" and its ilk are still legitimate entertainment after all these years ...)***

It is almost impossible to discuss the 1956 yeti movie "Man Beast" without making comparisons to the British film "The Abominable Snowman," which came out the following year. While the latter film features the stars Peter Cushing and Forrest Tucker, "Man Beast" boasts the "talents" of Virginia Maynor (who acts atrociously and doesn't even provide the requisite eye candy) and action lead Tom Maruzzi. And while the Brit film boasts a literate script and interesting characters...well, let's just say that the American film again comes off second best. But perhaps the most telling difference of all is that whereas "Snowman" only teases us with occasional glimpses of the yetis, seemingly adhering to Val Lewton's unspoken credo that the viewer's imagination can supply far more terror than anything shown on a screen, "Man Beast" shoves the yetis in our faces again and again. Fortunately, for red-blooded monster fans, this is not altogether a bad thing. The snowmen do look pretty scary here, especially in the film's finest scene, in which the yetis attack our heroes for the first time, in a dark cave. This scene is filmed largely in silence, and in somewhat slow motion, and is pretty darn nightmarish. As reported in the fine book "Sleaze Creatures," stock footage and filming in the hills of Bishop, CA do a decent job of simulating the Himalayan locale. Still, at least half of the film's compact 63-minute running time consists of scenic shots of our band plodding through the snow. Bottom line: This is a fun hour at the movies, inferior to the Brit version as it may be. Oh--the DVD here is nice and clean looking, but scratchy in spots, and with no extras to speak of.

This wasn't that bad, you only have to sit through this film for only 67 minutes, its sort of a quick story about the growing popularity of Yetis, Abdominale Snowmen, the Sasquatch, etc... in the 1950s, which grew its highest in the 70s. "Man Beast" is a fun movie too watch if you're not feeling critical about movies at the time. ... Plus, there's not as much talk in this as there is in other bad 50s b-sci fi films.