The Snow Queen (2000)
Hans Christian Andersen's fairy tale is told here as a digital theater piece. The visual point of departure is fashioned by découpages created by Queen Margrethe II of Denmark, who is also the narrator. The découpages serve to establish the mood around the story of the children, Kaj and Gerda. They consist of a countless number of clippings, which are subsequently subjected to the processes of computer animation and mixed with graphics, live actors and music into an unique fairy tale universe.
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This story has more twists and turns than a second-rate soap opera.
All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.