Rebels of the Neon God (2015)

Purely Joyful Movie!

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

Close shines in drama with strong language, adult themes.

Having lived in Taiwan from the mid eighties to the late nineties, this film showed how Taipei was like during the early nineties. That was when the MRT was still under construction, and everything looks a little bit old, filthy, run down, and crowded. This film accurately portrayed the lives of the youth living at that time, such as hanging out all day in the arcade, obsession with motorbike racing, and for some going to the after school tutor seminars. when watching this film a wave of nostalgia hit me as I realized that Taiwan now is a lot more polished and modernized, and not as gritty as before, which I have dearly missed.The film showed the "little people" of a big city. They are often ignored, alienated, and living day by day in the fringe of a faceless and monolithic society.

From the beginning of the film we are aware of the conflict between father and son. When the handsome motorcyclist breaks his father's taxi mirror Hsiao Kang (Kang-sheng Lee) is fascinated by him in a love/hate way. His overwhelming mother who conceives of him as a reincarnation of the God Norcha drives him out of the house by her ranting and effects the necessary break with his father. He redeems his school tuition dives into the nightlife of the luminous,illusionary city.. He follows Ah Tze (Chao-jung Chen) and his brother Ah Bing (Chang-bin Jen) in their nightly decadent rounds and plans revenge. When he finally achieves this revenge, by trashing Ah Tze's motorcycle he is not quite satisfied. Ah Tze and his brother are beaten up. They are plunged into misery and despair. Hsiao Kang goes to a brothel but cannot bring himself to meet with a prostitute. The castration resulting from his break with his father is at least temporarily in effect.What is so great about this film is precisely its rich imagery and the fascinating performances. It is mesmeric and moving. In the later films many of the actors/characters will have further more developed existences, but in Rebel of the Neon Gods we are introduced to a trope on the James Dean "Rebel Without a Cause" film in a compelling series of images. A fine, perhaps a great film.

Young disaffected people in Taipei—two friends steal a lot of coins from telephones and other things. They also play a lot of videogames, and ride motorbikes and drink. One of them lives in an apartment that is always inexplicably flooded. A pretty girl, Ah Kuei (Yu-Wen Wang) takes up with one of them, and there is engagement and disengagement and anomie and sadness, though at the end they don't seem to give up on each other. Another boy drops out of school and follows the crooks, and sabotages a motorcycle, and other such things—his father drives a taxi, and his mother worries because she's been told he's a reincarnation of the god Norcha. The city itself is incredibly busy, cars and motorcycles and crowds everywhere. There's a lot of rain in this movie, too. It's a melancholy scene

Anyone who has ever visited Taipei would agree that this movie is so real by picturing out the decadent city. The city is getting more terrible with people who deeply believe in fake democracy but ignore their environmental improving. Our young heroes are victims like all the living victims one will easily find in streets of Taipei.