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The Ugly American

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The Ugly American (1963)

April. 02,1963
|
6.6
|
NR
| Drama Thriller
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An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he's there, MacWhite sees only a dichotomy between the U.S. and Communism. He can't accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman's advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense?

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Perry Kate
1963/04/02

Very very predictable, including the post credit scene !!!

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Linbeymusol
1963/04/03

Wonderful character development!

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Stometer
1963/04/04

Save your money for something good and enjoyable

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Gurlyndrobb
1963/04/05

While it doesn't offer any answers, it both thrills and makes you think.

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Wuchak
1963/04/06

THE UGLY American (1963) is a very realistic film, a political drama featuring Marlon Brando as a new American diplomat in a Vietnam-like SE Asian nation that is painfully struggling between capitalist & communist factions, shot on location in Thailand. Eiji Okada plays the country's revolutionary leader, a previous best-friend of Brando who has become brainwashed by the communists. The ending cleverly shows how the average American is unconcerned with the political conflicts of other nations.The film runs two hours.GRADE: C+

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moonspinner55
1963/04/07

Marlon Brando gives a fair performance as the new American Ambassador elected to Sarkhan in Southeast Asia, which had been a peaceful, friendly nation fifteen years prior but is now being taken over by radical Communists distrustful of outside development. Adapted from the novel by William J. Lederer and Eugene Burdick, the dramatic, talkative picture (filmed mostly in Thailand) is a thoughtful rabble-rouser about conflicting political views. Brando's one native confidante in Sarkhan (wonderfully portrayed by Eiji Okada) admits to working both sides of the proverbial fence, which allows for a stimulating discussion of personal values in which common sense no longer comes into play. Although beautifully photographed by Clifford Stine, the results are literate and intriguing without being intrinsically exciting (at its core, the nature of the film is a tug-of-war, with the participants often engaged in a shouting match). Moving in fits and starts, one must sit through a great deal of pontificating before arriving at the conclusion, however the film's strongest scenes remain forceful and memorable. ** from ****

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raymundjohansen
1963/04/08

Southeast Asian freedom fighter is duped by communists and American bumbling into misidentifying his and his people's true enemies. Endlessly fascinating how this straightforward and beautifully told story is misinterpreted decade after decade. The film leaves the viewer with feelings of nostalgia for an America that was once confident of its own decency, while at the same time pointing out how that aspect of the American character (meaning our confidence) could lead to dangerous miscalculations. If you want to see a really disturbing segue, watch the last scene back-to-back with Colonel Kurtz's soliloquy on communists cutting off the arms of inoculated children.

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x_hydra
1963/04/09

Years ago, I loved reading "The Ugly American," so when I saw this film at the video store, I had high hopes. Unfortunately there is little similar between Lederer and Burdick's work and this cinematic dreck.The book is a story of the complexity of diplomacy, and of the multiple ways some people get it right and some people get it wrong, set it a fictional Indo-Chinese country.The total sum of the movie's attempt to represent complexity are people with different opinions about the state of affairs in the country. And in the end we find out exactly how they were all along. This is not complexity, this is not the ambiguity present in the wonderful book. The screenwriters have taken a plot about fundamental errors in approach, empathy, and understanding, and made it into a movie about people who have minor disagreements on the facts (and eventually are shown the 'correct' interpretation).The book follows a multitude of characters. The movie follows one character, a very hammy Brando, and barely even references anybody else as being significant.The ugly engineer from the book has a total of about 5 minutes screenplay in the movie! The sleazy, foolish newspaper man the same! These were CRITICAL and CRUCIAL characters in the book, and they are given barely a mention in the movie! The title of the book/movie was in part referring to these characters as well! It is a bad sign when a movie practically eliminates the title characters from the book it is based on.The book was a tremendous statement about the difficulties of diplomacy and the errors made in Indo-China just before the outbreak of the Vietnam war. The movie is an hour and a half of barely watchable crap. This is perhaps one of Brando's worst performances -- he is practically a parody of himself with eyebrow raised, head titled musings and statements about the lessons his characters learns.The book was complicated, subtle, and had incredible depth. The movie is simple, base, and shallow. If you liked the book, you'll hate it. If you haven't read the book, you'll still get nothing out of it. There are far too many better films out there on this topic to waste time with this one.

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