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Revolution

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Revolution (1968)

July. 01,1968
|
6.8
|
NR
| History Documentary Music
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The San Francisco scene in 1967-68. Documentary about hippies shot during the height of the movement . Viewpoints from many kinds of people. Music by Steve Miller Band, Mother Earth, Quicksilver Messenger Service and others.

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Linbeymusol
1968/07/01

Wonderful character development!

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GamerTab
1968/07/02

That was an excellent one.

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Afouotos
1968/07/03

Although it has its amusing moments, in eneral the plot does not convince.

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Ezmae Chang
1968/07/04

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Charles Herold (cherold)
1968/07/05

Revolution is kind of interesting at first, just to see Haight Ashbury at the height of hippiedom, but the movie is so shapeless and rambling that by the last half hour I was fast forwarding through dozens of naked hippie chicks because I just couldn't take any more. It's also very strange to see a documentary with a star, in this case Today Malone. There are documentaries that focus on someone, but this seems more like the director had a crush on a girl and decided he would feature her in a movie so he could hang out with her, or something. One imagines the filmmakers were stoned while shooting and editing. Nothing has any sort of context and amazingly dull, stupid people are allowed to prattle on at great length. Still, watching the movie it does look like it would have been fun to be part of the whole thing.

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thrillerclub
1968/07/06

Jack O'Connell produced and directed this patchwork portrait of the hippie scene in 1967. The best parts are the rock band live performance sequences, although some of these clips were staged to appear as though they were filmed at ballroom dance concerts. Which is similar to what other films and TV shows at the time tended to do, rather than film an regularly scheduled club or ballroom dance concert with all the craziness of a real gig in full swing. PETULIA (1967) for example featured Janis Joplin with Big Brother & the Holding Co. performing at the unlikely venue of The Fairmont Hotel. PETULIA also captured The Grateful Dead playing on the dance floor - not even on a stage -in a very small club setting. REVOLUTION (later reedited and retitled THE HIPPIE REVOLUTION, briefly released theatrically in 1996) had a soundtrack album of studio takes that doesn't include all of or match versions of songs played live in the movie: Quicksilver Messenger Service are hard to make out in the dark, but perform a rousing "Codine" before the band is abruptly cut away from half way through the number; the all-girl band Ace of Cups perform "The Grass Is Greener" live in the park - sounding about as garage as any SF hippie rockumentary ever get; Dan Hicks of The Charlatans does an acoustic solo ditty called something like "He's Stoned" that's a nice rarity; and I'm not too wild about the footage of Country Joe & the Fish or the early Steve Miller Band but it is after all a hippie movie with Hare Krishnas and everything else that defined the wide-eyed idealism of the age.

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Joe Stemme
1968/07/07

REVOLUTION is a poorly shot, edited and produced picture. Nonetheless, it's a valuable document of the times, for it was shot real-time in San Francisco circa 1967. One can't get a better first-person eyewitness account of the era. As cinema, it's rather boring. The filmmakers meander all around town filming (sometimes endlessly) whatever they see, and, more importantly, WHOever they can talk to. Some of the footage is priceless and real. Others, like an acid trip dressed up with panning and zooming camerawork revolving around Fruits, Feet and a Cat (you GOTTA see it to believe it!) is hilarious in its ineptitude. For those interested in the era, this is a historical must. Others, beware.

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Matt Moses
1968/07/08

Revolution, an interesting quasi-documentary on the hippie experience in San Francisco, presents a day in the life of Today Malone, an attractive blond hippie (who might just be an attractive young actress playing a hippie). As with many of such films from the era, we're treated to lengthy pro- and anti-hippie banter, hallucination scenes, free-love themed nudity and excellent music (in this case, Country Joe and the Fish, The Steve Miller Band and Quicksilver Messenger Service, all at the creative peak of their careers). While at times absurd, this film nevertheless provides a fascinating document of the environment of hippie San Francisco, even if seen through exploitative eyes. As with the garbage on eBay, one needs simply to filter out the garbage to find the invaluable treasure.

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