The Six Degrees of Helter Skelter (2009)

Some things I liked some I did not.

not as good as all the hype

Intense, gripping, stylish and poignant

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Released in 2009 and directed by Michael Dorsey, "Six Degrees of Helter Skelter" is a micro-budget documentary that examines the Manson family and the infamous Tate/LeBianca murders that shocked the world in August, 1969, bringing to end the idealism of the hippie movement. Host Scott Michaels visits more than 40 locations in Southern California as he goes into detail about the victims, their murderers and Manson's ties to the Hollywood elite.Charles Manson was a decent singer/songwriter and the documentary includes (a snippet of) one of his songs, "Cease to Exist," performed by the Manson family. Although he wasn't anything phenomenal, Manson had a real shot at making it, but his narcissism, paranoia, and general malice toward everything destroyed it. He ruined everything he touched, everyTHING and everyONE. He wreaked havoc on dozens, no hundreds, of lives, probably thousands. And his psychopathic acts were the death knell of the good side of the counter-culture movement. Technically, a psychopath is not actually insane. These types simply have no conscience. Hurting & killing people, doing horrible things and wreaking havoc on society doesn't bother them in the least.Costing only $200,000, this documentary is not a polished production. It's only a couple steps above a typical Youtube video and mostly consists of Michaels visiting the many locations and elaborating details in a freeform manner. He often throws in interesting side bits here and there. Some people criticize that he tends to ramble and sometimes stumbles over his words, but I understood everything he was saying perfectly and appreciated his casual, non-rehearsed, fact-oriented delivery. Micro-budget or not, the film is very informative and takes you to the actual locations of the infamous crimes, combined with a lot of stock footage of the people and events. For a documentary, it fulfills its purpose.The film runs 103 minutes.GRADE: B-

Thorough, heavily detailed, intricately well crafted document on the events and people surrounding the LoBianco/Tate murders, with great time and effort given to the Manson clan responsible for the heinous crimes and how they were committed; but what truly compelled me was the particular devotion to the victims, such as their activities and relationships (Tate and Sebring were an item at one point), before meeting gruesome fates. Not only that, but the areas where the Manson family (and those they were involved with at points prior to the murders) frequented or "patrolled" at one point or another are visited, with determined accuracy given to their importance to the murders and the Manson clan's connection to them. The autopsy reports, explained by a coroner willing to distill them into a form we can understand, really give us a real feeling for just how vicious and maddening the murders truly were. The host (Scott Michaels, who doesn't hide his enthusiasm and passion for all things Manson family and Hollywood Death) and materials used (Helter Skelter, the novel, is a source spoken about often) define an infamous period of American history with a scholarly approach. While the budget was shoestring, like others have already pointed out well, the major appeal would have to be the return to locations (like the neighborhoods, where the Spahn Ranch once stood, and most definitely, the Barker Ranch which still remained surprisingly intact if still a bit ravaged by time and campers visiting it to stay the night (I can't imagine I would ever do that, though!) before suffering an accidental fire that gutted it). Finding Tex Watson's truck (with Healter Skelter etched on it still!) was one of the documentary's more compelling moments and a listen to Manson's crooning "Cease to Exist" as it plays on a record left me with chills. While used as a criticism towards the narrative approach for Michaels, his "inability to stay on topic" felt rather natural to me, as if he were "in the moment" which was actually a nice change from the typical "organized" documentary form of a true crime show or A&E's Biography. I felt as if I was visiting places right along with him and reacting as he might have (maybe not as excitedly, because in the back of my mind, what these people did to innocents would still remain) at discoveries that could still remain. If I had a criticism it would be towards the crime scene photographs of the murder victims; I felt the coroner and autopsy charts were sufficient enough…I think showing the actual bodies of those killed was a bit too exploitative and rather desperate for shock value.How producer Evans is mentioned (he was supposed to keep a protective eye on Tate while Polanski was away in preparation for directing Day of the Dolphin in England), along with Jack Nicholson, the members of Mamas and the Papas, James Dean, and even MGM producer (and husband of Jean Harlow) Paul Bern (who was found dead from a gunshot wound, with a report confirming his death a suicide, considered perhaps staged) in correlation with events prior to and after the Tate murders add credence to the "six degrees" part of the documentary's title. This isn't just about the murders and Manson, as host Michaels himself get a rub by the documentary, showing his home, pimping his "Dearly Departed Tours" business, and allowing us to see his morbid memorabilia concerning Hollywood's dead. Two particular deaths at Charlie's urging that left me rather haunted was the murder of Shorty Shea (a Hollywood stuntman married to a black woman (which repulsed racist Charlies), who worked at the Spahn Ranch) and Steven Parent, a teenage kid with a fascination in electronics offering a radio to a potential buyer staying in a guest house nearby the eventual Mansion Family kill zone involving the Tate murders. I think "wrong place-wrong time" just kept returning to my mind as I watched this. You just sense that if "this or that" had occurred, some of these lives might could have been avoided a fate most unkind. The document of a couple who discover Tex and the girls "hosing off" the blood from the murders, the husband of the house going so far as attempting to remove the keys from their car and confronting them hostilely, and living to tell about it, really just further signifies how fate deals some a good hand, while others get the shaft. To hear that Manson and his bunch were looking to kill others, eventually caught at Barker Ranch, just cements how dangerous they really were, and that the need to remove them from society was of vital importance. Fascinating was the details, regarding Polanski and his search for Tate's murderer (even accusing John Phillips of the Mamas and the Papas!), and how the Manson family remained untied to the pool of suspects for a period of time afterward, only add to the pop culture curiosity to this whole documentary. The mentioning of the paranoia and fear gripping Hollywood (by Michelle Phillips of the Mamas and the Papas) encapsulates what human monsters can do to the psyche of even the most famous and rich.

This is a documentary about the Charles Manson murders, but also about the hobbies of the man who is obsessed with celebrity deaths. The Manson family is covered, as are many, many others topics that may be of interest to Manson scholars.opens with a disclaimer saying that there are so many different theories that some people will find something about this film they disagree with. As I entered into the film looking for flaws, that struck me a bit personally. Though, it did not stop me from looking for flaws.The film is different from other documentaries -- it actually spends little time on Manson at all, focusing more on the victims and the various houses they lived in and places they worked. There is some interesting background on Sharon Tate and Roman Polanski. Many other tangential connections... but if you have read as much Manson material as I have, this is actually quite a treat.If you haven't heard Manson's music, you should. "Cease to Exist" is featured in this film, which went on to be a Beach Boys tune. No aspect of the crimes or lives of those involved goes uncovered. Even Jack Nicholson and the movie "Grease" somehow get tied in.I absolutely, positively recommend this film to anyone who has an interest in Charles Manson. I think I know a lot more than the average person about the crimes, but this documentary still keyed me in to things I could never have discovered otherwise.

I was very excited to see this film. The story of Charles Manson is very interesting to me. I had a very hard time making it past the first few minutes of this film. The narrator delivers the information so hastily, and with out any discernible order. He just babbles on incessantly. I will give him credit, he is passionate about the story he is telling, but is overly excited and somewhat unable to be followed. There's a wealth of information here, but its piled upon its self in such a way that it is nearly impossible to sort it. Parts are better then others, but i was very disappointed in the film. I feel that if someone who had better public speaking skills, and better delivery, this could have been a very good informational film. The narration jumps around, and is full of information that does not relate to the story line being discussed at that point.