Cameraman: The Life and Work of Jack Cardiff (2010)
In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor's War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.
Watch Trailer
Free Trial Channels
Cast
Reviews
Expected more
Excellent but underrated film
Best movie ever!
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camera-work was awarded for Powell and Pressburger's "Black Narcissus".Cardiff is not as well known as he should be, despite 80 years behind the camera and being key in bringing color to film. Color was inevitable, but he showed the world how to make it look good and made Technicolor a household name.I love that the director was able to track down Martin Scorsese. Scorsese always has stories to share and knows more about film history than just about anyone -- is there a more passionate fan? I could hear him ramble for hours on the minutiae everyone else overlooks.This is also great for Cardiff's anecdotes on Orson Welles and the stolen mink coat, John Wayne as a cowboy and Kirk Douglas as a perfect stuntman. This is a man who worked with everybody and made them all look so good.
Jack Cardiff was a master cinematographer who became inspired through the Powell & Pressburger partnership with films such as Life and death of Colonel Blimp, A matter of life and death, The red shoes and Black Narcissus which bagged him an Oscar for best colour cinematography.Cardiff in interviews filmed over several years comes off as modest, engaging, enthusiastic and knowledgeable. We see the influence of paintings from the masters in his work as well as problem solving with the challenges he faced in the still early days of cinema, now its the special effects people who take care of it all.As well as numerous clips of films he had worked on, collaborators we have super fans such as Martin Scorcese who has previously expressed his admiration of the films of Powell & Pressburger. It would had been nice to have heard from Francis Coppola another fan and some more British directors.Cardiff later moved into directing and was Oscar nominated for Best Director for Sons and Lovers but when the directing work dried up he moved back into cinematography, even lighting Rambo: First Blood Part 2 a film I have in the past complained about not being able to see anything as all the action took place in the dark.
Jack Cardiff began his life in show biz, part of a touring troupe with his mom and dad and even appeared in bit roles in silent films. But it wasn't until he got behind a camera and discovered all the lighting techniques he would go on to use for either color or B&W that his fame spread.I've always felt that if he had filmed no other works than BLACK NARCISSUS, THE LIFE AND DEATH OF COLONEL BLIMP or THE RED SHOES, his immortality was guaranteed.By an interesting use of film clips, good narration, and comments from stars who worked with him on various films, this documentary is among the best I've ever seen on any celebrity whose work on film has so many highs and lows.Modest about his fame, he mentions how he's seldom recognized by fans at premieres of epics he photographed. "Who's that?" they will say. "Oh, he's nobody." Absolutely riveting use of clips from BLACK NARCISSUS and THE RED SHOES, in particular, show just how masterful his use of Technicolor was. Lauren Bacall, Sophia Loren, Moira Shearer, Kathleen Byron, Charlton Heston and Kirk Douglas are among the stars who speak about the experience of working with him. Bacall tells how Bogart never cared much about his appearance in a film, only the film itself and he had complete confidence in Jack Cardiff on THE African QUEEN.Excellent documentary, well worth any film fan's attention.
British cinematographer Jack Cardiff, who made a name for himself with his splashy camera-work on the classic Powell & Pressburger films "A Matter of Life and Death", "Black Narcissus", and "The Red Shoes", recounts the cinematic milestones of his long career. Transitioning from British cinema to Hollywood filmmaking in the 1950s, Cardiff went on to work with such diverse directors as Alfred Hitchcock, Henry Hathaway, King Vidor, and John Huston. The film clips are well used, and the celebrity fans (such as Martin Scorsese) and co-workers who comment are interesting, though the second half of this documentary (after Cardiff moved from director of photography to the director's chair) is left a bit sketchy. Receiving an Academy Award nomination as Best Director for 1960's "Sons and Lovers", Cardiff admits this was the peak of his professional career...and yet we are left uncertain why such a talented and respected man didn't receive better assignments in later years. Still, finishing off with Cardiff's recent honorary Oscar celebration for the bulk of his work was a nice touch, proving that wisdom and talent go hand in hand--and age doesn't necessarily diminish either.