The Stranger and the Gunfighter (1976)

Best movie of this year hands down!

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Story: It's very simple but honestly that is fine.

"Blood Money", also known as "The Stranger and the Gunfighter", is an interesting combination of gun play and flying fists. Lee VanCleef may not be at the top of his game, but the unusual and entertaining story makes up for any edge he might have lost. I found more humor here than in any of the "Trinity" films. If you look at the entertainment value alone, I would say this is about on a par with "Death Rides a Horse" or "Kid Vengeance". It is definitely inferior to "The Good the Bad and the Ugly", "For a Few Dollars More", and "The Big Gundown". Overall, I would recommend "Blood Money" as a must see for Lee VanCleef fans. - MERK

Okay, here's a delightfully oddball and inspired handy-dandy combo genre hybrid: a totally goofy and cheerfully low-brow tongue-in-cheek comedic Italian spaghetti Western romp crossed with a swiftly chopping and kicking martial arts fight-ridden Hong Kong actionfest, shot on location in Spain, done in collaboration with the Shaw Brothers and directed by tireless exploitation flick director supreme Antonio Margheritti.The blithely dopey plot centers on an amusingly unlikely partnership between boozy ne'er-do-well drifter outlaw Lee Van Cleef (doing a disarmingly dippy send-up of his redoubtably stern'n'steely Sergio Leone tough guy sharpshooter persona) and smart, amiable Chinese fish-out-of-water karate master Lo Lieh (the star of the original breakthrough chopsocky hit "The Five Fingers of Death"), who trek across the wild'n'woolly Old West in search of a fortune in gold. Naturally, there's a catch -- and it's a hilariously bawdy one at that: individual parts of the treasure map are tattooed on the lovely bottoms of four luscious young ladies. The fact that three of said beauteous damsels are played by sexy Eurobabe scream queens Erica Blanc of "The Night Evelyn Came Out of the Grave," Femi Bunussi of "Strip Nude for Your Killer," and the always enticing Patty Shepard of "The Witches' Mountain" -- the latter portrays a couple of radically contrasting Russian twin sisters (a classy rich woman and her kittenishly lascivious prostitute sibling, respectively) -- only makes matters that much more entertainingly tacky and raunchy in comparable measure. Funniest scene: Van Cleef croaks out "Rye Whiskey" in a hoarsely off-key voice as he's about to be hung in the town square. Sure, it's really dumb and unsophisticated, but the energetically asinine fun's still quite enjoyable all the same.

The "East Meets West" idea of an Asian fighter in the Wild West was not new anymore (see Terence Young's "Soleil Rouge" from 1971, or "Il mio nome e Shanghai Joe" by Mario Caiano, 1973), but "The Stranger And the Gunfighter" was the first time (1974) that an Asian production company, namely Shaw Brothers, came to Italy for a Western production, bringing Lo Lieh as a seasoned star of their own. The kung-fu fighter has to recover a treasure that once belonged to his uncle and return it to China. The map leading to the treasure is tattooed in 4 parts - on the backs of 4 ladies. Yes, that's a bit of a different idea for once ;-). Lee Van Cleef plays a bank robber who assists very unwillingly, but in the end even enjoys a little trip to Asia. The movie is nowhere near "Soleil Rouge" and Lo Lieh isn't Toshiro Mifune, but it's an entertaining action movie with a story you haven't seen before. "Il mio nome e Shanghai Joe" is a very violent flick, whereas recent movies such as "Shang-High Noon" are silly comedies. What I like best about "The Stranger And the Gunfighter" is that it's well balanced between action and comedy.

Lee Van Cleef stars as a rugged cowboy who arrives in the town of Monterey seeking the fortune of the Chinese Mr Wang. Blowing open the four safes in the bank, he discovers nothing more than photos of women in all four of them. But Mr Wang walks in on the fourth explosion and is killed. Van Cleef is charged with the murder of Wang and sentenced to hang. Back in China, warlords are furious to learn that Wang's money is missing and send forth Wang Ho Kian, a young warrior and Wang's nephew, in search of it... Wang Ho arrives in time for the hanging and saves Van Cleef from the noose. Together, the two form a friendship and set off in pursuit of the late Mr Wang's bounty...The film plays as more of a kung fu action than a western, but is none the worse for it. Utilising the acting talents (and one or two other features) of various lovely ladies - and a plot device used in Dick Emery's 1972 film "Ooh... You Are Awful" (namely that the tattoos on four women's backsides hold the key to a fortune) - the film shows that while the golden age of spaghetti westerns was beginning to come to an end, the industry could still produce little gems like this.While the final showdown isn't exactly a Dance of Death, with both bullets AND karate kicks flying you can't really go wrong, can you? Whilst the music isn't exactly memorable, and at times the dialogue is awful (yea, yea, it's all lost in the translation, I know), the majority of the action scenes are good, although at times the synchronisation of the kung fu kicking and the "Ow!"s are on par with the dubbing of the worst spaghetti western. A decent time-filler.