Carmen (1983)

Sadly Over-hyped

Absolutely amazing

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

This is one of a number of Saura efforts celebrating various types of Latin dances (of which I own 5!), but only the first I have checked out. Nominated for the Best Foreign-Language Film Oscar, it details the vicissitudes behind a flamenco dance company's staging of Georges Bizet's famous opera "Carmen" based on the Prosper Merimee' novel. For the record, I own as many as 9(!) adaptations of the source material – of which the 1920 (by Ernst Lubitsch), 1948 (Charles Vidor), 1954 (Otto Preminger), 1962 (Carmine Gallone) and 1984 (Francesco Rosi) are still unwatched.Needless to say, being no fan of either opera or dance, I can only stick with them when briefly incorporated into a movie narrative – or, as happens to be the case here, are presented in the manner of the tried-and-true "putting-on-a-show" formula. In that respect, it adheres to pretty much all of the established tropes of the sub-genre: the girl cast in the title role on the strength of her ideal temperament is a non-starter at first and, naturally, incurs the jealousy of the company's star attraction (past her prime and basically relegated to being a co-choreographer with the director/male lead, himself not so young anymore!); the latter, then, has a turbulent relationship with his new protégé (married to an estranged drug dealer just out of prison and an unrepentant wanton to boot!) – which threatens the production and, ultimately, brings about his personal downfall.Clearly the film's mainstay for the casual viewer is the way the plot line being 'dramatized' becomes mirrored in reality: apart from the male lead's afore-mentioned double-duty, rather unsubtly, the female protagonist shares her name with that of the character she is 'interpreting' – making this turn-of-events somewhat predictable. Having said that, the occasionally exhilarating dance sequences and the protagonists' charisma eventually save the day.

This is a wonderful film! Full of passion, music and drama. It follows the story of the opera of the same name. Even Carmen-haters will agree that this is a version that overcomes the boredom bred of familiarity and infuses new life into this overproduced work.The setting is a flamenco school in Spain, and the search is on for the star of a production of a flamenco Carmen. The director finds, and then falls in love with his new leading lady. The complications arise from there, from some unhappiness on the part of the best dancer in the troupe who feels she should be the star and not the newcomer, and from the storyline of the opera.The director of the film is the real-life director of one of the most famous dance schools in Spain, and the dancers, except for the character of Carmen, are members of the school.The dancing is exciting and dangerous, the story, though very familiar, attains fresh vigor in the new setting, and is altogether one of the best films of the eighties.

The movie within the movie - a concept done many times in the history of cinema. It is accomplished here as well as in any.If you love Carmen, you'll love this version.If you love flamenco, you'll love this version.The plot of the classic opera is played out in the actual rehearsal of the opera by a flamenco troupe. The music is authentic. The direction wonderful.If you like dancing, you'll love this version.There is tragedy. There is passion. There is intrigue.There is...Carmen.

I've seen this film at least 4 times since '84 and it's still great every time I see it. It's a very compelling version of the opera Carmen, with amazing Flamenco dancing, bare bones sets, and, of course, wonderful music. This telling of Carmen is a story within a story, with each paralleling the other, until the doubly tragic ending. Obviously a low budget Spanish production, the film contains dancing by some of Spain's premier Flamenco dancers. The combination of the soaring opera music and the sound of the dancers boots on the wooden stage, makes the telling of the story even more powerful.It's independent movie making at it's best and probably my all time favorite foreign film.