Law and Disorder (1974)

What makes it different from others?

everything you have heard about this movie is true.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

During the hiatus of "All in the Family", Carroll O'Connor starred in this feature film about a couple of New York guys who join the auxillary police force in order to clean up the neighborhood. I'll just say this film meanders quite a bit with many comic interludes of which some of the funniest involves Carroll's co-star Ernest Borgnine. Karen Black is also a hoot as Borgnine's not-so-helpful hairdressing assistant. The way it all ends is quite bittersweet. So on that note, I highly recommend Law and Disorder. P.S. This review is dedicated to the late Ann Wedgeworth-playing O'Connor's wife here-who passed a few months ago.

It's a weird thing about this comedy-drama. I first saw it as a kid back in 1975 where it played almost constantly on HBO and was one of the first movies I ever recall seeing on cable TV. At the time I thought it was damn funny and ever since it became somewhat of a lost film until Anchor Bay released it to DVD several years ago. I couldn't wait to see it again. But when I finally revisited it on disc, I'd found that much of the magic had gone and I didn't think it held up quite as well. It's worth watching for sure if you're a fan of Carroll O'Connor or Ernest Borgnine, but still stacks up as kind of a slightly lost opportunity.In this movie, O'Connor is a cab driver (and doing his usual Archie Bunker routine even though I think he was trying to prove he wasn't typecast) and Borgnine is his longtime best friend and a struggling hairdresser who owns his own salon (how's that for bizarre casting?). Karen Black is cast as Ernie's ditzy and belligerent employee, the best hair stylist he's able to find. Dwelling with their heads just barely above water in a typical '70s crime-infested New York City, the men become fed up with it all and decide to become auxiliary cops in order to help straighten the neighborhood out from the wrath of drug dealers, burglars and street scum. They get more than they bargained for in the end, which is the best part of the film, and a very strong climax.While this team-up would seem to be a sure-fire winning combination and set-up, the "story" as it's presented is practically non-existent and all over the place, which is kind of a shame. Golden moments and funnies do show up in odd places, but these share the screen time with all sorts of plot holes and different, undeveloped ideas. Worth a watch anyway if you can see it, but this could have been a lot better. **1/2 out of ****

Given the talent of the two stars of this film (who incidentally happen to be among my favorite actors), I was surprised at how much I really disliked this movie. I will admit that the cinematogrophy was great, really capturing the New York City of the mid-seventies. However, the lack of plot really disappointed me. The film goes nowhere fast, it was all that I could do to keep awake until the end. My brother picked up the DVD at K-Mart for $2.95, but it wasn't even worth that low price. If you must insist on seeing this piece of garbage, however, I recommend the DVD purchase (at the aforementioned low price), as it would be easier to fling like a Frisbee than the VHS version!-Den Corleone

Having not seen this film for over 20 years, and remembering how great it was as a kid seeing it on cable, I was very happy (and surprised!) to see it released on DVD and picked it up immediately. I discovered it was a lot funnier when I was a kid, although making up for that was watching two great stars like Carroll and Ernest, as well as all the NYC locations, as I've always been a fan of NYC films, my hometown.One interesting thing is, this being a motion picture, Carroll O'Connor is upstaged in every scene by movie star Ernest Borgnine. And not that Carroll is bad, not at all, he's actually decent, and the two actors make a good pair with some good chemistry (a re-pairing in a future film would have been great even!). But on the silver screen Carroll doesn't have the immense presence he has on the tube as Archie Bunker, and Ernest is clearly the "leader" here.The two head an auxiliary police force to battle the crime in their neighborhood. It's obvious a pre-Rudy Giuliani New York City, NYC being quite legendary in the 70's for it's high crime and smut. NYC isn't cast in the best light, but then again, in 1974 it just wasn't in the best light yet. (Thanks Rudy for all you've done!) Like "Cooley High," it's a bit odd to see such a downbeat ending in a comedy, but it's still a good viewing.If you like NYC films, and want to see two old pros do their thing and take the young'uns to school, "Law and Disorder" is a good DVD buy, before it goes out of print.