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No Hands on the Clock

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No Hands on the Clock (1941)

December. 01,1941
|
6
|
NR
| Drama Crime
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A wise-cracking private detective's honeymoon is interrupted by a kidnapping case.

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TeenzTen
1941/12/01

An action-packed slog

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Livestonth
1941/12/02

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Myron Clemons
1941/12/03

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

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Jenni Devyn
1941/12/04

Worth seeing just to witness how winsome it is.

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boblipton
1941/12/05

It's one of the movies that Chester Morris starred in for Pine-Thomas, producers of good B movies for Paramount. Morris plays a private detective who has just married his occasional co-star Jean Parker, when they get involved in a missing person case in Reno.It's a decent effort, although director Frank MacDonald directs it with his budget clearly in mind, and Miss Parker seems to be doing a Paulette Goddard imitation. There are mild screwball overtones, and Morris is good at them, but there are too many suspects left in from Daniel Mainwaring's novel.Still, as with most of the Pine-Thomas productions, there's a good deal of pleasure watching actors and actresses either before they became famous (there's Rod Cameron away from the westerns), or past their glory days (Jack Norton, perennial comic drunk, plays a bar tender!), While by no means one of Pine-Thomas' better productions, it gets the job done.

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bkoganbing
1941/12/06

In one of the first Pine-Thomas B films from Paramount Chester Morris and Jean Parker play a bargain basement version of Nick and Nora Charles in No Hands On The Clock. I'm thinking this might have been something that Bill Pine and Bill Thomas had in mind for a series, but Morris's next film was his first Boston Blackie.Morris is a detective specializing in missing persons cases and is hired to find the missing son of a ranch owner who enjoys the casinos in Reno and all they have to offer. Several murders later we find who's been responsible for a small crime wave including a fake kidnapping of the missing son in question.Dick Purcell has a nice role along with Astrid Allwyn as a known gangster whom the cops and the FBI think is responsible for all of this. Allwyn plays a very wise moll to Purcell, their scenes with Morris and Parker have some real bite.This definitely could have been a series had Morris not already signed for Boston Blackie.

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JLRMovieReviews
1941/12/07

Chester Morris and Jean Parker star in this mystery that seems to have more comedy than mystery. They are newlyweds and are about to go on their honeymoon, when he is hired to find a missing person, as Chester is a detective. This film has a very relaxing and natural feel to it, as Chester and Jean banter back and forth. The viewer enjoys their company so much, you wish you could hang out with them for all the excitement and fun and games, particularly Chester. One might call it the Dean Martin trait. (They seem like the poor man's Nick and Nora Charles.) I tried to follow the mystery, as someone is indeed murdered. I did follow it, up the last 20 minutes or so. But what this has going for it is good company. If you're lucky enough to find this unknown little mystery, you've got one little gem, that has charm in spades.

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Alex da Silva
1941/12/08

Detective Humphrey (Chester Morris) is newly married to Louise (Jean Parker) and is assigned a task to find a missing man in Reno. So the story begins.................and good luck following what happens! This film is played as a comedy which can be a bit irritating at times. For instance, Humphrey and Louise shouting at each other in the shower scene that also includes a comedy policeman routine. We also have a scene where Oscar (George Watts) and Louise carry on a conversation with Humphrey standing in the way of them both and it is overdone. The quality of the film isn't very good and this ruins the overall experience as we have to sit through moments of complete darkness. What on earth is happening? This is doubly frustrating as the film starts at quite a good pace and then gets faster while introducing various new characters. And you have no idea why they are in the film. And then you get thrown into moments of darkness so you end up thinking "who the hell are these people in this scene that I can't see and where on earth is this story going now?" Chester Morris and Jean Parker are both likable in the main roles - a sort of "Thin Man" team - and the film is resolved in that familiar gather everyone together routine to announce the killer but by that stage you won't have a clue as to what is happening and who is who. The film is over-complicated. Shame that it is also poor quality.

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