The Brain Machine (1955)

Too many fans seem to be blown away

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

Simple and well acted, it has tension enough to knot the stomach.

The film never slows down or bores, plunging from one harrowing sequence to the next.

To watch this film you have to remember it's set in the '50's and the idea at the start of the picture was revolutionary. Using an ECG a couple of doctors are able to diagnose a person's mental health. On one occasion they bring in a deranged killer to get a reading. Then later, they have an accident victim who they scan for brain damage. upon checking his scan they see he has some alarming similarities with the killer. Before they can question him he leaves the hospital. The story then starts to take a weaving path to its conclusion.It's this path that makes the movie watchable as you wonder what's happening and what will happen next. It's the pace of the movie and the acting which hinder the movie somewhat. The bad guy, Frank Smith (Maxwell Reed) just doesn't have the aura of a psychopathic madman - he sure does know how to shout though. It would have been a lot better had he run a gamut of emotions to show his mental breakdown.I also liked the fact that the female Doctor Philippa Roberts (Elizabeth Allan) is a strong woman that knows and says her mind. Unfortunately, she loses this confidence when she is kidnapped by Smith. Again, this would have been great had she retained this and not regressed into screaming woman. But this was made in the '50's so has their ideals.I reckon this story would still make a good movie today, even a great one if the issues are addressed as I can still see the issues used in the story being relevant today.If you like your old black and white mysteries, then you may like this. But be aware, this is not the best of it's kind. Definitely, one to watch when sick in bed... though remember to keep the remote handy for when things get shouty.

One can only assume that the distributors,RKO Teleradio Pictures,wanted to utilise some of the success enjoyed by The Quatermass Experiment by tacking on a 10 minute sequences at the beginning which justify the use of a title which really hasn't got anything to do with the rest of the film.Elizabeth Allen plays the leading role and is clearly not a woman to be tricked with.In real life she sued MGM because they took away from her the leading roles in The Citadel and Goodbye Mr Chips.She lost on appeal and never worked in Hollywood again.The film develops as a routine crime film.However Maxwelo Reed has an intriguing revolver which fires 12 times without reloading.

THE BRAIN MACHINE is actually the second film I've seen with this title; the first was a rubbishy 1977 US science fiction film about a computer experiment gone wrong. Despite the title, this BRAIN MACHINE is in fact an above-average British thriller with film noir aspects. The title refers to a brain scan being conducted in the opening twenty minutes, but this merely sets up the plot and doesn't feature for the rest of the more traditional story.Underrated character actor Patrick Barr tackles a lead role for once, playing a doctor hunting for his wife who has been kidnapped by a desperate small time criminal, played by Joan Collins's husband Maxwell Reed. Elizabeth Allan gives a fine performance as the wife in peril, coolly holding it together during the more difficult moments, even if her character doesn't take advantage of her situation and is content to go along with things when she has the opportunity to escape at times.This low budget tale is well paced and has a solid script that brings to life various supporting characters. Familiar faces like Bill Nagy and a youthful Anthony Valentine show up along the way, and there's plenty of murderous twists and even the odd bit of action to keep the story moving along nicely. I enjoyed it.

After a science-fiction type opening, the film develops into a neat and engrossing little thriller, with lively playing by the leads. The central performance of the much underrated Maxwell Reed is especially noteworthy, and the film is all the more impressive for his presence. In fact, was there anyone better in this type of role, in British cinema, during that particular time? It is also interesting, for its time, in that there is a distinct undercurrent of attraction for Reed's character, Frank Smith, by Dr Roberts (Elizabeth Allan) which is clearly magnified during the closing scene of the film when her estranged husband Dr Allen (Patrick Barr) is also present. All-in-all an enjoyable little thriller which, although rarely screened, is well worth catching.