The Girl in Lovers Lane (1960)

Perfectly adorable

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Great movie. Not sure what people expected but I found it highly entertaining.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

For years, when MST3K fans have been polled about which riffed films were "not completely terrible," this movie has come up (along with the Godzilla and Gamera movies). It's easy to see why - unlike complete train wrecks like Space Mutiny and Manos the Hands Of Fate, you can tell that this could have been a halfway decent film if it had a little more of a budget - better sets, better costumes, a competent script editor to fix the problematic ending. The acting isn't terrible, some of the characters are actually likable, and Jack Elam's villain is genuinely creepy. It made for a very underrated MST3K episode - one of the funniest of the later Joel era. (The show's writers reported being genuinely traumatized by the film's ending - and you just KNOW that it was a rare film that could get that crew to genuinely care about the characters).

I saw this film as an episode of Mystery Science Theater 3000 as chances are I would have never even known it existed without it. Not that it was all bad, it was pretty typical of a lot of films of the era. Of course, most of the ones I have seen have been episodes of Mystery Science Theater. The film was one of the ones they did that featured more of the whole struggle of youth type episode rather than science fiction or a horror which is the stuff the normally riff. These types of films usually are pretty good too though. They normally run from being youths that want to be violent or youths trying to figure things out that get caught up in some craziness. This one is more the latter, though the lead guy is rather older. He is a mentor who helps a young man who is trying to figure things about his own life, but he seems to do a lot of running.The story has a young man named Danny being chased in a train yard from two guys who are out to get his wallet. Well poor Danny manages to ditch his wallet, but he ends up taking one hit and falls right out. Thankfully, a wise traveler named Bix puts him in the boxcar and soon he and Danny are riding the rails. Bix agrees to help Danny and be a traveling companion, while Danny provides some cash. They soon stop at a town and if you thought this was a traveling film where our new found friends were going to have different adventures in different towns and cities you are going to be disappointed. Yes, they stay in the town throughout the duration of the film, but it sure is a strange town. Depicted as very small, but at the same time it has one very large brothel in it. It also has a shady pool hall where every person in it is willing to beat up a person for their money. At the same time it is such a peaceful town that a young couple can stroll its streets at night. Well Bix falls for a girl who has an incredibly obvious stalker that also has his eyes on her! Things take a turn for the surprising and a bit depressing.It made for a rather funny episode of Mystery Science Theater 3000. This one did not have a short and from the looks of it, I do not see this one being as edited down as other episodes either. I think you can get a full sense of the picture without seeing the whole thing. The film is entertaining enough to make it a good episode too. I think that some of the truly awful films that are boring make for poor riffing material. My least favorite episode of MST3K is the one featuring that German Hamlet as it was done so minimally and it was just labored. This one has lively characters that can at times make you feel a little sympathy and a less dreary episode of the show.So in the end, it was not anything I would want to watch without the aid of the gang of the satellite of love, but it was not as bad as other things they have made fun of. The movie moves along about like other films and it is better made than say an Ed Wood film or Coleman Francis movie that were also being made at this time. Nothing really stands out except that crazy eyed dude who was so obviously insane. Oh no, he is just harmless. Yep, the type of thing people say about psychos after they kill! Along with kept to themselves.

I have watched this through Mystery Science Theater 3000. This movie starts out with a kid running away from thugs. After he is beaten up he is carried to the nearby train by a hobo by the name of Bix Dugan. Sooner or later they arrive at a small town. Bix then falls in love with a waitress. Then - afraid of him getting too attached to this place he decides to leave. Then he reconsiders, then the girl dies by the jealous-creepy-guy-with-crush-on-her cliché. Bix then gets accused of murdering her. Soon they find out the truth, Bix broods and the person at the beginning phones home and invites Bix for dinner over there.Now, this is worthy of MST3K. The acting is weak at it's very best and the writing is also flat. Although when fair is fair this is extremely easy to make fun of and Joel and the Bots do it well. If you watch it with them it will be a great old laugh for you to have.

Here is a movie that was so pedestrian for 90% of it that it had no right to become so challenging and frustrating at the end. Did the director decide to become auteur suddenly, 80% through the making of this movie? Yeesh. SPOILER ALERT Thing start out typically enough for 50's youth-gone-wild; there are drifters, good girls, bad girls, gangs, the kindly old diner manager, and the town creep. Things follow the expected path until about 15 minutes before the end, when the only likable character is killed off and the anti-hero is blamed (this would not be so unexpected if this were the main plot of the movie... but all this stuff starts happening and unravelling during the final reel! Major curve ball). Then things get weird; the kindly old codger forms a mob and beats the hero to a bloody pulp. The mere presence of the hero's friend somehow drags a confession out of the real killer - the leering, creepy town nut (which in any real universe, he'd have been the prime suspect to begin with, even if the anti-hero was found with her body).We're left with a somewhat feeble "happy" ending, which is about as out of character with the rest of the movie as the events of the 10 minutes preceding it.Even more odd is this film's insistence on playing homosexual innuendo to the hilt, but constantly presenting the two male leads as straight. Maybe this was on purpose - perhaps Bix's resistance to settling down with the girl was more because of his sexuality (which in the 50s would have to be kept quite repressed, and thus not discussed or even admitted by him) than his need to be a "drifter". If the director's intent was to spin this as a sexual yarn - that the drifter drifts because he feels he's an outcast sexually; that his paternal regard towards Danny is not, in fact, paternal but spousal; that his inability to remain with Carrie is rooted in a sexual revulsion that even he does not quite understand - it could have been made more clear. Instead, we get this very bizarre alchemy of homoeroticism and behavior that is completely heterosexual.These young men sleep next to each other even when they can get some room to spread out. When Danny is propositioned (and once even in bed with a woman), Bix flips out and takes him away. Danny pays Bix's way (sure, there is another explanation for it, but it still strikes a chord every time you see Danny buy Bix's lunch). They end up living together at the end. Not since Hitchcock's "Rope" has homosexuality been so blatant but denied.MST3K did the right thing by taking this one on. Aside from Jack Elam, there is little to commend the film.