Strongroom (1962)

Very well executed

Although it has its amusing moments, in eneral the plot does not convince.

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

I had never heard of Vernon Sewell until I found this masterpiece on YouTube in June 2018. I discovered a great director and I want to see all his films, he has 41 credits as a director. This movie is excellent in all respects: story, direction, actors, the way it was filmed. The actors are not big names but they are all very good. Derren Nesbitt is still distinguished as Griff.

Scrap metal merchants, Griff (Derren Nesbitt), Len (Keith Faulkner) and Alec (William Morgan Sheppard) decide to turn to crime for a one off job. They pull a £30,000 raid on a bank on Easter Saturday and lock the manager, Mr Spencer (Colin Gordon) and his secretary, Ms Taylor (Ann Lynn) in the vault. They flee but Griff realises that the pair will not be discovered until Tuesday and as the vault is air tight, they will have suffocated by then. Initially, Len and Alec are uncaring but Griff persuades them that if they do not inform the police they will have a double murder on their hands. They decide that Alec will take Mr Spencer's car out of the area, inform the police anonymously and leave the vault keys in the phone box. Meanwhile, Griff and Len will see to it that the money is put in a safe place. However, in an unfortunate twist of fate, Alec becomes involved in a car crash and dies. Griff and Len are now faced with a dilemma. They go to the mortuary to collect Alec's personal effects, which include the vault keys, but the attendant refuses to break official procedures and will not hand them over without the proper authority. Griff and Len realise that they will have to break back into the bank and cut a hole in the vault door using their cutting equipment from the yard and feed in oxygen through a tube connected to a cannister. But all the while time is running out - fast!Strongroom was produced as a low budget b-picture but when it opened in the West End, it got such good press that it was elevated to a-feature status. It is not hard to see why as it has enough good qualities to stand on its own. The screenplay by Richard Harris offers several opportunities for suspense and Vernon Sewell's direction certainly rises to the occasion ensuring that the audience is kept on the edge of their seats. Tense moments include the scene in which Griff and Len have broken back into the bank and are busy cutting into the vault door only to be interrupted by two cops. They are seized and about to be dragged off to jail and Griff pleads with them explaining the circumstances. But are his efforts going to be in vain? Is it already too late? The picture does have some weak moments, the scenes between Colin Gordon and Ann Lynn trapped in the safe border on the absurd at times like when Gordon hacks away into the concrete floor of the vault with a pair of scissors and a handle from a cheque perforating machine to expose a sewer pipe, which he hopes to break open to let some air in and he manages it! I found that just a little far fetched but on the whole, Strongroom is better than your average British b-pic especially in terms of the suspense aspect and performances are good all round. Happily the film is now available on DVD.

This crime or film noir from the golden days of British film-making (Yes, the '50's/'60's B-flicks), proves good plot and script, however lesser-known a movie is, is still effective even today.The two crooks, played by Nesbitt and Faulkner and another hold up a bank - they're not vicious in any real way, however wrong they are. The stuffy bank Manager, Colin Gordon and his secretary played by Ann Lynn are locked in the 'Strongroom' or vault if you want to call it that, by the two crooks, with the intent that they will hand the keys in at a police station and let the cops know the two bank workers are in there - all the time running out of air - but that's excused as it's done and dusted, isn't it, that they will soon be released? Wrong! Faulkner's brother, also a member of the gang is tasked with this - he's seen driving off to do just that, but of course - he has an accident and dies! Faulkner and Nesbitt receive a knock on the door from the police - unknowing of what's happened at this stage, panicking slightly. But then the news of Faulkner's brother's death is given. A little panic of both his brother's death and what'll happen to the bank workers by Faulkner surfaces but he knows he has to keep his mouth shut.Faulkner has tried to retrieve his brother's belongings angrily as he's promptly told by the police the dead brother's items can't be returned not for weeks - which of course includes the Strongroom keys! The remaining duo decide to get hold of the usual bank busting equipment, Oxycetelene gear etc., and try their best to break through to the suffocating bank workers. In the meantime, an astute person has noted that part of the dead brother's belongings are a Strongroom key, after Faulkner's rantings lead them to suspect something was wrong.The police then hurry to the bank after contacting an experienced locksmith as to what bank/door it belongs to.They're about to make their pinch, when the boys tell them that they're trying to free the workers. Reluctant at first, they understand and let them continue - they get the door open - a huge look of relief from them is shown at what appears as the very last scene but at this point their relief is shattered as a police officer states :'This one is DEAD sir!' The look from Nesbitt and Faulkner sums up the impending doom for the pair, as hanging is still a capital offence at that time in the UK. However, it beckons from us up to and after the credits still a legal position that they may get a manslaughter charge - but the film doesn't give them the chance they thought they had.Excellent and good performances all round and sadly not shown enough.

Seriously underrated little noir and, in some ways, a repeat of the 1960 movie "The Man In The Back Seat" which also starred Nesbitt and Faulkner as two crooks for whom fate deals a dirty hand. Both movies are excellent (and both directed by the equally underrated Sewell) and both have very neat twists in the tail. These two linked movies are unusual in that, given the era they were made in, the viewer is NOT subjected to "happy endings". As "Strongroom" was made in 1962, it might make for an interesting legal discussion as to whether either or both of the miscreants would hang or not......once again, Faulkner plays the conscience to Nesbitt's more hard-headed felon. I doubt whether that would count for too much with a contemporary criminal court jury, however. Faulkner is a fine foil to Nesbitt - they make a fine team in both movies...not sure why he gave up films. If anyone does, let me know...