Sulemani Keeda (2014)

Not even bad in a good way

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

There are lot of Indian movies that make large money, and offer no content , famously called as Masala movies in India, 'Sulemani Keeda' is totally an opposite of that, Its filled with high quality content that is so true to its nature, that it holds your attention from beginning till the end. Its an Amazing cocktail of Comedy, philosophy , life. The cinematography,acting by the upcoming stars are truly bliss .The original satirical yet philosophical dialogues binds and engage the viewers. It simply narrates the biopic struggle of two 'bromatic' writers which is itself a refreshing experience, a mesmerizing one. Shouldn't be missed by anyone who enjoys true cinema.Every Character is so well placed . A lot set of hidden talents are show caused in this movie .Some satirical yet philosophical dialogues:" We have only one life why do u need to fear". "I fear because its only one life" "we need some out of the box idea. A film without story yet it has story" " i want to say you something.i think its too late but its time you start to grow up"Indeed bollywood is growing

I watched Sulemani Keeda in an almost empty theatre and throughout the film I just kept asking the question: Why? Before I begin writing anything about the merits/demerits of the movie, I must say that we need more movies like this. The story of Sulemani Keeda is nothing to go gaga over but the almost non existential direction in its depiction of friendship gives it a conspicuously vicarious emotion; almost nostalgic at times. The story starts with a couple of aspiring writers trying to make it big in the big bad world of Bollywood. Dulal played by an excellent Navin Kasturia marvelously underplays his character. His naivety in many scenes makes you root for him. And, Mayank Tewari playing Mainak, complementing the almost tangible innocence of the Dulal with his loudmouth and unkempt attitude makes us believe the character even more. In one particular scene of the movie, Mainak recites a profane poem in a bar with gusto and 'I don't give a damn' attitude just after Dulal had read a poignant poem. The scene becomes extremely sweet and corny in equal measures. The title 'Sulemani Keeda' refers to the title of the film which Mainak and Dulal desperately want to write. In the pursuit of becoming writers, they meet with a producer's son called Gonzo (Yeah, the name is enough to crack you up) who is hell bent on making Bollywood film in Eastern European style cinema with full frontal male nudity. What ensue are some really funny scenes and an emotional one towards the end. The love track between Dulal and Ruma (Aditi Vasudev) is a sweet and introspective one. The discussion between them inspires Dulal to not succumb to the societal pressures but chase his dreams. Ruma's pragmatism makes you appreciate the character. The film's bare bones depiction of friendship, the anguish of lost love and most importantly the struggle to make it big on your own terms resonates long after the movie is over. It is mature and fun in equal parts. The only problem I had with the film was its ending. It felt like a desperate attempt to make the film unconventional and hatke. It certainly could have been different. This minor qualm aside, the film is a little gem and definitely deserves a watch. ~Shubham Rakheja

If you have a few brain cells, a sense of humour, and are as sick of the '100 crore' rubbish being churned out by Bollywood on a daily basis, please do watch this movie. You will love it. It is as indie as indie movies get, so don't expect it to look as slick and manufactured as your typical Bollywood Khan starer, but the very fact that it is an indie movie is what makes it so charming and refreshing (and lights another beacon of hope for a more diverse Indian film industry).The movie is about two struggling writers trying to get their screenplay produced - one a relatively straight-laced idealist, the other an in- your-face, street smart guy on the make, with a hidden vulnerability. The caste is virtually unknown - in fact most of them were not actors before this movie was made, but they are all from the movie industry. The lead, Naveen Kasturia (Dulal) worked as an Assistant Director, the co-lead, Mayank Tewari (Mainak), is a columnist, screen-writer, poet and amateur stand-up comic, the pseudo European art-house cinema loving producer's son and actor in waiting Karan Mirchandani (Gonzo) is a director. Only Ruma (Aditi Vasudev) was a professional actress at the time the movie was shot, but a very young one who had only just started in the industry (she had acted in Do Dooni Chaar and Talaash). And this really works, because they all bring a freshness and naturalness to their roles.The movie itself is a 'slice of life' piece about the fringes of the film industry, the hopes of the new aspirational middle class (who can now dream of being more than just doctors and engineers), young love, and above all, friendship. What shines through the most are the dialogues, which are crisp, sharp, natural and very very funny. Apparently a lot of them were improvised during the shooting process, which gives them a very unrehearsed feeling. There is the odd sequence where the editing could have been a wee bit tighter, but it doesn't take away from the charm of the movie.I wouldn't be surprised if this becomes the next big cult film in India, which people will be talking about 20 years from now, like Jaane Bhi Do Yaaron and Andaaz Apna Apna.Bottom line - watch it.

A funny comedy with adult themes but without the cheapness you'd expect in some alternate movies.The chief protagonist is a decent struggling writer in Bollywood who is teamed with a typical horny male writer. Together they dream of writing the next blockbuster. The film explores the world of the struggling youth today - the social interactions at various levels and the perpetually antagonistic society which appears to suppress the artistic qualities of otherwise gifted people.The downside is that while there appears to be some pace to the story, it doesn't seem to be going anywhere - and if you want to know what this contradiction means, go ahead and watch it for yourself !Both Naveen and Aditi make for decent lead artists, with a calmly suppressed personalities in a not so volatile background.