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Make Your Own Bed

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Make Your Own Bed (1944)

June. 10,1944
|
5.4
|
NR
| Comedy
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Walter and Vivian live in the country and have a difficult time keeping servants. Walter then hires a private detective who has been fired for arresting the District Attorney. They only way that Walter can get Jerry to work for him is to tell Jerry that his life is in danger; the neighbor is trying to take his wife; and that Nazi spies are everywhere. Jerry needs a cook for his 'cover' so he gets his fiancée Susan to work with him. To keep Jerry working, Walter sends the threatening letters to himself and hires actors to play the spies but when a real group of spies disguised as a troupe of radio actors appears on the scene, events quickly spiral out of control.

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GamerTab
1944/06/10

That was an excellent one.

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AboveDeepBuggy
1944/06/11

Some things I liked some I did not.

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Kidskycom
1944/06/12

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

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Logan
1944/06/13

By the time the dramatic fireworks start popping off, each one feels earned.

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JohnHowardReid
1944/06/14

A very amusing comedy, directed with an occasional flourish by Peter Godfrey (e.g. Jack Carson's frantic chase after Jane Wyman through the sidewalk crowds), and cleverly photographed by Robert Burks. Two of my favorite people, namely Ricardo Cortez and Tala Birell, have only minor roles, alas, but Jack Carson is in his element as a would-be detective and there's a most unusual interpretation by Robert Shayne of Carson's Ralph Bellamy-style boss! Jane Wyman makes an effective stooge. Her cooking scene is very neatly timed. In fact, the whole episode with the dinner is really hilarious, each gag being neatly topped by another, and thus building to a really rib-tickling finale. Alan Hale makes an excellent foil, while Irene Manning and George Tobias provide many chuckles with their well-timed comedy support. True, the movie is not all clear sailing. There are a couple of slow patches – chiefly two or three dialogue exchanges between Carson and Wyman which sharper film editing should have trimmed away. (Clarence Kolster must have been asleep at his bench). Nevertheless, the pace generally is brisk and seeing the movie on TV does not have the same ambiance as viewing it in a theatre. The situations are lively and amusing, while production values might certainly be described as lavish. In fact, photography, sets, costumes and music scoring could all justly be labeled "top-drawer".

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wes-connors
1944/06/15

Due to the ongoing World War II, wealthy executive Alan Hale (as Walter Whirtle) is having a difficult time finding servants. With no chauffeur, he drives to town recklessly, and is thrown in jail. There, Mr. Hale meets private detective Jack Carson (as Gerald "Jerry" Curtis), who bungled his latest case by arresting the district attorney. Hale tells Mr. Carson he can look for Nazis on his estate, while posing as a butler. Carson agrees to assume the position, and brings along long-time fiancée Jane Wyman (as Susan Courtney) to serve as cook. Carson has trouble recognizing the Nazis, and Ms. Wyman can't cook a shaved duck."Make Your Own Bed" refers to the fact that Carson and Wyman have a long-time, but platonic relationship; and, things get uncomfortably funny for the pair while posing as husband and wife. They handle the matter with immature comedy. The cast and crew might have considered adapting this material a chore. Still, everyone puts in an effort. And, Hale excels.***** Make Your Own Bed (5/26/44) Peter Godfrey ~ Jack Carson, Jane Wyman, Alan Hale, Irene Manning

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David White (dawh1)
1944/06/16

This is one of those movies from the first half of the 20th century that is based on a concept that a 21st century viewer can't relate to without some sort of explanation. Much of the conflict revolves around the idea of: "Oh, dear, they think we're married and they expect us to sleep in the same room, but we're not married and therefore we can't possibly sleep in the same room. Whatever will we do?" It wasn't even the idea of having sex outside of marriage that was so horrifying. It was just being in the same room. Maybe an audience in 1944 would have understood that, but in 2005 the reaction is "Who the hell cares if they're married? You don't plan to have sex, don't have sex. Keep your clothes on if you want to. But shut up already about whether you're married or not." It's just too stupid for anybody to care about.

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David (Handlinghandel)
1944/06/17

This movie has at least four plots going on at once. They really don't work well together and none on its own is plausible.The direction is at a frantic pace. It's forced and charmless and it looks as if everyone involved knew this. The pace is like a Looney Toons cartoon but neither that nor sound effects nor zany music helps.I found joking about Nazis in so offhand a manner in 1944 shocking. One of the plots involves radio actors who pretend to be real Nazis and then turn out in fact to be real Nazis. The word is pronounced by almost all the actors so that the first syllable sounds like that of the word nasty.Maybe the movie was made before its year of release but if so, it ought to have been scrapped altogether. There was nothing remotely funny about Nazism in 1944 (nor was there or will there ever be.)about Nazism in 1944 (nor was there or will there ever be.)

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