The Sea Wolf (1994)

Let's be realistic.

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

The movie really just wants to entertain people.

The acting in this movie is really good.

***SPOILERS*** Fairly good remake of the Jack London classic "The Sea Wolf" with Charles Bronson as the crazed and power hungry Captain Wolf Larsen the most brutal skipper on the high seas. Larson who's obsession with the power and strength of the individual, which he prides himself in, comes from his reading of the Superman theories of human evolution from the writings the German philosopher Frederick Nietzchche. As things soon turn out Larsen is confronted with a true Superman, or the actor who plays him in the movies, Christopher Reeves as the well refined and cultured theater critic and writer Humphrey Van Weyden. It's Van Weyden who ended up on Captin Larsen's schooner "Ghost" after surviving together with pick pocket expert Flaxen Brewster,Catherine Mary Stewart, an accident at sea. It was Flaxen and her pop Reggie, Peter Hayworth,who lifted Humphrey's wallet just before the ferry, the Martinez, that they were on hit a rock and sunk with all aboard.Getting a job on the "Ghost" as a lowly cabin boy "Hump" as Capt. Larsen calls Van Weyden soon sees what a brutal and sadistic water rat he is in treating his crew. It's later when "Hump" gets a bit friendly with the Captain that he realizes that his obsession with power comes from his unhappy childhood that he in fact never had. It's during those tender years that young "Wolfie" was never given a chance to express himself intellectually by him not getting a proper education. This forced Larsen to got out to sea at age 12 to support himself. With his will of iron Capt. Lawsen over the years educated himself to the point that would qualify him to be a professor in some half dozen subjects in both Oxford and Cambridge Universities.It's later that "Hump" discovers that the Captain is slowly losing his eyesight, probably due to a previous fractured skull accident, and the fact that his crew finds that out would mean curtains for him. In them finally raising up against Captain Larsen and throwing him out to sea as shark bait. This makes Captain Larsen more and more unstable which finally leads to a real mutiny where he in fact ends up, without a lifeboat, at sea. But with his superhuman strength and determination Larsen survives to exact bloody vengeance against those who dared to oppose him.***SPOILERS*** While all this is going on both "Hump" and Flaxen checked out on a lifeboat only to end up back in Larson's "Ghost", now a ghost ship, that by then was abandoned and left to sink by it's crew an almost totally blind Captain Larsen helplessly chained to it. It's there that we have the climatic confrontation or the "maine event" between Captain Larsen and "Hump" Van Weyden in who in fact of the two is the real Superman in the movie. The humanistic and felling for his fellow man "Hump" or the brutal and ruthless in treating all those who don't live up to his high Nietzchche like standards of life Captain Wolf Larsen.

Coming in during the later years, this was another one to tick off from actor Charles Bronson's long-winding filmography. "The Sea Wolf" (which is based on the novel by Jack London and has quite a few film adaptations before it) is a very good made for television ocean adventure enterprise, which relies on the strong performances of Bronson and Christopher Reeve. It's their characters and a battle of wills between them not to give in that makes it quite interesting, but at the same time gripping with their chats on philosophy. There's admiration, but also detest. Reeve is credibly tuned in as wealthy gentleman Humphrey Van Weydan who finds himself at the mercy of the cold-blooded, madman captain Wolf Larsen, a hardy but complicated portrayal by Bronson. For Wolf its amusing watching Humps (his ship nickname) trying to adapt to the conditions… because he's out of his comfort zone… being civilised doesn't work and what it comes down to is primal instinct. The sea has no laws. Learn or die. Which Wolf believes Humps would soon turn to, because he likes to say I told so… but Humps remains determined not to give in too easily. Wolf is a tyrant as he seems to use everybody on board as pieces for his own enjoyment, which leads to treachery and his own demise.Aristocrat Humphrey Van Weydan and Flaxen Brewster are survivors of a ferry shipwreck, which are plucked out of the ocean by Wolf Larsen, a skipper of a seal-hunting ship. Wolf won't turn back for land, despite the lady Flaxen not being in good shape. Humphrey learns that his stuck on a ship with a psychotic skipper, but tries his best to keep a level-head throughout the voyage.Director Michael Anderson's ("Around the world in 80 days", "Logan's Run" and "Orca") compact handing suit's the film's low scale, where obvious set-pieces are constructed around its simple, but assured narrative. At times it looks cheap and stagy, but it's competently pulled off with moments of taut suspense and stinging acts of brutality. Andrew J. Fenady's teleplay adaptation bestows an enthralling literate script with well drawn up characters, fascinating viewpoints and psychological banter. Sometimes it got a little bogged down, during the growing affection between the characters Humphrey and Flaxen and the waterlogged conclusion is not as strong as it could've been. Still its well judge, and liked how it keeps a dark undertone to it… namely that of Bronson's tough, intimidating performance. The cast also features Catherine Mary Stewart, Marc Singer, Len Cariou and a perfectly weasel-turn by Clive Revill.

I caught this version of The Sea Wolf when it was originally broadcast and was very pleasantly surprised. Christopher Reeve did his usual excellent job, playing the, literally, wet-behind-the-ears socialite quite out of his element and who must toughen up or die. Although I was at first skeptical of the performance Bronson would turn in, he made the role his own. No one plays stone-faced determination like Bronson and he seems well-suited for this role. It is a rare, noted performance in the classic movie star's latter years. The clash of these two characters, and actors, drives the movie from a slow-burn to a fever-pitch intensity. Although I had read the book, I was on the edge of my seat, waiting to see how Bronson and Reeve would interpret their parts in the next scene.

For those who saw the black and white version of 1941 starred by E.G. Robinson, John Garfield and Ida Lupino, this remake is far away to be of the same quality as this one. Bronson is never at the altitude of Robinson, he is a kind of soft Wolf while Robinson played a real tough one. Reeve tried to be at the same level of Garfield, but again unsuccessfully. This remake is only better in its photography and colors, but the cast of 1941 version acted simply masterfully.