Will Success Spoil Rock Hunter? (1957)

I'll tell you why so serious

There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

1/26/18. I watched this because it is a National Film Registry pick. It was an okay movie for the time period. However, what was interesting was Mansfield's breathless delivery throughout the whole movie. While Marilyn Monroe was her contemporary, after watching this movie it makes me wonder if all the characteristics that Monroe was noted for (breathless delivery) was really Mansfield's creation than Monroe's. Oh well, I guess we'll never know.

A film with ups and downs in a variety of ways; from the long takes to fast-cut slapstick scenes, from the snarky sarcasm aimed at television, radio, advertising companies (highlight is the opening credits, filled with satiric commercials that seem to have influenced Paul Verhoeven for his scenes in RoboCop) to the cliché, over-the- top happy ending that actually does not feel forced because of the whimsical atmosphere of the film. It really does feel like a live-action adaptation of a cartoon Tashlin had stuck in his head.Sadly several aspects grated my nerves, I know Jayne Mansfield was playing the same irritating satirical embodiment of '50s film stardom as she did in The Girl Can't Help It, it does not make it any less horrible to listen to. Especially when Betsy Drake begins imitating her. Some of the dialogue, specifically almost all of Henry Jones's lines, is so cringe-worthy it stops being satire and ends up being so-bad-it's-good if you can get over the sheer ridiculousness of sayings like 'solvy solved', the wit needed to make this kind of writing work is not present in a lot of the scenes. Tashlin tries to overcome this with including crude humour, which is very dated with all its sexist under- and overtones.In conclusion, Will Success Spoil Rock Hunter? is worth viewing solely on the basis of its unique character, just do not expect a witty commentary on the entertainment industry or an interesting plot.

Absolutely ridiculous 1957 film where the glib advertiser, Tony Randall, suddenly becomes a great success at the advertising firm he works for by getting Jayne Mansfield to endorse a certain lipstick.It's basically the same old story that success in life isn't everything, especially when it interferes with the relationship of his true love.Other than being a sex object, Mansfield does little to nothing. Ditto for Joan Blondell, her assistant, who did have one funny line. When asked if she goes out on blind dates, she replied: "Only when I'm blind!" The line was appropriate since the film lacked vision and the break for a commercial was really inane.Veteran actor John Williams really changed his usual persona of a tough British officer by playing the head of the firm who finally gives in to his desire of being a horticulturalist.

Hilarious.....hilarious....and can I say.....hilarious.......the perfect smut laden 50s farce if ever there was one....and there was one........and it's this one....!..greater than THE GIRL CANT HELP IT and equally demented. For sheer vulgarity I have NEVER heard such Farrelly-esquire risqué rudeness in a 50s or even 60s film: Joan Blondell says whilst making a cocktail: "I had a boyfriend once, he was a milkman, I used to get a lump at the back of my throat when I knew he was coming. But it didn't last, I guess he found a girl who liked his brand of cream more than me". There is half a dozen censorship busters like this too.......all thanks to Frank Tashlin. This is as fresh and funny as it was in the 50s and deserves a higher profile in the annals of REAL funny films. My videotape is in cinemascope too so try and see it that way if you can.