Hit the Ice (1943)

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Your blood may run cold, but you now find yourself pinioned to the story.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Close shines in drama with strong language, adult themes.

HIT THE ICE (Universal, 1943), directed by Charles Lamont, certainly has the distinction of being another one of many ice skating musicals starring Olympic skating champion, Sonja Henie. Though Henie doesn't appear, much of the icing goes to Universal's top comedy team of Bud Abbott and Lou Costello. While there are good songs and some ice skating involved, HIT THE ICE also has the distinction of other fine things presented that truly indicate why Abbott and Costello movies were so successful during the World War II years. Though they don't really hit the ice, they surely were hitting their stride.The story opens at Fulton Hospital where Harry "Silky" Fellowsby (Sheldon Leonard) occupies a room feigning feverish illness in order to establish an alibi as he and his fellow mobster pals, Phil (Marc Lawrence) and Buster (Joseph Sawyer) sneak out of the hospital to rob the bank across the street. While Bill Burns (Patric Knowles) is doctor in the case, his nurse, Peggy Osborne (Elyse Knox) suspects foul play. As the gangsters await for the arrival of a couple of gunmen from Detroit, Doctor Burns meets up with a couple of friends from his childhood days, Flash Fulton (Bud Abbott) and Tubby McCoy (Lou Costello), now photographers hoping to get some pictures for the newspaper where they hope to obtain employment. Inviting the boys to come along on an emergency call via ambulance, naturally when Flash and Tubby unintentionally encounter Silky and his gang at the hospital, they are mistaken for the boys from Detroit. Unwittingly assisting the gangsters in the bank robbery, it's Flash and Tubby who are accused with their photo sketches placed on the newspaper's front page. As the dual attempt to prove their innocence and return the bank money by following the gangsters via train to Sun Valley, Silky and his gang keep watch on Flash and Tubby believing they hold actual photos of them at the robbery. In the meantime, as Silky hides the loot in his mountain cabin, Burns, now a resident physician at Sun Valley accompanied by his ever suspicious nurse, Flash and Tubby, working as waiters, soon meet up with another friend from their boyhood days, orchestra leader Johnny Long (Johnny Long), whose vocalist, Marcia Manning (Ginny Simms), might have some connection with Silky and his gang. Then the fun really begins.Aside from great comedy routines in the true Abbott and Costello fashion, including some clever verbal exchanges (one resembling their classic "baseball" routine), pack and unpack, Costello's "all right" piano playing to a recording (a scene usually edited from broadcast TV channels to allot for extended commercial breaks, and a routine later recreated in an episode to their 1950s TV series, "The Abbott and Costello Show"), and the handkerchief and punch-me gag, there's the usual time-out song interludes to showcase some musical talent, in this case, the vocalization of the gorgeous Ginny Simms. Songs scored by Harry Revel and Paul Francis Webster include: "I'm Like a Fish Out of Water" (no connection to the same title tune from the 1937 Warner Brothers musical, "Hollywood Hotel"); "I Like to Set You to Music" (sung by Ginny Simms, The Four Teens, and Johnny Long); "Slap Happy Polka" (sung by Simms and skaters) and "Happiness Bound" (sung by band members). Of the four tunes, "Slap Happy Polka" and "Happiness Bound" are at its listening best, with the Polka number staged in hilarious fashion as Costello gets himself entangled in an ice skating ensemble, to hilarious results. If that's not hilarious enough, be sure not to miss Abbott and Costello's climatic chase coming down the mountain on skis.With frequent broadcast television revivals, especially on New York City's WPIX Channel 11 Abbott and Costello Sunday morning movies(1971-1990), and prior to that on WNBC, Channel 4's late show through much of the late sixties, HIT THE ICE, which was then one of the most widely known among Abbott and Costello film titles, has become sadly overlooked through the passage of time, which is a shame because it's still 84 minutes of old-style non-stop fun.Formerly available on video cassette around the 1990s, HIT THE ICE can still be seen in its full glory on DVD, along with other Abbott and Costello titles on the same disc as IN SOCIETY (1944) and THE NAUGHTY NINETIES (1945). Take note that while Costello is called "Tubby" throughout the story, he's listed in the closing cast credits under the name of "Weejie." Now that's really hitting the ice. (***)

Hit The Ice was Universal Studio's attempt to cash in on the popularity of 20th Century Fox's Sun Valley Serenade which mixed swing music with Sonja Henie's ice skating. Universal didn't have an ice skater of the caliber of Sonja Henie, but they did have Abbott&Costello and Costello on the ice was a sight to see.As for the swing music, Glenn Miller and his Orchestra were in Sun Valley Serenade and Universal didn't have them either. By this time Glenn Miller had gone to war. So they hired one of the good second line swing orchestras of the period led by violinist Johnny Long. And they also acquired Ginny Simms one of the best female singers from the Forties to appear with Long.However first and foremost the film is an Abbott&Costello effort and the boys do come through. They're first free lance photographers who take a picture of gangsters Sheldon Leonard, Marc Lawrence, and Joe Sawyer robbing a bank while Leonard is supposed to be in a hospital. Leonard's set up careful alibi about that even with doctor Patric Knowles and nurse Elyse Knox suspicious. Costello's camera work threatens to blow up some best laid plans.The whole cast winds up at Sun Valley during the ski season, setting up a most excellent chase sequence with the boys and the crooks going down slope. We're not quite sure who's chasing who, but the loot from the robbery is involved.Bud and Lou do some very good work. Sad to say that the film was badly edited and there are some plot problems because of it. Towards the end you see the boys in tuxedos waiting for Ginny Simms at a train station with no real explanation as to why they're in the formal wear. Simms also gets to play straight girl for the boys, part of her role is to vamp Costello and she does a good job. All that beauty and an incredible set of pipes.Hit The Ice is not one of their best efforts, but still better than some of what they did in the Fifties and should please Bud and Lou's strong legion of fans the world over.

Bud and Lou walk into an apparently empty bank: B: "Teller!"L: "I'll tell her, where is she?"B: "Where is who? I said teller"L: "Tell her what?"B: "Tell her nothing. I want a teller" L: "Go ahead and tell her, I don't care!" B: "No, teller in the bank"L: "Tell her in the bank, tell her on the street, tell her anywhere you want, I won't listen" "Hit the Ice" has some very funny verbal exchanges (the aforementioned "teller" routine had me in tears, followed by the "pack the grip" - "unpack the grip" one), and also some absurdist moments (check out the way they enter the mountain cabin). Less successful are Lou's pratfalls in the skating ring (seeing him fall flat on his face is not so funny after the 10th time it happens), and the climactic ski chase suffers from the obviousness of the rear projection. Kids will probably enjoy the slapstick parts more, but I imagine that most adults will prefer the verbal humor. Ginny Simms' songs are forgettable and time-wasting, but at least we get to look at her - she was a remarkably beautiful woman. (**1/2)

In this film, the boys are photographers who are mistaken for hired killers by bank robbers. A&C provide some funny moments, including the "All right" piano bit and the "Pack, Unpack" routine.Despite giving their best efforts, this film ranks as their weakest starring vehicle among their films from 1941 to 1943. There are two main reasons: first, the story and situations are contrived to the point of annoyance; the plotline relies on people constantly bumping into old friends. In the film, A&C meet up with Patrick Knowles whom they haven't seen in years, then they bump into old friend Johnny Long; Ginny Simms conveniently knows gangster Sheldon Leonard...and so on. Second, the musical numbers are back. One would think that Universal learned their lesson with the success of "Who Done It?" by having no numbers, but they are here, and there are plenty of them. Ginny Simms is a lovely lady with a great voice, but the movie boggs down by the sheer number of songs. (It doesn't help that she's no actress.)The supporting cast is fine, and A&C truly give the material their best. But it's not enough to save the film, considering the contrived situations and musical numbers. 4 out of 10.