Mars (2010)

Am I Missing Something?

A different way of telling a story

In other words,this film is a surreal ride.

This movie feels like it was made purely to piss off people who want good shows

Geoff Marslett's Mars is immediately intriguing based on its visual style, which may be the closest a film ever came to looking like a graphic novel that I have yet to see. Sin City merged the styles of film noir and graphic novel to create a film that's dark and murky visual scheme gave it new layers of life, but Marslett's directorial debut includes the graininess that would ostensibly be visible in a graphic novel had it come to life before one's eyes. The result is a film that looks very similar to A Scanner Darkly or Waking Life, one of Richard Linklater's uniquely animated, existential films with an animation style that, to my knowledge, hasn't really been exploited since.Marslett achieved the unique animation style through the similar rotoscoping technology Linklater put to use with the aforementioned films, though through all the heavy colorization in the characters' features and details, the design doesn't mirror that shiny sleekness Linklater's films did. The film's animation likely comes into play due to Marslett's scope and ambition outweighing the mass of his bank account, and the result is a lot better than one would imagine, though its film school-style narrative and structure comes through when you realize the film doesn't really have any strong insights to cling to.More on that later. The film focuses on three astronauts, Charlie (Mark Duplass), a cocky, washed-up man who relishes in his great spacewalk victory years ago, Casey (Zoe Simpson), a New Zealand doctor who is about to fulfill her dream of being the first woman on Mars, and Hank (Paul Gordon), the gang's leader, who seems like he's forever wallowing in a cloud of bong exhaust with his slow, sometimes slurry, manner of speech, who are embarking on a trip to Mars. The three are constantly monitored by their boss Shep (Howe Gelb) at Mission Control, who instructs Hank to go against the grain numerous times without informing his crewmates, in addition to a group of Television journalists. All eyes are on these three brave souls and their uncertain futures as they embark on being the first astronauts to set foot on the red planet.Once your eyes have feasted on Marslett's beautiful and layered animation, in addition to embracing the hilarious sarcasm of Duplass and the listlessness of Gordon, Mars devolves into a romantic story, perhaps questioning "is there really love on Mars?" (read that twice, if need be). Marslett strays away from any kind of political or social commentary here, and unfortunately, that feels a bit like a copout with this film, as Marslett has gone all this way, literally out of this world, to basically craft a cutesy, hipster romance on another planet. Sure there's evident romanticism, and sure, Duplass and Simpson strike an amiable chemistry, but when the visuals are this unique, the plot is this significant, and the characters are deemed so important, it seems kind of elementary to confine them to a basic romance plot when they're Mars of all places.Mars gets a lot of creativity points in its visual scheme, and it's pleasantly short at barely eighty minutes, making this expedition a brief and marginally satisfying one overall. The problem this film - which is essentially a mumblecore film set in space - is that because it's so minimalist in plot, the screenplay must immediately rely on characters, themes, and dialog in order to be successful, and instead of soaring to new heights, like Marslett does with the visuals and the narrative, he keeps everything relatively grounded. The result is sweet, cheerful, but kind of forgettable.Starring: Mark Duplass, Zoe Simpson, Hank Gordon, and Howe Gelb. Directed by: Geoff Marslett.

I am no stranger to the depths of bad cinema, being a huge fan of movies like Birdemic, Troll 2, Ben & Arthur, The Room etc. but this one really takes the cake. The difference between this and those though? It doesn't have the decency to be entertainingly bad.The movie is about a small team of astronauts being sent by NASA in 2015 to investigate if there exists life on Mars, the majority of the film being about their journey and supposedly about the romance between two of the astronauts: Charlie Brownsville, the man with the worst name of all time, and Casey Cook, the only major female character of the film with the most questionable name.All of this is brought to life with production values that is borderline Birdemic-ian: Everything is recorded on a really bad green screen, adding in CGI backdrops that make the Eiffel 65 music videos from the 90's look like a PS4 game in comparison and then lazily slapping a Photoshop filter over everything to give the impression of this being animated actors, despite obviously not being so.Mix this with acting that is beyond abysmal, a script that thinks quirkiness is more important than plot or meaning, incredibly stupid ideas such as putting a swimming pool in a space ship, and a absolutely disgusting plot twist that could be pulled right out of Foodfight and you would think this would at least be a memorable spectacle if not exactly quality film making. So why isn't this ending up as brilliant moon cheese?Well, it's... just boring for the most part.After the intro sequence setting up the universe and characters (and foreshadowing the plot twist), very little happens on their journey. Most of the time is spent relaxing, chit chattering, sometimes video-calling NASA or the president or the media, but there is no substance to it. No memorable lines or jokes, no character quirks beyond "we are quirky", not even any real character building showing Charlie and Casey growing closer to each other in any substantial emotional way, and in the end it all comes off as very dull, and it just feels like padding to turn a short film into a feature length one. There is a few times something silly happens, as mentioned they go swimming in a freaking pool in space which is ridiculous, but those moments are so few and far between they don't save it and it all becomes a blur of vague memoriesThat is, until the plot twist happens, and oooooooooh boy did that turn this from "incredibly forgettable" into the absolute worst thing ever. !ENDING DETAILS SPOILERS FROM HERE ON OUT!So in the intro to the movie, we see a few years before the NASA space travel starts, the Russian space program is sending up a satellite to scan Mars for life themselves. One of the workers loading it into the space shuttle is sick and sneezes on the satellite. It then turns out that his snot got mixed with the natural bacteria of the red planet and thus created life.Yes, that actually happens.To make matters even worse, once Charlie and Casey inevitably falls in love at the end, despite showing no signs of actual chemistry between each other, they decide to spell out their love together. In writing on Mars. Via urine. And wouldn't you know it, their urine actually creates intelligent life on Mars!All I can say is, this is near unwatchable. If you want a hipster-y indie comedy you can do better, if you want a animated sci-fi adventure you can do better, if you want romance you can do much much better, and even if all you want is stupid and corny so bad it's good trash the long wait of absolutely nothing happening kills the joy of that too. All in all a very pretentious and unnecessary movie that is too normal yet simultaneously too weird for it's own good, and ends up as barely a movie at all.

Enjoy this sci-fi valentine. Netflix recommended this hybrid animation, so I was game. At first, I was put off by the whole thing, being more of a hard sci-fi fan. But I am also into theater and storytelling, and in that sphere, I ended up really enjoying this piece of art. It has heart and it is earnest and quirky. Once you buy into the style of acting and storytelling (but I suspect many cannot) you will be rewarded with a pleasant and unique sci-fi movie. As another review had noted, the live animation is not as smooth as Linklater's efforts, but it has its own charm. Watch the credits. Very enjoyable. Seriously though, why so much hair gel?

First of all don't watch this if you are expecting a cartoon - this is "rotoscope" animation, with live actors being converted to animation by computer and entirely CGI settings, none of it very well done at all. Likewise don't expect a hard SciFi thriller or actioner. In fact, don't expect a formula plot of any kind.But if you like quirky, off-beat, a little bit corny comedy this one is completely harmless and fun. No you won't laugh out loud, but you'll chuckle, and you may just smile from credits to credits. The acting is pedestrian but charming, the story is deep as a teaspoon, but the script is cute and the CGI is sort of like the drawings of a sixth grade class. Don't expect much and you'll enjoy this little 90 minute diversion.